小说《香水—一个谋杀犯的故事》的隐喻性解读
发布时间：2018-07-29 14:38
【摘要】：本论文以小说《香水——一个谋杀犯的故事》的主人公的成长过程为主线,结合拉康的精神分析理论,按照小说主人公成长过程中的几个主要阶段和关键点布局全文。本文将小说主人公制造香水的过程与追求自我的过程等同起来,描绘小说主人公在追求自我的过程中如何确立自我、不断否定自我、最终消解自我的悲剧性历程。同时以小说主人公成长过程中隐含的各种矛盾性和不确定性为辅线,分析在小说表层的主人公成长故事背后隐含的诸多怀疑和质询,探寻人类理性走到一定阶段之后的悖论式的悲剧命运。同时尝试发现并运用拉康镜像理论中的宗教意味,引入基督宗教有关死亡与生命的启示性解读,以期在悖论的困境中探求另外一种新的维度的可能性。小说《香水》是一个开放性的文本,阐释的线索和路径并非唯一的,本文旨在提供一种解读的路径,以期较为深入地解析小说,探寻小说的内在深度。 本论文主要分为四章。第一章是绪论,主要叙述国内外研究现状,并简要阐述本论文的理论、方法和结构。 第二章从拉康的镜像理论出发,将小说中的气味意象解读为拉康镜像理论中的镜子,主人公的自我就建立在镜子呈现的虚假镜像之上。自我从一开始就带有欺骗性。从自恋、欲望、人的僭越三个角度对主人公杀害少女这一行为进行隐喻性解读,揭示自我机制带有深刻的复杂性和不稳定性。梳理小说主人公一生中自我追求的过程,从不断地自我确认到自我否定再到最后的自我消解,证明人的自我是无法实现的。 第三章主要分析主人公缺少自己的气味这一关键性预设。主要回答两个问题,即主人公是如何发现自己缺失体味这一事实的?这种缺失意味着什么?运用拉康关于对象小a的说法,说明人总是处于他人目光的注视中,处于斑点状的对象小a的包围下,它代表了一种根本性的缺乏,人类主体始终无法真正掌握,但是它又带有强大的诱惑力和欺骗性,不断唤起主体的欲望。同时,运用基督教关于人的有限性和原罪的说法,说明缺失既是人类的困境,同时又使自由成为可能。 第四章是对小说结尾的阐释,运用基督教关于献祭仪式和基督之死的相关内容解读小说主人公的自尽。以期在死亡中发现生命。
[Abstract]:This thesis takes the main line of the protagonist in the novel Perfume-the Story of a murderer as the main line, and combines Lacan's psychoanalysis theory, according to the main stages and key points in the process of the protagonist's growth. This paper equates the process of making perfume with the process of pursuing self, and depicts the tragic course of how the protagonist establishes himself, constantly negates himself, and finally dissolves himself in the process of pursuing himself. At the same time, taking various contradictions and uncertainties implied in the process of the protagonist's growth as the auxiliary line, the author analyzes the many doubts and questions that are hidden behind the story of the protagonist's growth in the surface layer of the novel. To explore the paradoxical tragic fate of human rationality after a certain stage. At the same time, we try to find out and apply the religious meaning of Lacan mirror theory, and introduce the enlightening interpretation of death and life of Christian religion in order to explore the possibility of another new dimension in the dilemma of paradox. The novel Perfume is an open text, and the clue and path of interpretation is not the only one. The purpose of this paper is to provide a way to interpret the novel in order to analyze the novel in depth and to find out the inner depth of the novel. This paper is divided into four chapters. The first chapter is the introduction, mainly narrates the domestic and foreign research present situation, and briefly elaborated this thesis theory, the method and the structure. The second chapter starts from Lacan's mirror image theory, interprets the smell image in the novel as the mirror in Lacan's mirror theory, and the protagonist's ego is based on the false mirror image presented in the mirror. The ego was deceptive from the beginning. From the perspectives of narcissism, desire and human transgression, the author makes a metaphorical interpretation of the protagonist's killing of a young girl, and reveals the profound complexity and instability of the self-mechanism. Combing the process of self-pursuit in the protagonist's life, from constant self-confirmation to self-negation to final self-deconstruction, it is impossible to realize one's self. The third chapter mainly analyzes the key presupposition that the protagonist lacks his own scent. The main answer is to answer two questions: how did the protagonist discover the fact that he has no taste? What does this lack mean? By using Lacan's theory of object small a, it shows that people are always in the eye of others, surrounded by small a, a speckled object, which represents a fundamental lack that the human subject can never really grasp. But it also has strong temptation and deceptive, constantly arousing the desire of the subject. At the same time, using the Christian view of human limitation and original sin, the absence is not only the dilemma of human beings, but also the possibility of freedom. The fourth chapter explains the end of the novel and interprets the protagonist's suicide by using the relevant contents of Christian sacrifice ceremony and the death of Christ. To find life in death.
【学位授予单位】：海南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I565.074
本文编号：2152993
[Abstract]:This thesis takes the main line of the protagonist in the novel Perfume-the Story of a murderer as the main line, and combines Lacan's psychoanalysis theory, according to the main stages and key points in the process of the protagonist's growth. This paper equates the process of making perfume with the process of pursuing self, and depicts the tragic course of how the protagonist establishes himself, constantly negates himself, and finally dissolves himself in the process of pursuing himself. At the same time, taking various contradictions and uncertainties implied in the process of the protagonist's growth as the auxiliary line, the author analyzes the many doubts and questions that are hidden behind the story of the protagonist's growth in the surface layer of the novel. To explore the paradoxical tragic fate of human rationality after a certain stage. At the same time, we try to find out and apply the religious meaning of Lacan mirror theory, and introduce the enlightening interpretation of death and life of Christian religion in order to explore the possibility of another new dimension in the dilemma of paradox. The novel Perfume is an open text, and the clue and path of interpretation is not the only one. The purpose of this paper is to provide a way to interpret the novel in order to analyze the novel in depth and to find out the inner depth of the novel. This paper is divided into four chapters. The first chapter is the introduction, mainly narrates the domestic and foreign research present situation, and briefly elaborated this thesis theory, the method and the structure. The second chapter starts from Lacan's mirror image theory, interprets the smell image in the novel as the mirror in Lacan's mirror theory, and the protagonist's ego is based on the false mirror image presented in the mirror. The ego was deceptive from the beginning. From the perspectives of narcissism, desire and human transgression, the author makes a metaphorical interpretation of the protagonist's killing of a young girl, and reveals the profound complexity and instability of the self-mechanism. Combing the process of self-pursuit in the protagonist's life, from constant self-confirmation to self-negation to final self-deconstruction, it is impossible to realize one's self. The third chapter mainly analyzes the key presupposition that the protagonist lacks his own scent. The main answer is to answer two questions: how did the protagonist discover the fact that he has no taste? What does this lack mean? By using Lacan's theory of object small a, it shows that people are always in the eye of others, surrounded by small a, a speckled object, which represents a fundamental lack that the human subject can never really grasp. But it also has strong temptation and deceptive, constantly arousing the desire of the subject. At the same time, using the Christian view of human limitation and original sin, the absence is not only the dilemma of human beings, but also the possibility of freedom. The fourth chapter explains the end of the novel and interprets the protagonist's suicide by using the relevant contents of Christian sacrifice ceremony and the death of Christ. To find life in death.
【学位授予单位】：海南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I565.074
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