从进步意识的角度解读《伸子》
发布时间：2018-07-27 20:58
【摘要】：宫本百合子是日本著名的无产阶级文学作家、人道主义作家。被誉为战后民主主义文学的旗手。因她在1916年《中央公论》上发表以贫困农村生活为题材的小说《贫穷的人民》，受到广泛关注，而被称为“天才少女”。她的创作生涯跨明治、大正及昭和年代，创作了许多世人瞩目的作品。长篇小说《伸子》是其代表作之一。 《伸子》执笔于1924年，历经三年完成。连续发表在《改造》杂志上。《伸子》是以作家宫本百合子自身的经历为题材，讲述了名叫伸子的女主人公的坎坷故事，‘她出生在日本的中流阶层家庭里，父亲是一名有名的建筑师，母亲是一位文学素养极高的女性，伸子从小受到父母的庇护，很想独立，在17岁的时候离开父母，远渡美国，认识了小说的男主人公—佃一郎，并和佃一郎在美国自由恋爱，自由结婚，结婚回国后，夫妻两人在性格等方面由于人生观，家庭观的差异而产生的矛盾，在经过种种痛苦之后，在结婚五年后，伸子作出了离婚的决定’。 本论文详细分析伸子“进步意识”的具体表现。主要通过伸子进步意识的表现来证明伸子是一位追求独立与自由的新时代女性。最后通过分析宫本百合子的家庭环境以及时代背景来探索伸子的原型宫本百合子所具有的新时代女性的进步思想。 本论文是由序论，本论和结论三部分组成。主要内容如下： 序论主要是介绍本论文的先行研究，研究目的以及研究的意义，在此基础上，介绍作品《伸子》的主要内容，作家宫本百合子的生平以及宫本百合子一直提倡的女性解放运动。 本论由二部分内容组成。第一部分是围绕《伸子》这部作品的内容来考察伸子的进步意识。主要从伸子与丈夫佃一郎，伸子与母亲遐江，伸子与新时代女性素子这三对关系来探索伸子对自立与自由的追求。伸子从小在父母亲的庇佑下长大，可是伸子却追求与母亲截然不同的生活方式，为了挣脱母亲的束缚，她选择了远赴美国追求自由，而与佃一愞的邂逅，激发了伸子内心对自由的强烈追求，她选择与佃自由恋爱，并且提出在婚后继续工作和不生育小孩的两个要求。她期待着的是婚姻能使双方的爱丰富化，将婚姻家庭当作自己成长的地方。但是在婚后的现实生活中，佃一愞性格的伪善性以及生理心理上等问题以及两人人生观及价值观的差距，让伸子的内心异常的寂寞空虚，现实的婚姻非但没有促进伸子自身的成长，反而阻碍了伸子追求独立与自由。再加上佃一愞所表现出来的男权为中心的观念，使感受到了女性在社会地位的不平等，，激发了伸子迫切追求女性平等的权利。而新女性素子的出现，让伸子看到了经济独立，追求积极向上生活方式的素子。因此伸子决定追求素子的生活方式，毅然决定与佃一愞离婚，走上了自我重生的道路。第二部分是从家庭环境，时代背景和作者自身三个方面来探寻宫本百合子具有进步意识的原因。宫本百合子的自立与自由的进步意识，是与当时的时代背景，宫本百合子所处在的家庭环境与其宫本百合子自身有着不可分割的关系。宫本百合子的女学生时代，正是《青踏》杂志的全盛时期。正是受到“青踏派”的影响，造就了宫本百合子的时代特性。宫本百合子不受当时封建礼俗的约束，勇敢的追求自立与自由，体现了宫本百合子的情热与知性。五年的婚姻走到终点后，宫本百合子与汤浅芳子一起远赴苏联，也正是因为这次旅行，对她以后的人生产生了重大的影响。《两个院子》和《道标》这两部作品就是真实体现了宫本百合子当时的思想转变。《伸子》、《两个院子》与《道标》，被称为宫本百合子的“人生三部曲”。 最后是结论部分。综上所论述内容得出结论，并指出本论文所存在的不足和提出今后有待研究的课题。
[Abstract]:Miyamoto Yuriko, a famous Japanese proletarian literary writer, and a humanitarian writer, was praised as the flag bearer of postwar democratic literature. She was widely paid attention to as a novel "the poor people", which was published in the 1916 < central public opinion as the subject of poverty in the poor countryside ', and was called the "genius girl". In the era of Zheng He and Zhao he created many works that attracted worldwide attention.
< extension > was written in 1924. It was completed in 1924. It was finished in three years. It was published continuously in the magazine. "Extension son" is a story of the heroine named extenson. "She was born in the middle class family in Japan, the father is a famous architect, and the mother is a literary accomplishment." The high female, as a child, was protected by his parents and wanted to be independent. At the age of 17, he left his parents, traveled far in the United States, knew the hero of the novel, a franc, and was free in love in the United States, free to marry, and returned home, and the contradiction between the two couples in character, such as their outlook on life and the difference of family view, came into being. After a lot of pain, after five years of marriage, he decided to make a divorce.
In this paper, the specific expression of "progressive consciousness" is analyzed in detail. Through the expression of the progressive consciousness, it is proved that the extension is a new era of women seeking independence and freedom. Finally, through the analysis of Miyamoto Yuriko's family environment and the background of the times, we explore the new age women of the archetype of the archetypal Miyamoto Yuriko. Progressive thought.
This paper is composed of three parts: preface, theory and conclusion. The main contents are as follows:
The preface mainly introduces the first study, the purpose of the study and the significance of the study. On this basis, it introduces the main contents of the works < extension >, the life of the writer Miyamoto Yuriko and the feminine liberation movement that Miyamoto Yuriko has been advocating.
This theory is composed of two parts. The first part is to explore the progressive consciousness of the extension around the content of the "extension". It mainly explores the pursuit of self-reliance and freedom from the three pairs of relations between the extension and the husband, the son, the mother, the river, the extension and the new age of women. But the extension pursued a different way of life from the mother. In order to get rid of the mother's bondage, she chose to go to the United States to pursue freedom, and the encounter with the tenancy aroused the strong pursuit of freedom. She chose to be free in love with the tenant and put forward two requirements for continuing to work after marriage and not to have children. It is that marriage can enrich the love of both parties and regard the marriage and family as their own place of growth. But in the real life of the marriage, the hypocrisy of the character, the physical and psychological problems and the gap between the two people's outlook on life and values make the heart of the extensor unusually lonely and empty, and the real marriage has not promoted the extension. On the contrary, his own growth hinders the pursuit of independence and freedom, and the concept of male rights as the center of the tenancy, which makes the women feel the inequality in the social status and excite the right to pursue women's equality urgently. The second part is to explore the reasons for the progressive consciousness of Miyamoto's Lilies from the family environment, the background of the times and the author's own three aspects. Miyamoto Yuriko's self-reliance and freedom of progressive consciousness, With the background of the time, Miyamoto Yuriko's family environment has an inseparable relationship with Miyamoto Yuriko itself. The age of Miyamoto Yuriko's female students is the full period of the "green tread" magazine. It is the influence of the "green tread", which has created the characteristics of the times of the palace. Miyamoto Yuriko is not subject to the time. The constraint of building the custom and the courageous pursuit of self-reliance and freedom embodies the warmth and knowledge of Miyamoto Yuriko. After five years of marriage to the end, Miyamoto Yuriko went to the Soviet Union with Tang Fu son together, and it was because of this trip that there was a great impact on her life. The two works of the "two yard >" and "Tao bid >" were true. It reflects Miyamoto Yuriko's change of mind at that time. "Shen Zi", "two courtyards" and "road sign" are known as palace Momo Aiko's "Life Trilogy".
The last part is the conclusion. Based on the above discussion, we draw the conclusion and point out the shortcomings of this paper and put forward the topics to be studied in the future.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.074
[Abstract]:Miyamoto Yuriko, a famous Japanese proletarian literary writer, and a humanitarian writer, was praised as the flag bearer of postwar democratic literature. She was widely paid attention to as a novel "the poor people", which was published in the 1916 < central public opinion as the subject of poverty in the poor countryside ', and was called the "genius girl". In the era of Zheng He and Zhao he created many works that attracted worldwide attention.
< extension > was written in 1924. It was completed in 1924. It was finished in three years. It was published continuously in the magazine. "Extension son" is a story of the heroine named extenson. "She was born in the middle class family in Japan, the father is a famous architect, and the mother is a literary accomplishment." The high female, as a child, was protected by his parents and wanted to be independent. At the age of 17, he left his parents, traveled far in the United States, knew the hero of the novel, a franc, and was free in love in the United States, free to marry, and returned home, and the contradiction between the two couples in character, such as their outlook on life and the difference of family view, came into being. After a lot of pain, after five years of marriage, he decided to make a divorce.
In this paper, the specific expression of "progressive consciousness" is analyzed in detail. Through the expression of the progressive consciousness, it is proved that the extension is a new era of women seeking independence and freedom. Finally, through the analysis of Miyamoto Yuriko's family environment and the background of the times, we explore the new age women of the archetype of the archetypal Miyamoto Yuriko. Progressive thought.
This paper is composed of three parts: preface, theory and conclusion. The main contents are as follows:
The preface mainly introduces the first study, the purpose of the study and the significance of the study. On this basis, it introduces the main contents of the works < extension >, the life of the writer Miyamoto Yuriko and the feminine liberation movement that Miyamoto Yuriko has been advocating.
This theory is composed of two parts. The first part is to explore the progressive consciousness of the extension around the content of the "extension". It mainly explores the pursuit of self-reliance and freedom from the three pairs of relations between the extension and the husband, the son, the mother, the river, the extension and the new age of women. But the extension pursued a different way of life from the mother. In order to get rid of the mother's bondage, she chose to go to the United States to pursue freedom, and the encounter with the tenancy aroused the strong pursuit of freedom. She chose to be free in love with the tenant and put forward two requirements for continuing to work after marriage and not to have children. It is that marriage can enrich the love of both parties and regard the marriage and family as their own place of growth. But in the real life of the marriage, the hypocrisy of the character, the physical and psychological problems and the gap between the two people's outlook on life and values make the heart of the extensor unusually lonely and empty, and the real marriage has not promoted the extension. On the contrary, his own growth hinders the pursuit of independence and freedom, and the concept of male rights as the center of the tenancy, which makes the women feel the inequality in the social status and excite the right to pursue women's equality urgently. The second part is to explore the reasons for the progressive consciousness of Miyamoto's Lilies from the family environment, the background of the times and the author's own three aspects. Miyamoto Yuriko's self-reliance and freedom of progressive consciousness, With the background of the time, Miyamoto Yuriko's family environment has an inseparable relationship with Miyamoto Yuriko itself. The age of Miyamoto Yuriko's female students is the full period of the "green tread" magazine. It is the influence of the "green tread", which has created the characteristics of the times of the palace. Miyamoto Yuriko is not subject to the time. The constraint of building the custom and the courageous pursuit of self-reliance and freedom embodies the warmth and knowledge of Miyamoto Yuriko. After five years of marriage to the end, Miyamoto Yuriko went to the Soviet Union with Tang Fu son together, and it was because of this trip that there was a great impact on her life. The two works of the "two yard >" and "Tao bid >" were true. It reflects Miyamoto Yuriko's change of mind at that time. "Shen Zi", "two courtyards" and "road sign" are known as palace Momo Aiko's "Life Trilogy".
The last part is the conclusion. Based on the above discussion, we draw the conclusion and point out the shortcomings of this paper and put forward the topics to be studied in the future.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.074
【参考文献】
相关期刊论文 前2条
1 郑宝香;论日本女作家宫本百合子的长篇小说《伸子》[J];大连大学学报;2005年01期
2 孙e
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