九十年代以来大陆女同性恋文学中男性形象研究

发布时间：2018-09-18 08:57

【摘要】：女同性恋主义批评作为当代前沿理论批评在世界范围内都受到很高的关注，在九十年代以后的中国大陆，女同性恋题材的文学作品进入繁盛期，相关的文学批评文章也在不断增多。然而，到目前为止，宏观地针对以大陆女同性恋文学中男性形象研究为主的批评论文比较少，多数研究集中于就个别作家或作品中的男性形象进行分析。因此，大陆女同性恋文学的研究深度和力度还有待提高。本文主要以九十年代以来大陆女同性恋文学的七篇代表小说作为研究对象，通过对文章的解读、人物形象分析，展现九十年代以来大陆女同性恋文学作品是如何通过塑造男性形象试图建立起女同性恋存在的合理性、优越性和现实意义。论文分为五个部分：绪言部分首先简单介绍女同性恋文学的起始；进而概述西方女性主义与女同性恋主义的联系，主要分为磨合期、蜜月期、排斥期、分裂期四个时间段；随后概述中国大陆女同性恋主义研究发展的概况，指出直到20世纪90年代以来中国大陆才出现真正意义上的女同性恋文学，同时女同性恋文学批评逐渐繁盛；最后，根据国内女同性恋批评的现状指出该领域批评的贡献及其不足，从而提出本论文的研究内容，即九十年代以来大陆女同性恋文学中的男性形象。第一部分首先确定了本论文涉及的女同性恋文本的选取标准，，即含有表现女性之间的吸引与爱恋，对彼此有性爱层面的渴望或实际行动的女同性恋内容的文本；随后对九十年代以来大陆女同性恋文学的七篇代表小说进行了内容方面的概述；最后对本文选取的七篇女同性恋文学中男性形象的分类作出依据说明，即根据文中男性对待女同性恋性取向的态度和男性形象性格，七篇文章中的男性形象一共可分为三大类别：积极的男性形象、消极的男性形象和突出的父亲形象；第二、三、四部分运用女同性恋主义理论及其他文学批评方法，详细分析积极的男性形象、消极的男性形象和突出的父亲形象这三大男性形象在各个文学作品中的具体表现和整体特征，从而总结出各类男性形象的塑造目的：积极的男性形象反映女同性恋者理想的生存环境；消极的男性形象表现男性中心主义与异性恋霸权的稀释状况；突出的父亲形象表明“父权制”思想的缺陷与调和。第五部分针对九十年代以来大陆女同性恋文学中男性形象塑造存在的问题进行分析与概述，运用20世纪末出现的新男性主义理论指出该时期女同性文学作品中的男性形象存在人物类型单一、情感剖析表面化、过分强调男性中心主义与父权制等问题。结语部分总结九十年代以来女同性恋文学中的男性形象塑造，反思文章在资料收集、研究内容上存在的不足，为之后该类型研究提供一些参考。
[Abstract]:As a contemporary frontier theoretical criticism, the criticism of lesbianism has received high attention all over the world. In mainland China after the 1990s, the literary works of lesbianism have entered a period of prosperity. Related literary criticism articles are also increasing. However, up to now, there are few criticism papers on male images in mainland lesbian literature. Most of the studies focus on the male images of individual writers or works. Therefore, the research depth and intensity of mainland lesbian literature need to be improved. This article mainly takes the seven representative novels of mainland lesbian literature since the 1990s as the research object, through the interpretation to the article, the character image analysis, It shows how the mainland lesbian literature works try to establish the rationality superiority and practical significance of lesbian existence by shaping the male image since the 1990s. The paper is divided into five parts: the introduction part first introduces the beginning of lesbian literature, and then summarizes the relationship between western feminism and lesbianism, mainly divided into running-in period, honeymoon period, exclusion period. The four periods of division followed by an overview of the research and development of lesbianism in mainland China, pointing out that it was not until the 1990s that real lesbian literature appeared in mainland China. At the same time, the literary criticism of lesbians is becoming more and more popular. Finally, according to the current situation of domestic lesbian criticism, the contributions and shortcomings of the criticism in this field are pointed out, and the research content of this paper is put forward. That is, the male image in the mainland lesbian literature since the 1990's. The first part first determines the selection criteria of the lesbian texts involved in this thesis, that is, the text which contains the lesbian content which expresses the attraction and love among women, and has the desire or actual action to each other in the aspect of sex. Then it summarizes the content of seven representative novels in mainland lesbian literature since the 1990s, and finally explains the classification of male images in the selected seven articles of lesbian literature in this paper. That is, according to the male attitude towards lesbian sexual orientation and male image character, the male image in the seven articles can be divided into three categories: positive male image, negative male image and prominent father image; The second, third and fourth parts use the theory of lesbianism and other literary criticism methods to analyze the positive male image in detail. The negative male image and the prominent father image, the concrete performance and the overall characteristics of the three male images in various literary works, The purpose of shaping all kinds of male images is summarized as follows: positive male images reflect the ideal living environment of lesbians, negative male images show the dilution of male-centrism and heterosexual hegemony, and positive male images reflect the ideal living environment of lesbians. The prominent image of father shows the defect and harmony of the thought of "patriarchy". The fifth part analyzes and summarizes the problems existing in the portrayal of male images in mainland lesbian literature since the 1990s. In this paper, the author points out that the male characters in the literary works of the same sex in the 20th century are of single type, affective analysis is superficial, and the male-centrism and patriarchy are emphasized too much, and so on, using the neo-masculinism theory which appeared at the end of the 20th century. The conclusion part summarizes the portrayal of male images in lesbian literature since the 1990s, reflects on the material collection and the deficiencies of the research content, and provides some references for the later research on this type of literature.
【学位授予单位】：贵州师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I106.4

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