论泰戈尔的艺术散文
发布时间：2018-08-06 15:36
【摘要】：罗宾德拉纳特·泰戈尔是印度近代文学史上罕见的文学艺术巨匠,他凭借丰富而多样的文学作品创造了一个又一个奇迹,对印度近现代文学产生了深远而巨大的影响。 从创作时间跨度和创作数量来看,艺术散文在泰戈尔的创作中占有独特而重要的地位,它们展示了泰戈尔开阔的艺术视界、敏锐的人生感受和多维的思维方式。散文是自由宽容的文体,是人的心灵的符号和精神的外化。泰戈尔艺术散文的审美特征突出表现在与绘画、音乐艺术的完美结合,浪漫主义诗情的自然流露,对神性的仰慕及对人性的关怀。 基于这些独特的审美特征,泰戈尔的艺术散文彰显了他独特的审美观,在其所有创作中独树一帜。他的作品深化了散文的审美内涵,突出了作家的主体意识,这种表现形式真实的再现了作家自我经验世界的真诚的情感。从时代背景看,散文也是一种文化,作为文本,它是人类特有的精神财富,作为一种创造活动,它更是人类特有的精神活动方式。泰戈尔的艺术散文,相当程度上表现了文化观念和文化意识的突破与超越,因而极大地丰富了散文的文化容量。而且,泰戈尔在创作的基础上,系统总结了散文理论,形成了自己一套独特的诗学体系,对印度近代散文也产生了重大影响。 中国现代散文在五四运动的直接催生中产生,经过了一系列演变后基本定型。它们和泰戈尔艺术散文的相通之处在于,作家创作时内在生命世界的能动性和丰富性,在注重抒写心灵的同时,更注重人生的感受和生命的体验。泰戈尔的艺术散文虽和中国现代散文有着表层上的相似之处,但究其实质却有着根本的不同。选取同为集中西文化为一炉的大家林语堂的闲适散文比照之后,泰戈尔关于神的存在的诗意亲证便更加明显的凸现出来。这是深受中国传统入世文化和印度崇尚出世哲学的根本差别的具体体现。两国现代作家从各自的文化因素中汲取各自需要的艺术精神与表现手法,从而推动了各自散文艺术的发展。
[Abstract]:Robin Delanath Tagore is a rare literary and artistic masterpiece in the history of modern Indian literature. He has created one miracle after another by virtue of his rich and diverse literary works, which has exerted a profound and great influence on modern Indian literature. From the perspective of the time span and quantity of creation, artistic prose plays a unique and important role in Tagore's creation, which shows Tagore's broad artistic horizon, keen life feeling and multi-dimensional thinking mode. Prose is a free and tolerant style, is the symbol of the human soul and the spirit of the externalization. The aesthetic features of Tagore's artistic prose are manifested in the perfect combination of painting and musical art, the natural exposition of romantic poetry, the admiration for divinity and the concern for human nature. Based on these unique aesthetic features, Tagore's artistic prose shows his unique aesthetics and is unique in all his works. His works deepen the aesthetic connotation of prose and highlight the subjective consciousness of the writer. This form of expression truly reproduces the sincere emotion of the writer's world of self-experience. From the background of the times, prose is also a kind of culture, as a text, it is the unique spiritual wealth of mankind, as a kind of creative activity, it is a unique way of human spiritual activity. Tagore's artistic prose, to a certain extent, shows the breakthrough and transcendence of cultural concept and cultural consciousness, which greatly enriches the cultural capacity of prose. Moreover, on the basis of his creation, Tagore systematically summarized the theory of prose, formed his own unique poetic system, and had a great influence on modern Indian prose. Chinese modern prose produced in the direct birth of the May 4th Movement, after a series of evolution, the basic stereotypes. What they have in common with Tagore's artistic prose lies in the fact that when writers write, they pay more attention to the feelings and experiences of life as well as the dynamic and richness of the inner world of life, while they pay more attention to the expression of their hearts and minds. Although Tagore's artistic prose is similar to modern Chinese prose on the surface, its essence is fundamentally different. With the comparison of Lin Yutang's leisure prose, which is a collection of Chinese and Western cultures, Tagore's poetic proof of the existence of God becomes more obvious. This is the embodiment of the fundamental difference between Chinese traditional WTO culture and India's advocating the philosophy of birth. The modern writers of the two countries draw from their own cultural factors the artistic spirit and expressive techniques they need, thus promoting the development of their prose art.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I351.076
本文编号：2168173
[Abstract]:Robin Delanath Tagore is a rare literary and artistic masterpiece in the history of modern Indian literature. He has created one miracle after another by virtue of his rich and diverse literary works, which has exerted a profound and great influence on modern Indian literature. From the perspective of the time span and quantity of creation, artistic prose plays a unique and important role in Tagore's creation, which shows Tagore's broad artistic horizon, keen life feeling and multi-dimensional thinking mode. Prose is a free and tolerant style, is the symbol of the human soul and the spirit of the externalization. The aesthetic features of Tagore's artistic prose are manifested in the perfect combination of painting and musical art, the natural exposition of romantic poetry, the admiration for divinity and the concern for human nature. Based on these unique aesthetic features, Tagore's artistic prose shows his unique aesthetics and is unique in all his works. His works deepen the aesthetic connotation of prose and highlight the subjective consciousness of the writer. This form of expression truly reproduces the sincere emotion of the writer's world of self-experience. From the background of the times, prose is also a kind of culture, as a text, it is the unique spiritual wealth of mankind, as a kind of creative activity, it is a unique way of human spiritual activity. Tagore's artistic prose, to a certain extent, shows the breakthrough and transcendence of cultural concept and cultural consciousness, which greatly enriches the cultural capacity of prose. Moreover, on the basis of his creation, Tagore systematically summarized the theory of prose, formed his own unique poetic system, and had a great influence on modern Indian prose. Chinese modern prose produced in the direct birth of the May 4th Movement, after a series of evolution, the basic stereotypes. What they have in common with Tagore's artistic prose lies in the fact that when writers write, they pay more attention to the feelings and experiences of life as well as the dynamic and richness of the inner world of life, while they pay more attention to the expression of their hearts and minds. Although Tagore's artistic prose is similar to modern Chinese prose on the surface, its essence is fundamentally different. With the comparison of Lin Yutang's leisure prose, which is a collection of Chinese and Western cultures, Tagore's poetic proof of the existence of God becomes more obvious. This is the embodiment of the fundamental difference between Chinese traditional WTO culture and India's advocating the philosophy of birth. The modern writers of the two countries draw from their own cultural factors the artistic spirit and expressive techniques they need, thus promoting the development of their prose art.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I351.076
【参考文献】
相关期刊论文 前1条
1 王兆胜;论20世纪中国散文研究[J];徐州师范大学学报;2001年04期
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