分析心理学视野下的思特里克兰德的研究
发布时间：2018-08-28 09:28
【摘要】：《月亮和六便士》是英国小说家威廉·萨默赛特·毛姆(1874-1965)最著名的小说之一,本文将在分析心理学的视野下对该小说主人公思特里克兰德进行研究。分析心理学包括人格三重结构、个体化、原型及艺术创作模式,这些组成部分也是荣格心理学的主要内容。 笔者根据分析心理学,即荣格心理学中的人格三重结构及个体化理论分析思特里克兰德的心路历程,发现他的一生是一个追寻无意识自我实现的个体化过程。天才画家思特里克兰德的一生可分为无意识自我的感知、无意识自我的探求及无意识自我的实现三个阶段。无意识自我的感知是指感知到自己的无意识自我。画画的欲望自童年起一直被意识自我重复地承认与拒绝,思特里克兰德在中年时期才彻底地意识到自己的无意识自我是成为一名画家。无意识自我的探求是指探求追寻无意识自我的方法。思特里克兰德在自主情结的驱动下抛弃一切到巴黎学画,意识到只有生活在岛上才能画出脑中的原始意象。无意识自我的实现是个体化的目标,指一个人感到他与自身及世界处于和谐一致的状态。思特里克兰德回归到塔西提岛过上原始人的生活,最终通过在墙上画出脑中的原始意象接近于实现无意识自我。 其次根据分析心理学中的原型理论分析思特里克兰德身上体现的原型以解释他对他人的态度及行为,原型也是荣格心理学的重要概念。笔者发现思特里克兰德身上的人格面具、阴影和阿尼玛分别影响了他对家人、两个家庭和他生命中三个女人的态度和行为。因为人格面具,思特里克兰德才能守住心中秘密不让家人知道,并能应付社交。在阴影的作用下,思特里克兰德伤害了他的家庭和帮助过他的施特略夫一家。阿尼玛原型让思特里克兰德与三个女性发生了关系但最终选择了安塔。 最后,分析毛姆对思特里克兰德的塑造和分析心理学的关系。通过探寻思特里克兰德人物的最初来源及毛姆对思特里克兰德的塑造,笔者发现毛姆对思特里克兰德的塑造与分析心理学中的心理类型的艺术创作模式相吻合。
[Abstract]:Moon and Sixpence is one of the most famous novels of English novelist William Somerset Maugham (1874-1965). Analytical psychology includes the triple structure of personality, individualization, archetype and artistic creation mode, which are also the main contents of Jung psychology. According to the triple structure of personality in Jung psychology and the individualization theory, the author analyzes the course of Strickland's mind, and finds that his whole life is a process of pursuing unconscious self-realization. The life of the genius painter Strickland can be divided into three stages: the perception of unconscious self, the exploration of unconscious self and the realization of unconscious self. The perception of unconscious self refers to the perception of unconscious self. The desire to paint has been repeatedly acknowledged and rejected by the conscious self since childhood. Strickland realized in middle age that his unconscious self was a painter. The exploration of unconscious self refers to the method of searching for unconscious self. Driven by an autonomous complex, Strickland abandoned everything to study painting in Paris and realized that living on the island was the only way to draw the original image in his mind. The realization of unconscious self is the goal of individualization, which means that one feels in harmony with himself and the world. Strickland returns to Tahiti to lead a primitive life, and eventually approaches the unconscious self by drawing the original image of his brain on the wall. Secondly, according to the prototype theory in analytical psychology, the prototype embodied by Strickland is analyzed to explain his attitude and behavior towards others. Prototype is also an important concept of Jung psychology. The author finds that Strickland's personality mask shadow and Anima affect his attitude and behavior towards his family two families and three women in his life respectively. Because of the personality mask, Strickland was able to keep secrets from his family and cope with society. In the shadow, Strickland hurt his family and help his family. The Anima archetype allowed Strickland to have sex with three women but eventually chose Anta. Finally, the relationship between Maugham's shaping of Strickland and analytical psychology is analyzed. By exploring the original source of Strickland's characters and Maugham's portrayal of Strickland, the author finds that Maugham's portrayal of Strickland coincides with the artistic creation model of psychological types in analytical psychology.
【学位授予单位】：宁波大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.074
本文编号：2208986
[Abstract]:Moon and Sixpence is one of the most famous novels of English novelist William Somerset Maugham (1874-1965). Analytical psychology includes the triple structure of personality, individualization, archetype and artistic creation mode, which are also the main contents of Jung psychology. According to the triple structure of personality in Jung psychology and the individualization theory, the author analyzes the course of Strickland's mind, and finds that his whole life is a process of pursuing unconscious self-realization. The life of the genius painter Strickland can be divided into three stages: the perception of unconscious self, the exploration of unconscious self and the realization of unconscious self. The perception of unconscious self refers to the perception of unconscious self. The desire to paint has been repeatedly acknowledged and rejected by the conscious self since childhood. Strickland realized in middle age that his unconscious self was a painter. The exploration of unconscious self refers to the method of searching for unconscious self. Driven by an autonomous complex, Strickland abandoned everything to study painting in Paris and realized that living on the island was the only way to draw the original image in his mind. The realization of unconscious self is the goal of individualization, which means that one feels in harmony with himself and the world. Strickland returns to Tahiti to lead a primitive life, and eventually approaches the unconscious self by drawing the original image of his brain on the wall. Secondly, according to the prototype theory in analytical psychology, the prototype embodied by Strickland is analyzed to explain his attitude and behavior towards others. Prototype is also an important concept of Jung psychology. The author finds that Strickland's personality mask shadow and Anima affect his attitude and behavior towards his family two families and three women in his life respectively. Because of the personality mask, Strickland was able to keep secrets from his family and cope with society. In the shadow, Strickland hurt his family and help his family. The Anima archetype allowed Strickland to have sex with three women but eventually chose Anta. Finally, the relationship between Maugham's shaping of Strickland and analytical psychology is analyzed. By exploring the original source of Strickland's characters and Maugham's portrayal of Strickland, the author finds that Maugham's portrayal of Strickland coincides with the artistic creation model of psychological types in analytical psychology.
【学位授予单位】：宁波大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.074
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