《麦里田的守望者》的叙事交流研究
发布时间：2018-08-06 17:08
【摘要】：作为一名小说家和短篇小说家,塞林格一身所著不多,但仅一部《麦田里的守望者》就使他跻身世界文坛,成为一名大家。这部小说算得上是20世纪最伟大的小说之一,甫一问世,即赢得广大青少年读者的喜爱,一时称为文坛传奇。 对于这本小说,评论大家们也做了各方面的研究,比如它的语言、主题、叙事等。他们分别从象征主义、存在主义、马克思主义、女性主义、心理分析等各个角度对此小说展开评论,使得众人对《麦田里的守望者》的解读呈现多元化的趋势。但是,真正从叙事角度来研究该作品的评论家不多,更不用说叙事交流了。同时,作为新兴学科,叙事学在上世纪90年代曾被有些叙事学家宣告死亡,但事实上,叙事学的生命力远未停歇,它为解读经典作品提供了更加科学理性的方法。在该论文中,作者在修辞叙事的角度下,试图来为研究《麦田里的守望者》提供新的研究方法。 修辞叙事强调在文本分析的基础上,关注作者、文本以及读者之间的交流互动,以及作者通过何种叙事技巧来完成叙事的同时又能吸引读者的认同。韦恩·布斯在专著《小说修辞学》虽然没有提出“修辞叙事”的概念,但他自始至终关注作者、叙述者、人物、读者之间的关系,为后来修辞叙事的发展打下了基础。詹姆斯·费伦在《叙事作为修辞》一书中叙事定义为“某人为了特定目的,在特定情境下,为一位特定的听众讲了一个特定的故事”,该定义其实把叙事等同于修辞,对研究叙事交流产生了很大的影响。修辞叙事关注叙事,同样关注修辞,这成为笔者研究《麦田里的守望者》的理论基础。 在修辞叙事的角度下,笔者试图解读《麦田里的守望者》的叙事交流,以及塞林格如何巧妙叙事与读者沟通,从而产生什么样的修辞效果。希望该研究能为这部伟大的作品增辉。
[Abstract]:As a novelist and a short story writer, Salinger had little to write, but just one Catcher in the Rye made him a man of the world. This novel is regarded as one of the greatest novels in the 20th century. For the novel, critics have also done a variety of research, such as its language, theme, narrative and so on. They comment on the novel from symbolism, existentialism, Marxism, feminism, psychoanalysis and so on, which makes the interpretation of Catcher in the Rye present a trend of diversification. However, few critics really study the work from a narrative point of view, let alone narrative communication. At the same time, as a new subject, narratology was declared dead by some narratologists in the 1990s, but in fact, the vitality of narratology is far from stopping, which provides a more scientific and rational way to interpret classical works. In this paper, the author tries to provide a new method for the study of Catcher in the Rye from the perspective of rhetorical narration. Rhetorical narration emphasizes that on the basis of text analysis, attention should be paid to the communication and interaction among the author, the text and the reader, as well as the narrative techniques by which the author can complete the narrative and at the same time attract the reader's approval. Although Wayne Booth did not put forward the concept of "rhetoric narrative" in his monograph rhetoric, he paid close attention to the relationship between author, narrator, character and reader, which laid a foundation for the development of rhetorical narration. In narration as rhetoric, James Fellen defines it as "someone tells a particular story for a particular purpose, in a particular situation, for a particular audience", which actually equates narrative with rhetoric. It has a great influence on the study of narrative communication. Rhetorical narrative pays attention to narrative as well as rhetoric, which is the theoretical basis of the author's study of Catcher in the Rye. From the perspective of rhetorical narration, the author tries to interpret the narrative communication of the Catcher in the Rye, and how Salinger skillfully narrates the communication with the reader to produce what rhetorical effect. It is hoped that this study will contribute to this great work.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I712.074
本文编号：2168394
[Abstract]:As a novelist and a short story writer, Salinger had little to write, but just one Catcher in the Rye made him a man of the world. This novel is regarded as one of the greatest novels in the 20th century. For the novel, critics have also done a variety of research, such as its language, theme, narrative and so on. They comment on the novel from symbolism, existentialism, Marxism, feminism, psychoanalysis and so on, which makes the interpretation of Catcher in the Rye present a trend of diversification. However, few critics really study the work from a narrative point of view, let alone narrative communication. At the same time, as a new subject, narratology was declared dead by some narratologists in the 1990s, but in fact, the vitality of narratology is far from stopping, which provides a more scientific and rational way to interpret classical works. In this paper, the author tries to provide a new method for the study of Catcher in the Rye from the perspective of rhetorical narration. Rhetorical narration emphasizes that on the basis of text analysis, attention should be paid to the communication and interaction among the author, the text and the reader, as well as the narrative techniques by which the author can complete the narrative and at the same time attract the reader's approval. Although Wayne Booth did not put forward the concept of "rhetoric narrative" in his monograph rhetoric, he paid close attention to the relationship between author, narrator, character and reader, which laid a foundation for the development of rhetorical narration. In narration as rhetoric, James Fellen defines it as "someone tells a particular story for a particular purpose, in a particular situation, for a particular audience", which actually equates narrative with rhetoric. It has a great influence on the study of narrative communication. Rhetorical narrative pays attention to narrative as well as rhetoric, which is the theoretical basis of the author's study of Catcher in the Rye. From the perspective of rhetorical narration, the author tries to interpret the narrative communication of the Catcher in the Rye, and how Salinger skillfully narrates the communication with the reader to produce what rhetorical effect. It is hoped that this study will contribute to this great work.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I712.074
【参考文献】
相关硕士学位论文 前1条
1 李慧;“叙事作为修辞”的理论研究[D];东北师范大学;2006年
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