论严歌苓小说人性主题的开掘

发布时间：2018-07-05 18:38

本文选题：严歌苓小说 + 人性主题　；参考：《辽宁大学》2014年硕士论文

【摘要】：严歌苓是活跃在当今文坛的著名女作家，她总是能够以独到的眼光和敏锐的洞察力展现给我们一个又一个令人难以忘怀的人物形象。她笔下每一个人物形象都是灵动而鲜活、充满执念。他们是活在严歌苓面前的主角，同时他们也是活在读者心中的主角。然而，我们不难看到，在这些形形色色的人物形象背后，暗藏的是严歌苓对人性的清醒认识，，同时也有对历史现实的敏感体察。本论文以“严歌苓小说人性主题”为重心，分别从人性化主题蕴含、女性形象塑造、男性形象塑造、意象的营造等层次展开论述，努力系统、全面地研究严歌苓小说的深刻主题和艺术特色。论文共分五个部分。第一部分综述严歌苓小说的成就及特点，以及严歌苓小说的跨文体传播、跨文化影响，纵观当下研究严歌苓的总体情况，梳理当下研究现状。第二部分揭示严歌苓小说人性主题的多重蕴含。严歌苓自觉、不自觉地书写着她所熟悉的年代，从历史记忆中钩沉她刻骨铭心的故事。《陆犯焉识》正是一部这样的作品。陆焉识的身上承载着作者对祖父的碎片记忆和丰富的想象，也浓缩了当时那代知识分子的普遍遭遇和命运。他的精神追求、心理底线等等都在残酷的政治斗争和恶劣的生存环境中被大肆挤压和拉扯，20年的牢狱生活，让我们看到人性的变异，看到人性在种种残酷面前所呈现出来的巨大张力。严歌苓以独特的女性视角，还创作了一系列光彩照人的女性形象，努力从女性形象身上开掘出人性的魅力，尤其是母性的光辉，“扶桑”和“王葡萄”正是充满母性光辉的人物代表。欲望和情感的纠结是很容易演绎好故事的，严歌苓是位擅长讲故事的作家。一个男人，两个女人，三个孩子。这个畸形的家庭中注定要充满感情跟欲望的纠葛。《小姨多鹤》通过抗日战争时期日本女性与中国家庭之间的情感纠葛，从历史的缝隙中探究人性、探究人与人之间、人与社会之间和人与政治之间的关系的主题。第三部分从女性视角切入，更具体的女性人物形象分析，揭示严歌苓笔下独特的女性形象所生动演绎出的丰富的人性。第四部分着重探寻严歌苓笔下是怎样以符号化的男性形象，即他们多面相的嘴脸，凸显人性的复杂性，从而见出作家关于人性主题的探索深度。第五部分着眼于严歌苓小说缤纷意象的营造，分析严歌苓小说对于人性主题的审美书写。意象的运用是严歌苓擅长的艺术手段，在她巧思构筑的虚实相生的意象世界里，我们领略到她挥洒着具象描述和哲理升华的才情。这些缤纷的意象蕴含了生动而深刻的意义，给读者的心理带来意想不到的冲击，以及幻化多变的艺术魅惑。这些意象在作品所营造的艺术世界里往往给读者传递着下意识、无意识的暗示。意象在人性化主题的开掘上起到了重要的隐喻作用，增强了文学的审美力。结语部分总结了严歌苓对于人性主题不断挖掘的动力。对于敏感细腻的严歌苓来讲，历史记忆、敏感的体悟、在东西方文化的夹缝中的挣扎都裂变成她丰富的创作资源。他们蕴含着生生不息的生命力量。无论是书写历史记忆还是描述现实困境，严歌苓的小说都带有浓厚的思考，是对民族的、对文化的、对人性的深刻反省，这就延展了她作品的广度与深度，在海外华人的创作中具有不可替代的作用。我们能看到她一直努力的身影，也能看到她在异国文化中徘徊的身影，也能看到她坚持创作梦想的坚韧。希望她能带给我们更多的惊喜。
[Abstract]:Yan Geling is a famous woman writer active in the present literary world. She is always able to show us an unforgettable figure with unique insight and keen insight. Every figure in her character is vivid and vivid and full of obsession. They are the protagonists who live in front of Yan Geling, and they are also alive. However, it is not difficult to see that behind these shapes and colors, it is hidden in the sober understanding of the human nature and the sensitivity to the reality of history. This thesis focuses on the theme of human nature in Yan Geling's novels, from the humanistic theme, the portrayal of women and the male image. This paper discusses the creation of images and the creation of images, and tries to systematically and comprehensively study the profound themes and artistic features of Yan Geling's novels.
The thesis is divided into five parts. The first part is a summary of the achievements and characteristics of Yan Geling's novels, as well as the cross cultural transmission and cross cultural influence of Yan Geling's novels, the present study of Yan Geling's overall situation and the present situation of the study. The second part reveals the multiple implication of the theme of the human nature of Yan Geling's novels. She was familiar with the story of her memory in historical memory. Lu Yan was a piece of such a work. Lu Yan's knowledge was carrying the author's memory of his grandfather's fragments and his rich imagination. It also concentrated on the general encounter and fate of the intellectuals at that time. His spiritual pursuit, the bottom line of the mind, and so on were all cruel. The political struggle and the harsh living environment were squeezed and pulled. The prison life of 20 years made us see the variation of human nature and see the great tension of human nature in the face of all kinds of cruelty. The charm of human nature, especially the brilliance of motherhood, "Fu sang" and "Wang grape" are the representatives full of maternal brilliance. The entanglement of desire and emotion is easy to deduce good stories. Yan Geling is a storytore writer. A man, two women, three children. This deformed family is doomed to full of feelings and desires. Through the emotional entanglement between Japanese women and Chinese families during the war of resistance against Japanese War, the third parts of the "little Crane" from the Japanese women and the Chinese family, explore the human nature from the gap of history, explore the relationship between man and man, between man and society, and between man and politics. In the fourth part, the fourth part focuses on how Yan Geling is a symbol of male image, that is, the face of their multi face and the complexity of human nature, so as to see the depth of the author's exploration of the theme of human nature. The fifth part focuses on the colorful images of Yan Geling's novels. To create, analyze the aesthetic writing of Yan Geling's novel on the theme of human nature. The use of image is the artistic means of Yan Geling. In the imagism world of the imagism and reality which she thought of building, we appreciate her talent with representational description and philosophical sublimation. These colorful images contain vivid and profound meaning to the reader's heart. In the artistic world created by the works, these images often convey the readers' subconscious and unconscious hints. The imagery plays an important metaphorical role in the excavation of the theme of human nature and strengthens the aesthetic power of literature.
The concluding part summarizes the motive force of Yan Geling's continuous excavation of the theme of human nature. For the sensitive and delicate Yan Geling, the historical memory, the sensitive understanding, the struggle in the gap between the eastern and Western cultures become her rich creative resources. In real predicament, Yan Geling's novels are all with deep thinking. It is a profound reflection on national, cultural and human nature, which extends the breadth and depth of her works, and has an irreplaceable role in the creation of overseas Chinese. We can see the shadow she has been working hard to see, and also see the figure of her wandering in the foreign culture, I can see her perseverance in creating her dream. I hope she can bring us more surprises.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I712.074

【参考文献】