比较文学变异学视野下的《尘埃落定》与《喧哗与骚动》

发布时间：2018-08-20 11:22

【摘要】：阿来的《尘埃落定》与福克纳的《喧哗与骚动》有诸多相似之处——相同的叙事手法、均以故乡为蓝本的题材、浓郁的地方色彩、模糊的时空以及意识流的手法运用等等，以至于有人认为阿来的《尘埃落定》实为福克纳的《喧哗与骚动》的模仿。本文试图从比较文学变异学的角度出发，结合跨文明比较文学相关理论，立足于细读文本的基础上，在承认阿来的《尘埃落定》受福克纳的《喧哗与骚动》的影响的事实上，重点研究《尘埃落定》的异质性与变异性，旨在揭示阿来文学创作更主要的是来自于其自身的独特生命体验与民族文化，并引起人们对跨文明的阐发与对话的重视以便开启中西文明间的平等互动。本文的写作分为五个部分：导论部分分为四个小节。第一节“国内研究现状”，主要分析本研究专题在国内的研究情况；第二节“论文的缘起与意义”，主要论述的是本文写作的缘由与意义；第三节“相关理论阐释”，主要对曹顺庆的比较文学变异学理论进行阐述；第四节“论文写作思路及结构”，分析本文的具体布局结构。第一章“《尘埃落定》与《喧哗与骚动》的共通性”分为三大节，主要是从传统的影响研究与平行研究的角度，梳理并概括《尘埃落定》与《喧哗与骚动》的相似性，分别从“没落的王国”、“痴傻视角”“《尘》与《喧》中的哲理思索与人性关怀”三个方面进行对比，旨在从实证性的角度分析《喧哗与骚动》对《尘埃落定》的影响。第二章“《尘埃落定》的异质性——阿来的藏族视界”，主要是从“血亲复仇的演绎”及“民族文化习俗的描摹”这两个方面分析雪域高原的独特文明和藏族苯教文化孕育出阿来独特的文化视角及其藏族情怀，探究文明原生性、独立性对阿来异质性与独特性的必然性。第三章“《尘埃落定》的变异性”，主要是从比较文学变异学的角度，运用“文化过滤”的作用机制理论，探讨阿来独特的藏族身份与民族文化基因对《尘埃落定》的变异性与异质性的促成作用。本章分为两大节：第一节“《喧》的‘多视角’与《尘》的魔幻叙事，从叙事模式方面比较并分析阿来的迥异的艺术特色；第二节“《喧》与《尘》的存在与时间”，从存在与时间的主题方面探究阿来独特的空寂思想与民族自省。结语部分主要是总结和概括《尘埃落定》与《喧哗与骚动》的同源性、异质性、变异性及互补性。通过实证性的分析并肯定《喧哗与骚动》对《尘埃落定》的影响的同时，，阐明《尘埃落定》在作者阿来的独特的生命体验与民族文化下的异质性与变异性。
[Abstract]:There are many similarities between Alai's Dust and Fury and Faulkner's the Sound and the Fury-the same narrative techniques, all based on the theme of hometown, rich local color, vague time and space, and the use of stream-of-consciousness techniques, and so on. Some people think that Alai's the dust is a imitation of Faulkner's Sound and Fury. In this paper, from the perspective of comparative literature variation, combined with the relevant theories of cross-civilization comparative literature, and based on the detailed reading of the text, this paper acknowledges that Alai's Dust settled is influenced by Faulkner's the Sound and the Fury. This paper focuses on the heterogeneity and variability of the Dust settlement in order to reveal the unique life experience and national culture of the literary creation of Alai. In order to open the equal interaction between Chinese and Western civilizations, people attach importance to the interpretation and dialogue of cross-civilization. The writing of this paper is divided into five parts: the introduction part is divided into four sections. The first section, "the present situation of domestic research", mainly analyzes the research situation of this research topic in China; the second section, "the origin and significance of the thesis", mainly discusses the reason and significance of the writing of this article; the third section, "the explanation of relevant theories", This paper mainly expounds Cao Shunqing's theory of variation in comparative literature, and section four, "thinking and structure of thesis writing", analyzes the concrete layout structure of this paper. The first chapter, "the commonality of the Dust settled" and "the Sound and the Fury", is divided into three sections, mainly from the perspective of the traditional influence study and parallel research, to sort out and generalize the similarity between the Dust settled and the Sound and the Fury. In this paper, the author compares the three aspects of "falling Kingdom", "Dust", "Dust" and "noise" in philosophical thinking and humanity concern, in order to analyze the influence of Sound and Fury on Dust settlement from the perspective of positivism. Chapter two, "the heterogeneity of the Dust settlement-the Tibetan Horizon of Alai", It mainly analyzes the unique civilization of the snowy plateau and Tibetan benzene culture from the two aspects of "deduction of blood and blood revenge" and "description of national culture and custom", which gives birth to the unique cultural perspective of Alai and its Tibetan feelings, and probes into the origin of civilization. The inevitability of independence to the heterogeneity and uniqueness of Alay. The third chapter, "the variability of the Dust settlement", is mainly from the perspective of comparative literature variation, using the "cultural filtering" mechanism theory. To explore the contribution of the unique Tibetan identity and ethnic culture genes to the variability and heterogeneity of the Dust Deposit. This chapter is divided into two major sections: the first section, "the fantasy narration of" the noise "and" the Dust ", compares and analyzes the different artistic characteristics of Alai from the perspective of narrative mode, and the second" the existence and time of "the noise" and "the Dust". From the subject of existence and time to explore Alai's unique thought of emptiness and national introspection. The conclusion is a summary of the homology, heterogeneity, variability and complementarity between the Dust settlement and the Sound and Fury. Through the empirical analysis and affirmation of the influence of the Sound and the Fury on the Dust settlement, this paper expounds the heterogeneity and variability of the Dust settlement under the author's unique life experience and national culture.
【学位授予单位】：四川外国语大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I106.4-03

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