论东野圭吾作品中的死亡书写
发布时间：2019-03-03 15:41
【摘要】：日本作家东野圭吾是当前亚洲最炙手可热的推理小说家，他引领了亚洲推理小说复兴的风潮，同时对推理小说的变革性发展做出了贡献。推理小说的根本在于用解谜的手法破解谜团，而人类的终极困惑正是死亡之谜。与资本主义发展之初和全球战争时期相比，当前社会的死亡威胁已经改头换面，不再单单只是对生命的掠夺，它对当代人的骄傲和自尊而言，更是一种威压甚至羞辱，东野圭吾作品中的革新，恰恰体现了与之相符的策略。 东野圭吾作品的死亡书写是在当前社会生命困境和文化危机语境下形成的。传统的生活习惯和宗教制度正被各种新兴的政治、法律和科学话语及其权威补充和替换，人由此产生异化；死亡向书写的渗透昭示了当代人主体本真与肉体的分离。东野圭吾的推理小说创作表达了一种理想，那就是控诉被死亡阴影笼罩的“规范社会”，慰藉卑微者饱受死亡威胁的心灵，，重现主体的真实性。 死亡在东野圭吾作品中的呈现主要体现为肉体死亡和精神死亡两个维度。肉体死亡包含他杀与自杀两种方式：以悲剧性小人物的被杀控诉荒谬不合理的社会现实；以自我牺牲和自我毁灭表现主人公曾经蒙昧混沌的自我意识的蜕变。同时，死亡不再只是局限在生命消逝，更应看成是社会体系的异变导致的个人精神力量受到严峻考验，维系生存的深层信念的合法性被动摇。东野圭吾的作品，真实地展现了生命在孤独焦虑和信仰缺失的精神死亡的临界状态下的孤苦无告。 东野圭吾的死亡书写没有仅仅在死亡处止步，它所体现出的进步意义表现为三个递进的阶段。第一阶段，必须先直面“我自己”的死亡，实现“自我”的确证；第二阶段，正视了“自己”的死亡之后，不能对其感到畏惧，而是要始终怀有一股坚强的生命意志；第三个阶段，怀着积极乐观的态度追求自我的“自由”和“个性”，用完满的生命体验实现对死亡的超越。
[Abstract]:Japanese writer Keiwu Onono is the hottest reasoning novelist in Asia at present. He leads the revival of Asian reasoning novels and contributes to the transformative development of reasoning novels at the same time. The essence of the reasoning novel is to solve the mystery by solving the riddle, and the ultimate perplexity of mankind is the mystery of death. Compared with the early days of capitalist development and the era of global war, the death threat in the current society has changed, not only the looting of life, but also the pride and self-esteem of contemporary people, which is even more a form of coercion and even humiliation. The innovation in Keiwu Ono's works reflects exactly the strategy that is consistent with it. The death writing of Keiwu's works is formed in the context of social life dilemma and cultural crisis. The traditional living habits and religious systems are being supplemented and replaced by various new political, legal and scientific discourse and their authority, which leads to the alienation of human beings, and the infiltration of death into writing shows the separation of the essence of the subject and the body of the present generation. Ono's reasoning novel expresses the ideal of accusing the "normative society" of being shrouded in the shadow of death, comforting the menacing mind of the lowly and recreating the authenticity of the subject. The appearance of death in Keiwu Ono's works is mainly embodied in two dimensions: physical death and mental death. Physical death includes two ways of killing and committing suicide: the absurd and unreasonable social reality of being killed by tragic small potatoes; and the transformation of self-consciousness of the protagonists who were once ignorant and chaotic with self-sacrifice and self-destruction. At the same time, death is no longer confined to the disappearance of life, but should be seen as a result of the transformation of the social system caused by the individual spiritual strength has been severely tested, the legitimacy of the deep belief to maintain survival has been shaken. Keiwu Ono's works truly show the loneliness of life under the critical state of loneliness anxiety and spiritual death without faith. Keiwu Ono's writing of death does not stop only at the place of death, and its progressive significance is reflected in three progressive stages. In the first stage, it is necessary to face the death of "myself" and realize the confirmation of "self", and in the second stage, after facing up to the death of "oneself", we must not be afraid of it, but always have a strong will to live; In the third stage, we pursue self "freedom" and "individuality" with a positive and optimistic attitude, and achieve the transcendence of death with perfect life experience.
【学位授予单位】：湘潭大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.074
本文编号：2433839
[Abstract]:Japanese writer Keiwu Onono is the hottest reasoning novelist in Asia at present. He leads the revival of Asian reasoning novels and contributes to the transformative development of reasoning novels at the same time. The essence of the reasoning novel is to solve the mystery by solving the riddle, and the ultimate perplexity of mankind is the mystery of death. Compared with the early days of capitalist development and the era of global war, the death threat in the current society has changed, not only the looting of life, but also the pride and self-esteem of contemporary people, which is even more a form of coercion and even humiliation. The innovation in Keiwu Ono's works reflects exactly the strategy that is consistent with it. The death writing of Keiwu's works is formed in the context of social life dilemma and cultural crisis. The traditional living habits and religious systems are being supplemented and replaced by various new political, legal and scientific discourse and their authority, which leads to the alienation of human beings, and the infiltration of death into writing shows the separation of the essence of the subject and the body of the present generation. Ono's reasoning novel expresses the ideal of accusing the "normative society" of being shrouded in the shadow of death, comforting the menacing mind of the lowly and recreating the authenticity of the subject. The appearance of death in Keiwu Ono's works is mainly embodied in two dimensions: physical death and mental death. Physical death includes two ways of killing and committing suicide: the absurd and unreasonable social reality of being killed by tragic small potatoes; and the transformation of self-consciousness of the protagonists who were once ignorant and chaotic with self-sacrifice and self-destruction. At the same time, death is no longer confined to the disappearance of life, but should be seen as a result of the transformation of the social system caused by the individual spiritual strength has been severely tested, the legitimacy of the deep belief to maintain survival has been shaken. Keiwu Ono's works truly show the loneliness of life under the critical state of loneliness anxiety and spiritual death without faith. Keiwu Ono's writing of death does not stop only at the place of death, and its progressive significance is reflected in three progressive stages. In the first stage, it is necessary to face the death of "myself" and realize the confirmation of "self", and in the second stage, after facing up to the death of "oneself", we must not be afraid of it, but always have a strong will to live; In the third stage, we pursue self "freedom" and "individuality" with a positive and optimistic attitude, and achieve the transcendence of death with perfect life experience.
【学位授予单位】：湘潭大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.074
【参考文献】
相关期刊论文 前1条
1 曹艳春;李世新;;同一起点,不同路向:中日侦探小说发展路径比较[J];井冈山大学学报(社会科学版);2011年04期
本文编号：2433839
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