1930年代韩国文学作品中的中国城市形象研究

发布时间：2018-11-10 07:12

【摘要】：19世纪末至20世纪前半期，日本对韩半岛的侵略致使众多爱国志士，知识人离开故乡逃往临近国家中国。满洲与韩半岛接壤，不仅方便抵达，而且很早就成为抗日运动比较活跃的地区，比中国其他地区更容易成为韩国人流亡和移民的空间。在这一时期，有过满洲体验的韩国作家通过自己的作品描写了满洲和在满洲的中国人，从他者的视野展现出来多种多样的中国形象。因此韩国作家以满洲体验为题材创作的作品成为海内外学者研究的对象，对理解他者眼中的中国形象起到重要作用。但是仅通过以满洲体验为素材的作品来把握中国形象缺乏共性，因此本文将以满洲以外的其他地区为背景创作的作品为研究对象，分析韩国现代作品中出现的具有普遍性的中国形象。 19世纪末20世纪初中国开始步入城市化的历史阶段，而1930年代，中韩两国处在历史发展的特殊时期，不仅遭受外部的侵略，也因此带来了城市化的发展。城市是现代文明的产物，以上海为代表的中国城市对于尚处在前近代社会的韩国来讲是一面镜子，它体现的是韩国尚未具备，但又极为向往的现代文明。因此在韩国现代文学作品中，城市也必然成为韩国作家设定的文学空间。20世纪20-40年代韩国文学作品中出现的中国城市主要有上海，北京，天津，哈尔滨，长春，沈阳，南京等比较大的都市。最近，随着中韩文学交流的不断加强，对韩国现代文学作品中出现的中国形象的研究也不断深化，尤其是在满朝鲜人对“满洲国”农村，地主等的研究已经取得了重大成果。但是，不管是在中国还是韩国，对韩国现代文学作品中中国城市形象的整体研究还有待深化。本文拟通过阅读文学作品文本，分析1930年代韩国文学作品中的中国城市形象，指出在韩国作家眼中作为他者的中国城市形象的特点，并结合社会现实，将这一形象特点与历史上真实的中国形象进行对比。以此探究这一形象与文本所处的历史、文化语境的关系，分析作家对他者的认识及产生这种认识的原因。相信通过本研究对加强中韩两国文化交流有一定促进作用。
[Abstract]:From the end of the 19th century to the first half of the 20th century, the aggression of Japan on the Korean Peninsula caused many patriots and intellectuals to flee from their hometown to neighboring China. Manchuria bordered the Korean Peninsula, which not only made it convenient to arrive, but also became an active area of the anti-Japanese movement at an early age, and was more likely than other parts of China to become a space for Korean exiles and immigrants. During this period, Korean writers who had experienced Manchuria described Manchuria and the Chinese in Manchuria through their own works, showing a variety of Chinese images from the perspective of others. Therefore, Korean writers' works on Manchuria experience become the object of study by scholars at home and abroad, and play an important role in understanding the image of China in the eyes of others. However, it is lack of commonality to grasp the image of China only through the works based on Manchuria experience. Therefore, this paper will take the works of other regions outside Manchuria as the research object. This paper analyzes the universal image of China in modern Korean works. At the end of the 19th century and the beginning of the 20th century, China began to enter the historical stage of urbanization. In the 1930s, China and South Korea were in a special period of historical development, not only suffered from external aggression, but also brought about the development of urbanization. The city is the product of modern civilization. The Chinese city, represented by Shanghai, is a mirror for Korea, which is still in the pre-modern society. Therefore, in modern Korean literature, cities must also become the literary space set by Korean writers. In the 1920s and 1940s, the main Chinese cities in Korean literature were Shanghai, Beijing, Tianjin, Harbin, Changchun, Shenyang, Nanjing and other big cities. Recently, with the strengthening of the literary exchange between China and South Korea, the research on the Chinese image in the Korean modern literature works has been deepened, especially in the Manchukuo countryside, the landlord has made great achievements. However, whether in China or South Korea, the overall study of the Chinese urban image of Korean modern literature remains to be deepened. By reading the texts of literary works, this paper analyzes the image of Chinese cities in Korean literature works of the 1930s, and points out the characteristics of the Chinese city images in the eyes of Korean writers, and combines with the social reality. Compare this image with the real Chinese image in history. This paper probes into the relationship between this image and the historical and cultural context of the text, and analyzes the writer's understanding of the other and the reasons for this understanding. It is believed that this study will promote the cultural exchange between China and South Korea.
【学位授予单位】：中国海洋大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I312.606

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