论汤亭亭小说《女勇士》的互文性特征

发布时间：2018-07-27 12:35

【摘要】：《女勇士》是汤亭亭所著的一部在美国华人文学史上的经典之作,曾在美国被授予全国图书奖,汤亭亭凭借深厚的文化积淀和细腻的笔触创作了这部脍炙人口的小说,表现了整个华裔群体努力探索自身生存和文化发展的顽强精神。在创作中,她巧妙地将西方文化和中华文化传统结合在一起,不仅加深了作品的文化内涵,也为本文从互文性角度诠释小说的独特魅力提供了重要依据。 “互文性”这一概念,最早出自于巴赫金的对话理论。其“对话”实际上指的是文本间的关系。互文性有广义和狭义之分,广义学派的代表人物是法国的结构主义学者茱莉亚克里斯蒂娃,1969年她把巴赫金的这一概念发展成为一个术语,意指一文本和另一文本之间的相互关系。她的理论阐明了文本绝不是独立的：文本的意义产生于和其他文本相互作用的过程中。狭义互文性的主要代表人物是热拉尔热奈特,也是一名结构主义学者,他提出了“跨文本性”的概念,即认为任何文字都是跨文本的,任何文本都是产生于其他文本之上的“二度”结构。本文将以茱莉亚克里斯蒂娃为代表的广义互文性理论和热拉尔热奈特为代表的狭义互文性理论为依据,具体分析汤亭亭小说《女勇士》的互文性特点。在简介部分,本文介绍了作家汤亭亭的生平和作品,《女勇士》的主要内容、国内外对《女勇士》的学术研究成果和本论文的中心主题及研究方法。在第二章中,系统地论述了互文性理论,包括这一理论的渊源、创立及嬗变,以及对于该理论的应用。论文第三章从狭义互文性观点出发,着重分析了《女勇士》中的用典,详细探讨对花木兰,蔡琰,以及岳飞故事的借鉴和改写。第四章从广义互文性观点出发,分析《女勇士》与成长主题,中国现代文学,以及自传体体裁产生的互文性关系。第五章为结语部分,进一步综述了汤亭亭《女勇士》中的狭义互文性和广义互文性及其意义。
[Abstract]:"female Warriors" is a classic in the history of American Chinese literature written by Kingston. She was awarded the National Book Award in the United States. Kingston created this famous novel with deep cultural accumulation and exquisite brushwork. It shows the indomitable spirit of the whole Chinese community to explore their own survival and cultural development. In her creation, she cleverly combines the western culture with the Chinese cultural tradition, which not only deepens the cultural connotation of the works, but also provides an important basis for this article to interpret the unique charm of the novel from the angle of intertextuality. The concept of intertextuality originated from Bakhtin's theory of dialogue. Its "dialogue" actually refers to the relationship between texts. Intertextuality is divided into broad sense and narrow sense. The representative figure of the broad sense school is the French structuralist Julia Cristeva, who developed the concept of Bakhtin into a term in 1969. The relationship between one text and another. Her theory clarifies that text is not independent: the meaning of text comes from the process of interaction with other texts. The main representative of the narrow sense of intertextuality is Gerard Genett, who is also a structuralist scholar. He put forward the concept of "transtextuality", that is, any text is cross-text. Any text is a second-dimensional structure that is generated on top of other texts. Based on the generalized intertextuality theory represented by Julia Cristeva and the narrow intertextuality theory represented by Gerard Genett, this paper analyzes the intertextuality characteristics of Maxine Kingston's novel Women Warriors. In the part of brief introduction, this paper introduces the life and works of the writer Kingston, the main contents of "Women Warriors", the academic research results of "Women Warriors" at home and abroad, and the central theme and research methods of this paper. In the second chapter, the theory of intertextuality is systematically discussed, including its origin, creation and evolution, and its application. In the third chapter, from the point of view of narrow intertextuality, the author emphatically analyzes the use of examples in female Warriors, and discusses in detail the reference and rewriting of Hua Mulan, Cai Yan, and Yue Fei's stories. The fourth chapter analyzes the intertextuality relationship between female Warriors and the theme of growth, modern Chinese literature, and autobiographical genres from the point of view of broad intertextuality. The fifth chapter is the conclusion part, further summarizes the narrow sense intertextuality and the generalized intertextuality and its significance in Maxine Kingston.
【学位授予单位】：长江大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I712.074

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