劳伦斯小说对尼采生命哲学的诠释
发布时间：2019-04-13 12:55
【摘要】：尼采与劳伦斯分别是最富争议的德国哲学家与英国现代小说家。劳伦斯在哲学与思想上深受尼采的影响。在这两位不同国籍不同专业领域的天才身上,我们发现了很多相通之处,这不仅反映在二者艺术创作形式的相似上,更集中体现在他们共同的创作旨趣上,即在他们整个哲学或文学创作过程中,二者都关注生命哲学。以尼采为代表的生命哲学思想是劳伦斯小说创作的思想基础。尼采的生命哲学全方位地影响了劳伦斯文学创作。劳伦斯整个小说创作过程,也即是他接受尼采生命哲学的诠释过程。劳伦斯在反对工业文明,反对基督教,反对理性与道德以及追求生命的永恒价值上与尼采生命哲学的一致。劳伦斯认为性是原初的创造性力量,是生活的源泉。然而,劳伦斯对尼采生命哲学的继承,具有深刻的个性特征,融入了他对完美个性形成与发展的深刻思考。从这个意义上讲,他对人的心理发展的探索比尼采更细微,也更全面。 本论文分为四部分： 第一部分主要是国内外关于劳伦斯及其小说的研究综述,特别介绍对劳伦斯小说创作与尼采生命哲学关联的研究状况。其次概述西方生命哲学的源流与内涵,突出尼采生命哲学的内涵。最后交代本论文的研究方法和创新点。 第二部分主要论述劳伦斯小说诠释尼采生命哲学的演变,包括劳伦斯与尼采生命哲学的关联。劳伦斯小说表现尼采生命哲学的四个阶段以及各个阶段中体现的不同生命哲学思想。第一阶段是探索阶段即是灵与肉的困惑与挣扎,以分析劳伦斯的前期作品《白孔雀》为主第二阶段是发展阶段,体现了劳伦斯的“血性意识”以及他的“星际均衡”哲学思想。主要分析《虹》与《恋爱中的女人》。这两部小说是劳伦斯的生命哲学进入新的阶段的标志。第三阶段为转折阶段,即追寻原始宗教与权力成为劳伦斯这阶段的主题。以分析《出走的男人》、《袋鼠》、《羽蛇》几部小说体现劳伦斯的宗教思想与权力意识。第四阶段为回归阶段,即重返人类伊甸园,以分析《查特莱夫人的情人》为主,这阶段劳伦斯从更高的层面上表达了他的人生理想。《查特莱夫人的情人》是劳伦斯小说探索生命哲学艺术的顶点,把他的生命哲学探索向纵深推进了一步 第三部分阐述劳伦斯小说如何诠释尼采生命哲学思想的,分别从悲剧、性爱、反宗教和权力意识来说明。以分析《白孔雀》、《儿子与情人》、《虹》、《恋爱中的女人》、《袋鼠》、《查特莱夫人的情人》等小说为主。悲剧意识以肯定生命为前提；性爱意识从人的本能、直觉、血性来概述人与自然、人与人、人与社会之间的关系；反宗教意识则从婚姻家庭生活、男女之爱等入手来阐述.权力意识则由酒神精神而引发的。 第四部分主要论述劳伦斯小说对尼采生命哲学的创新。从悲剧、性爱、反宗教、权力层面进行说明。
[Abstract]:Nietzsche and Lawrence are the most controversial German philosophers and modern British novelists respectively. Lawrence was deeply influenced by Nietzsche in philosophy and thought. In these two geniuses of different nationalities and different professional fields, we have found a lot in common, which is reflected not only in the similarity of the forms of artistic creation between the two, but also in their common creative purport. That is, in their whole philosophy or literary creation process, they both pay attention to the philosophy of life. Nietzsche's philosophy of life, represented by Nietzsche, is the ideological basis of Lawrence's novel creation. Nietzsche's philosophy of life influenced Lawrence's literary creation in all directions. Lawrence's whole novel creation process, that is, he accepted Nietzsche philosophy of life interpretation process. Lawrence is consistent with Nietzsche's philosophy of life in opposing industrial civilization, against Christianity, against reason and morality, and in pursuing the eternal value of life. Lawrence recognizes sex as the original creative force and the source of life. However, Lawrence's inheritance of Nietzsche's philosophy of life has profound personality characteristics, which incorporates his deep thoughts on the formation and development of perfect personality. In this sense, his exploration of human psychological development is more subtle and comprehensive than Nietzsche's. This thesis is divided into four parts: the first part is a summary of Lawrence and his novels at home and abroad, especially the relationship between Lawrence's novel creation and Nietzsche's philosophy of life. Secondly, it summarizes the origin and connotation of western philosophy of life, and highlights the connotation of Nietzsche's philosophy of life. Finally, explain the research method and innovation of this paper. The second part mainly discusses the evolution of the interpretation of Nietzsche's philosophy of life in Lawrence's novels, including the relationship between Lawrence and Nietzsche's philosophy of life. Lawrence's novels show the four stages of Nietzsche's philosophy of life and the different philosophy of life embodied in each stage. The first stage is the perplexity and struggle between spirit and flesh, and the second stage is the development stage, which embodies Lawrence's "bloody consciousness" and his philosophy of "interstellar equilibrium" by analyzing Lawrence's earlier work "White Peacock". The main analysis is "rainbow" and "woman in love". These two novels are signs that Lawrence's philosophy of life has entered a new stage. The third stage is the turning stage, that is, the pursuit of primitive religion and power becomes the theme of Lawrence stage. In this paper, Lawrence's religious thought and power consciousness are reflected in his novels, such as "the Man running away", "the kangaroo" and "the Feather Snake". The fourth stage is the return stage, that is, the return to the Garden of Eden to analyze "Lady Chatterley's Lover." At this stage, Lawrence expressed his ideal of life on a higher level. "Lady Chatterley's Lover" is the culmination of Lawrence's novel in exploring the art of philosophy of life. The third part explains how Lawrence's novel interprets Nietzsche's philosophy of life, respectively from tragedy, sex, anti-religion and power consciousness. To analyze the novels of White Peacock, son and Lover, Rainbow, woman in Love, kangaroo, Lady Chatterley's Lover and so on. Tragic consciousness is based on affirming life; sexual consciousness summarizes the relationship between man and nature, man and man, man and society from instinct, intuition and blood; anti-religious consciousness starts from marriage and family life, love between men and women, etc. The consciousness of power is triggered by the spirit of Dionysus. The fourth part mainly discusses the innovation of Lawrence's novel to Nietzsche's philosophy of life. From the tragic, sexual, anti-religious, power level to explain.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.074
本文编号：2457581
[Abstract]:Nietzsche and Lawrence are the most controversial German philosophers and modern British novelists respectively. Lawrence was deeply influenced by Nietzsche in philosophy and thought. In these two geniuses of different nationalities and different professional fields, we have found a lot in common, which is reflected not only in the similarity of the forms of artistic creation between the two, but also in their common creative purport. That is, in their whole philosophy or literary creation process, they both pay attention to the philosophy of life. Nietzsche's philosophy of life, represented by Nietzsche, is the ideological basis of Lawrence's novel creation. Nietzsche's philosophy of life influenced Lawrence's literary creation in all directions. Lawrence's whole novel creation process, that is, he accepted Nietzsche philosophy of life interpretation process. Lawrence is consistent with Nietzsche's philosophy of life in opposing industrial civilization, against Christianity, against reason and morality, and in pursuing the eternal value of life. Lawrence recognizes sex as the original creative force and the source of life. However, Lawrence's inheritance of Nietzsche's philosophy of life has profound personality characteristics, which incorporates his deep thoughts on the formation and development of perfect personality. In this sense, his exploration of human psychological development is more subtle and comprehensive than Nietzsche's. This thesis is divided into four parts: the first part is a summary of Lawrence and his novels at home and abroad, especially the relationship between Lawrence's novel creation and Nietzsche's philosophy of life. Secondly, it summarizes the origin and connotation of western philosophy of life, and highlights the connotation of Nietzsche's philosophy of life. Finally, explain the research method and innovation of this paper. The second part mainly discusses the evolution of the interpretation of Nietzsche's philosophy of life in Lawrence's novels, including the relationship between Lawrence and Nietzsche's philosophy of life. Lawrence's novels show the four stages of Nietzsche's philosophy of life and the different philosophy of life embodied in each stage. The first stage is the perplexity and struggle between spirit and flesh, and the second stage is the development stage, which embodies Lawrence's "bloody consciousness" and his philosophy of "interstellar equilibrium" by analyzing Lawrence's earlier work "White Peacock". The main analysis is "rainbow" and "woman in love". These two novels are signs that Lawrence's philosophy of life has entered a new stage. The third stage is the turning stage, that is, the pursuit of primitive religion and power becomes the theme of Lawrence stage. In this paper, Lawrence's religious thought and power consciousness are reflected in his novels, such as "the Man running away", "the kangaroo" and "the Feather Snake". The fourth stage is the return stage, that is, the return to the Garden of Eden to analyze "Lady Chatterley's Lover." At this stage, Lawrence expressed his ideal of life on a higher level. "Lady Chatterley's Lover" is the culmination of Lawrence's novel in exploring the art of philosophy of life. The third part explains how Lawrence's novel interprets Nietzsche's philosophy of life, respectively from tragedy, sex, anti-religion and power consciousness. To analyze the novels of White Peacock, son and Lover, Rainbow, woman in Love, kangaroo, Lady Chatterley's Lover and so on. Tragic consciousness is based on affirming life; sexual consciousness summarizes the relationship between man and nature, man and man, man and society from instinct, intuition and blood; anti-religious consciousness starts from marriage and family life, love between men and women, etc. The consciousness of power is triggered by the spirit of Dionysus. The fourth part mainly discusses the innovation of Lawrence's novel to Nietzsche's philosophy of life. From the tragic, sexual, anti-religious, power level to explain.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.074
【引证文献】
相关硕士学位论文 前1条
1 杜永微;莫言作品与尼采的生命哲学[D];湖南师范大学;2013年
，本文编号：2457581
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