《我的名字叫红》叙述声音研究
发布时间：2019-03-08 14:34
【摘要】：奥尔罕·帕慕克是当代土耳其最具世界影响的作家之一，在近半个世纪的创作实践中，他不断探索、创新，创造了一系列杰出的作品。代表作《我的名字叫红》为他带来了诸多声誉，并最终于2006年夺得诺贝尔文学奖桂冠，夯实了其在国际文坛的地位。国内也于此时翻译出版了这部获奖小说，这也是帕慕克的作品第一次被引进中国。《我的名字叫红》是一部集爱情、悬疑、哲思等为一体的当代小说，，它以特定的时空为背景，讲述着离奇曲折的故事，具有独特高妙的叙事技巧，并蕴含着深刻的文化主旨，是能够集中体现帕慕克在文学创作方面造诣的高明之作。 本文将以这部作品为研究对象，立足于文本细读的基础，着重分析小说多声部第一人称叙述带来的颠覆性阅读体验，通过对作品叙述声音的分析与探讨，挖掘其深层次文化内涵。文章从三个章节展开论述。第一章以梳理“叙述声音”的概念为基础，分析叙事作品中“叙述声音”与“叙述视角”的关系，探讨《我的名字叫红》一书中第一人称叙述者与隐含作者的双重“声音”。第二章依据苏珊·兰瑟对叙述声音的分类，从“作者型叙述声音”、“个人型叙述声音”和“集体型叙述声音”三个角度对文章中的叙述声音系统进行细致探究。三种不同类型的叙述声音和谐统一于这一文本中，由于故事背景的特殊性，使得作者从主旨出发，根据表达的需要安排了“多声部”叙述的独特方式，每一个叙述者都能根据自己的意志，自由地向读者传达观点。第三章在前文研究的基础上，挖掘多元化叙述声音表述系统中凸显的文化主题。帕慕克对东西方文化的思考，突破了简单的二元对立思想，不同文化的碰撞、交锋、融合是历史流变过程中的必然过程，这一切均体现在作者透过文本折射出的文化身份意识。无论是个体的诉求还是集体的期盼，现代土耳其民族的文化身份与文化认同都应该被置于一个开放的立场上，在现代化的具体实践中被重新定义与建构。
[Abstract]:Orhan Pamuk is one of the most influential writers in the world in contemporary Turkey. In the past half century, he has been exploring, innovating and creating a series of outstanding works. His masterpiece, my name Red, brought him many reputations, and finally won the Nobel Prize for Literature in 2006, strengthening his position in the international literary world. At this time, this award-winning novel was translated and published in China, and this is the first time that Pamuk's work has been introduced into China. < my name is Red > is a contemporary novel that integrates love, suspense, philosophy, and so on. It is based on a specific space-time background. The story of strange twists and turns, with its unique and exquisite narrative skills and profound cultural thrust, is a brilliant work that can reflect Pamuk's literary attainments. This article will take this work as the research object, base on the text close reading foundation, emphatically analyses the subversive reading experience brought by the first person narration of the multi-voice part of the novel, through the analysis and the discussion to the narrative sound of the work, Excavate its deep-seated cultural connotation. The article starts from three chapters. Based on the concept of narrative sound, the first chapter analyzes the relationship between narrative sound and narrative perspective in narrative works, and probes into the dual "sound" of the first-person narrator and the implicit author in the book "my name is Red". In the second chapter, according to Susan Lanser's classification of narrative sound, the narrative sound system in this paper is studied from three angles: author-type narrative sound, individual narrative sound and collective narrative sound, which are divided into three parts: the author-type narrative sound, the individual narrative sound and the collective narrative sound. The three different types of narrative sounds are harmonious and unified in this text. Due to the particularity of the background of the story, the author arranges the unique way of "multi-part" narration according to the needs of expression and from the point of view of the theme. Each narrator is free to convey his views to the reader according to his own will. The third chapter, based on the previous study, excavates the cultural themes highlighted in the voice expression system of pluralistic narration. Pamuk's thinking of East and West culture breaks through the simple dualistic opposites, the collision, confrontation and fusion of different cultures, which is an inevitable process in the process of historical change, all of which are reflected in the cultural identity consciousness reflected by the author through the text. Whether individual or collective, the cultural identity and cultural identity of the modern Turkish nation should be put in an open position and redefined and constructed in the concrete practice of modernization.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I374.074
本文编号：2436905
[Abstract]:Orhan Pamuk is one of the most influential writers in the world in contemporary Turkey. In the past half century, he has been exploring, innovating and creating a series of outstanding works. His masterpiece, my name Red, brought him many reputations, and finally won the Nobel Prize for Literature in 2006, strengthening his position in the international literary world. At this time, this award-winning novel was translated and published in China, and this is the first time that Pamuk's work has been introduced into China. < my name is Red > is a contemporary novel that integrates love, suspense, philosophy, and so on. It is based on a specific space-time background. The story of strange twists and turns, with its unique and exquisite narrative skills and profound cultural thrust, is a brilliant work that can reflect Pamuk's literary attainments. This article will take this work as the research object, base on the text close reading foundation, emphatically analyses the subversive reading experience brought by the first person narration of the multi-voice part of the novel, through the analysis and the discussion to the narrative sound of the work, Excavate its deep-seated cultural connotation. The article starts from three chapters. Based on the concept of narrative sound, the first chapter analyzes the relationship between narrative sound and narrative perspective in narrative works, and probes into the dual "sound" of the first-person narrator and the implicit author in the book "my name is Red". In the second chapter, according to Susan Lanser's classification of narrative sound, the narrative sound system in this paper is studied from three angles: author-type narrative sound, individual narrative sound and collective narrative sound, which are divided into three parts: the author-type narrative sound, the individual narrative sound and the collective narrative sound. The three different types of narrative sounds are harmonious and unified in this text. Due to the particularity of the background of the story, the author arranges the unique way of "multi-part" narration according to the needs of expression and from the point of view of the theme. Each narrator is free to convey his views to the reader according to his own will. The third chapter, based on the previous study, excavates the cultural themes highlighted in the voice expression system of pluralistic narration. Pamuk's thinking of East and West culture breaks through the simple dualistic opposites, the collision, confrontation and fusion of different cultures, which is an inevitable process in the process of historical change, all of which are reflected in the cultural identity consciousness reflected by the author through the text. Whether individual or collective, the cultural identity and cultural identity of the modern Turkish nation should be put in an open position and redefined and constructed in the concrete practice of modernization.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I374.074
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