男诗人说女声—中英诗歌中的女性言说主体

发布时间：2018-07-07 11:38

本文选题：中英诗歌 + 女性口吻　；参考：《上海交通大学》2014年硕士论文

【摘要】：中英诗歌中都存在男性诗人采取女性口吻写诗的文学现象。中国此文学现象以闺怨诗为首，，昌盛于晚唐宋朝的“词”，如同中国封建社会的一面镜子。男诗人采用女性口吻写诗现象最早出现于《诗经》，表现女子对男子薄幸等哀怨；后到魏晋南北朝，以曹植《七哀诗》最为典范，借女性口吻说怨表述仕途失意，丰富了怨的内涵；以至唐代宫怨靡然成风。英国文学中男性采取女性口吻写诗作文较少，但存在着该文体的理论研究。与中国女性口吻诗歌与社会因素的紧密联织不同的是，英国女性口吻诗歌的出现以对文学文体创新的追求而引出。最早出现于13世纪，以不同文体相结合的形式表述女性的遭遇；后16世纪文艺复兴个人主义带入英国，男性诗人借女性口吻彰显个人情愫，以邓恩尤甚。为何男性诗人需要采取女性口吻言说？这一文学现象前人研究甚少，且主题有趣。本文主要从中英诗歌该文体发展历程和原因两个角度探讨这一有趣的文学现象。文首探讨了诗歌言说主体的性别和口吻概念，并引出理论界对该文学现象不同的定义。然后通过政治，文化和心理层面解析中英诗歌女性口吻诗歌缘起的原因和选择层面上的含义，并分时期解析女性口吻的发展和内涵复杂化的历程。
[Abstract]:In both Chinese and English poetry, there is a literary phenomenon in which male poets write poetry in a female tone. This literary phenomenon in China, led by purdah poems, flourished in the "ci" of the late Tang and Song dynasties, as a mirror of China's feudal society. The phenomenon of male poets writing poems in female tone first appeared in the Book of songs, showing women's sorrow about men, and then in the Wei, Jin, Southern and Northern dynasties, Cao Zhi's Qi Ai Poems was the most exemplary, using female tone of voice to express the frustration of his official career. Enriched the connotation of resentment; even the Tang Dynasty palace resentment became popular. In English literature, men use female tone to write poetry, but there is a theoretical study of this style. Different from the close combination of Chinese female voice poetry and social factors, the appearance of English female voice poetry is derived from the pursuit of literary and stylistic innovation. It first appeared in the 13th century to express the experiences of women in the form of a combination of different styles. In the late 16th century, Renaissance individualism was brought into England, and male poets, especially Dunn, expressed their personal feelings in the tone of women. Why do male poets need to speak in a feminine tone? This literary phenomenon has been studied very little and the subject is interesting. This paper mainly discusses this interesting literary phenomenon from the perspective of the development of Chinese and English poetry. The first part discusses the concepts of gender and tone of speech in poetry, and leads to different definitions of this literary phenomenon in the theoretical circle. Then through the political, cultural and psychological level to analyze the origin of Chinese and English poetry female oral poetry and the meaning of choice level, and analyze the development of female tone and the complex process of connotation.
【学位授予单位】：上海交通大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I106.2

【共引文献】