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奈保尔《河湾》的叙述文体学研究

发布时间:2018-10-19 14:28
【摘要】:维迪雅达·苏拉吉普拉萨德·奈保尔是20世纪最杰出的英语小说家之一,他在2001年度荣获诺贝尔文学奖,常常被人们称作加勒比海文学之父,而且是典型的后殖民作家。由于其本身的多重文化背景使得奈保尔的作品充满着矛盾,奈保尔对后殖民国家表现出又爱又恨的复杂心态。因此他的作品很多都反映了殖民地争取独立或独立后暴露的种种社会问题。 本论文在前人研究的基础上,通过作者个人的见解,重点从叙述文体学的研究视角分析小说的叙述和语言艺术效果。通过探讨巧妙的创作技巧和相关的主题思想来区分叙述文体学的研究方法。 首先,在叙述层面,本论文主要采用了对人物视角的分析来展开讨论,如通过对第一人称叙述视角和第三人称内视角的分别叙述来分析整个故事的发生发展。奈保尔主要采用第一人称的叙述视角,使读者与叙述者之间减少了时间空间的差距,具有真实感,使读者有“身临其境”,“亲生经历”的感觉;奈保尔还采用了第三人称内视角来渲染人物形象。从第三人称视角来叙述,是以某个观察者的角度来客观地描述事件,具有客观性,使事件生动具体。正是因为奈保尔主要采用了这两种叙述方式,他的观点,思想在文中表现得淋漓尽致,与小说的主题不谋而合。 其次,在语言层面,本论文通过话语表达方式和修辞方法来展开讨论。其中奈保尔主要采用的话语表达方式分别为自由间接引语和自由直接引语来表述人物的话语和思想,使叙述者与读者面对面的交流,吸引了读者的全部注意力。在修辞方法上,本论文主要使用了象征,反讽和暗喻的手段来探讨了小说的语言。奈保尔是使用修辞手段的高手,从小说题目到具体的内容都充斥了各种修辞手段,使小说的语言充满了讽刺和徘徊不定的韵味,与小说的主题思想融合在一起。本论文认为,正是由于作者在叙述层面和语言层面的各个技巧的应用,,使得小说获得了如此巨大的成功。 总之,本论文试着从叙述文体学的叙事技巧和语言特征两个方面对小说的主题进行分析,深化了奈保尔《河湾》关于后殖民国家黑暗落后的社会状况和人们缺少归属感的主题思想。简言之,通过对奈保尔《河湾》的探讨和分析,我们可以进一步理解这位20世纪杰出的后殖民作家的创作精神以及其作品所折射出来的社会意义。
[Abstract]:Vidyada Sulaghi Prasad Naipaul is one of the most outstanding English novelists in the 20th century. He won the Nobel Prize for Literature in 2001 and is often called the father of Caribbean literature and a typical post-colonial writer. Because of its multi-cultural background, Naipaul's works are full of contradictions, Naipaul shows a complex state of love and hate towards the post-colonial countries. Therefore, many of his works reflect the various social problems exposed by the colony in its struggle for independence or after independence. On the basis of previous studies, this paper analyzes the narrative and linguistic effects of the novel from the perspective of narrative stylistics. The research methods of narrative stylistics are distinguished by exploring ingenious creative techniques and related thematic ideas. First of all, in the narrative level, this paper mainly uses the analysis of the perspective of the characters, such as the first person narrative perspective and the third person perspective to analyze the development of the story. Naipaul mainly adopts the first person narrative perspective to reduce the gap between time and space between the reader and the narrator, to have a sense of reality, and to make the reader feel "real experience" and "real experience". Naipaul also used the third person perspective to render the characters. Narration from the perspective of the third person is an objective description of events from an observer's point of view, with objectivity and vividness. It is precisely because Naipaul mainly adopts these two kinds of narration, his viewpoint, thought displays incisively and vividly in the text, coincides with the theme of the novel. Secondly, at the linguistic level, this thesis is discussed through discourse expression and rhetoric. Naipaul mainly uses free indirect speech and free direct speech to express the characters' words and thoughts, so that the narrator and the reader can communicate face to face and attract the readers' attention. In terms of rhetoric, this thesis mainly uses symbolism, irony and metaphor to explore the language of the novel. Naipaul is an expert in the use of rhetorical devices. From the title of the novel to the concrete content, it is filled with various rhetorical devices, which makes the language of the novel full of satire and lingering charm, and melts with the theme of the novel. This thesis holds that it is the application of various techniques in narrative and language that makes the novel a great success. In a word, this thesis tries to analyze the theme of the novel from the narrative techniques and language characteristics of narrative stylistics. It deepens Naipaul's main idea about the dark and backward social conditions of postcolonial countries and the lack of sense of belonging. In short, through the discussion and analysis of Naipaul, we can further understand the creative spirit of this outstanding post-colonial writer in the 20th century and the social significance reflected in his works.
【学位授予单位】:重庆师范大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:I561.074;H315

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