《芒果街上的小屋》中奇卡纳的身份追寻
发布时间：2018-10-19 17:01
【摘要】：桑德拉·西斯内罗斯的《芒果街上的小屋》是一部回忆小女孩成长经历的作品。小说由一系列具有乐感的小节随意组合而成,反映了奇卡纳在排外且不友善的美国主流环境中如何挣扎,如何追寻自我身份。 本文以女主角埃斯佩朗莎为主线,分析《芒果街上的小屋》中的奇卡纳对身份的追寻。全文分为三大章。第一章以玛玛西塔和埃斯佩朗莎为例,重点分析美墨文化夹缝中的奇卡纳尴尬的族裔身份,继而深入探讨埃斯佩朗莎为自己和本族群追寻族裔身份的人生经历。第二章剖析了奇卡纳在父权制下对女性身份的追寻。瓜达卢佩圣母和玛琳奇两大女性原型的对立扎根于墨西哥父权制文化中,部分奇卡纳始终未能打破此种对立,悲剧一生。埃斯佩朗莎从她们身上吸取经验教训,为自己也为本族群的女性构建独立的女性身份。第三章以霍米巴巴关于混杂化和第三空间的文学理论为基础,总结为奇卡纳构建身份的方法。女主角埃斯佩朗莎发现,通过运用混杂化,追寻第三空间,奇卡纳可以在美墨文化间搭建桥梁,从而成功构建身份。 总而言之,本文将埃斯佩朗莎追寻独立自主的族裔身份和女性身份的成功经历与其他奇卡纳追寻身份的失败经历作比较,指出混杂化和第三空间可以成为奇卡纳在主流的父权制文化中构建身份的方法。
[Abstract]:Sandra Cisneros's House on Mango Street is a work that recalls the little girl's upbringing. The novel is composed of a series of musical sections, reflecting how Chikana struggles and seeks his identity in the exclusive and unfriendly mainstream American environment. Based on the heroine Esperanza, this paper analyzes Chikana's pursuit of identity in Mango Street Cabin. The full text is divided into three chapters. The first chapter takes Mamasita and Esperanza as an example, analyzes the awkward ethnic identity of Chikana in the gap between American and Mexican culture, and then probes deeply into Esperanza's life experience of seeking ethnic identity for herself and her own ethnic group. Chapter two analyzes Chikana's pursuit of female identity under patriarchy. The archetypal opposition of the two female archetypes Guadalupe and Marinche is rooted in the patriarchal culture of Mexico. Esperanza learned from them to build an independent female identity for herself as well as for women of her own ethnic group. The third chapter is based on HomiBaba's literary theory of confounding and third space, and summarizes the method of constructing identity for Chikana. Esperanza, the heroine, finds that Chikana can build a bridge between American and Mexican cultures and build identity successfully by using intermingling and pursuing the third space. In a word, this paper compares Esperanza's successful experience of pursuing independent ethnic identity and female identity with that of other Chikana's. It is pointed out that mixing and third space can be the methods of building identity in mainstream patriarchal culture.
【学位授予单位】：中南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I712.074
本文编号：2281769
[Abstract]:Sandra Cisneros's House on Mango Street is a work that recalls the little girl's upbringing. The novel is composed of a series of musical sections, reflecting how Chikana struggles and seeks his identity in the exclusive and unfriendly mainstream American environment. Based on the heroine Esperanza, this paper analyzes Chikana's pursuit of identity in Mango Street Cabin. The full text is divided into three chapters. The first chapter takes Mamasita and Esperanza as an example, analyzes the awkward ethnic identity of Chikana in the gap between American and Mexican culture, and then probes deeply into Esperanza's life experience of seeking ethnic identity for herself and her own ethnic group. Chapter two analyzes Chikana's pursuit of female identity under patriarchy. The archetypal opposition of the two female archetypes Guadalupe and Marinche is rooted in the patriarchal culture of Mexico. Esperanza learned from them to build an independent female identity for herself as well as for women of her own ethnic group. The third chapter is based on HomiBaba's literary theory of confounding and third space, and summarizes the method of constructing identity for Chikana. Esperanza, the heroine, finds that Chikana can build a bridge between American and Mexican cultures and build identity successfully by using intermingling and pursuing the third space. In a word, this paper compares Esperanza's successful experience of pursuing independent ethnic identity and female identity with that of other Chikana's. It is pointed out that mixing and third space can be the methods of building identity in mainstream patriarchal culture.
【学位授予单位】：中南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I712.074
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