论卡尔维诺的叙事速度
发布时间：2019-06-17 14:43
【摘要】：卡尔维诺在《美国讲稿》中对文学的价值、性质与特性进行总结,融合他自身阅读、思考与创作的经验,展望未来千年文学发展,提出了轻逸、迅速、精确、形象鲜明和内容多样五项基本的文学理念,本文针对“迅速”概念进行考察。本文第一部分为叙事速度与卡尔维诺“迅速”概念的解析。首先阐述文学作品中与叙事时间相关的概念,得出叙事速度是故事时间与文本长度的比值的定义,通过停顿、减缓、场景、概要、省略可以改变文本的叙事速度。然后分析卡尔维诺的理论,根据卡尔维诺本人的论述将“迅速”概括为；迅速,是叙事速度的快速,与叙事时间相关；叙述应当是快速的；迅速通过情节、语言、作品篇幅的简练、逻辑与节奏实现；迅速与人的思维相互关联,内容的积淀是迅速的前提。通过对作品的分析得出等时叙事是卡尔维诺作品叙事速度的起点,而加速叙事是其主体。第二部分为卡尔维诺式“迅速”的实现形式。卡尔维诺通过三种途径实现文本中的“迅速”。途径一为简洁的作品语言、可控的三段式结构与短篇小说的篇幅,这是卡尔维诺受民间故事影响的结果。途径二为从非线性叙事到空间叙事的结构,卡尔维诺将自己最浓缩最精华的思想凝练成长文短写的非线性“时间零”文本,运用互文的仿拟等手法实现原结构的复制与增殖,从非线性叙事转移到晶体结构的空间叙事,从而在文本一定的基础上实现叙事时间的空间化与无限化。途径三为百科全书式开放叙事,百科全书跨越多种学科丰富了小说的内容,母系统下的子系统相互作用产生离心力,使作品的结构与内容具有自我生成的开放特性,读者作为开放型文本最后的接收者与创造者,加入到作品的创作中,实现故事时间的延长。第三部分为卡尔维诺式“迅速”的功能与启示。卡尔维诺借助开放叙事,消除作者全知全能的色彩,将其解构为故事角色植入文本之中,赋予读者理解和再创造作者所呈现出来文本世界的无限可能。同时,卡尔维诺在后现代主义去中心化理念的影响下,借助非线性叙事与空间叙事,消解统一主旨而加固故事内涵的广度与深度,通过读者的诠释与完善,文本在思想上呈现出统一主旨所无法具备的多元性与丰富性。最后,“迅速”为卡尔维诺文学理念的核心“轻逸”服务,消解沉重的分量,最终将沉重转化为“轻逸”。
[Abstract]:In the American speech, Calvino summarizes the value, nature and characteristics of literature, merges his own experience of reading, thinking and creating, looks forward to the development of literature in the next thousand years, and puts forward five basic literary ideas: lightness, rapidity, precision, vivid image and diverse content. this paper investigates the concept of "rapidity". The first part of this paper is the analysis of narrative speed and Calvino's concept of "rapidity". Firstly, this paper expounds the concepts related to narrative time in literary works, and concludes that narrative speed is the definition of the ratio of story time to text length. The narrative speed of the text can be changed by pausing, slowing down, scene, outline and omission. Then it analyzes Calvino's theory and sums up "rapidity" according to Calvino's own exposition. Rapidity is the rapidity of narrative speed, which is related to narrative time; narration should be fast; it should be realized quickly through plot, language, concise length of works, logic and rhythm; quick and human thinking is related to each other, and the accumulation of content is the premise of rapidity. Through the analysis of the works, it is concluded that isochronous narration is the starting point of Calvino's narrative speed, and accelerated narration is its main body. The second part is the Calvino type "fast" realization form. Calvino realizes "rapidity" in the text in three ways. The first way is a concise working language, a controllable three-paragraph structure and the length of short stories, which is the result of Calvino's influence by folk stories. The second way is from nonlinear narration to spatial narrative structure. Calvino condensed his most concentrated and best thought into nonlinear "time zero" text in short writing, and realized the replication and proliferation of the original structure by means of paraphrase of intertextuality, and transferred from nonlinear narrative to spatial narrative of crystal structure, so as to realize the spatialization and infinity of narrative time on a certain basis of the text. The third way is the encyclopedia open narration, which enriches the content of the novel across many disciplines. The interaction of subsystems under the parent system produces centrifugal force, which makes the structure and content of the work have the open characteristics of self-generation. As the final receiver and creator of the open text, the reader adds to the creation of the work to realize the extension of the story time. The third part is the Calvino style "rapid" function and enlightenment. With the help of open narration, Calvino eliminates the omnipotence color of the author, interprets it into the story character into the text, and gives the reader the infinite possibility of understanding and recreating the text world presented by the author. At the same time, under the influence of the concept of post-modernism decentralization, Calvino strengthens the breadth and depth of the connotation of the story with the help of nonlinear narration and spatial narration, and strengthens the breadth and depth of the connotation of the story through the interpretation and perfection of the readers. through the interpretation and perfection of the readers, the text presents the pluralism and richness that the unified theme cannot have. Finally, "Quick" serves the core "lightness" of Calvino's literary idea, dispels the heavy weight, and finally converts the heavy into "light".
【学位授予单位】：复旦大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I546.074
本文编号：2501061
[Abstract]:In the American speech, Calvino summarizes the value, nature and characteristics of literature, merges his own experience of reading, thinking and creating, looks forward to the development of literature in the next thousand years, and puts forward five basic literary ideas: lightness, rapidity, precision, vivid image and diverse content. this paper investigates the concept of "rapidity". The first part of this paper is the analysis of narrative speed and Calvino's concept of "rapidity". Firstly, this paper expounds the concepts related to narrative time in literary works, and concludes that narrative speed is the definition of the ratio of story time to text length. The narrative speed of the text can be changed by pausing, slowing down, scene, outline and omission. Then it analyzes Calvino's theory and sums up "rapidity" according to Calvino's own exposition. Rapidity is the rapidity of narrative speed, which is related to narrative time; narration should be fast; it should be realized quickly through plot, language, concise length of works, logic and rhythm; quick and human thinking is related to each other, and the accumulation of content is the premise of rapidity. Through the analysis of the works, it is concluded that isochronous narration is the starting point of Calvino's narrative speed, and accelerated narration is its main body. The second part is the Calvino type "fast" realization form. Calvino realizes "rapidity" in the text in three ways. The first way is a concise working language, a controllable three-paragraph structure and the length of short stories, which is the result of Calvino's influence by folk stories. The second way is from nonlinear narration to spatial narrative structure. Calvino condensed his most concentrated and best thought into nonlinear "time zero" text in short writing, and realized the replication and proliferation of the original structure by means of paraphrase of intertextuality, and transferred from nonlinear narrative to spatial narrative of crystal structure, so as to realize the spatialization and infinity of narrative time on a certain basis of the text. The third way is the encyclopedia open narration, which enriches the content of the novel across many disciplines. The interaction of subsystems under the parent system produces centrifugal force, which makes the structure and content of the work have the open characteristics of self-generation. As the final receiver and creator of the open text, the reader adds to the creation of the work to realize the extension of the story time. The third part is the Calvino style "rapid" function and enlightenment. With the help of open narration, Calvino eliminates the omnipotence color of the author, interprets it into the story character into the text, and gives the reader the infinite possibility of understanding and recreating the text world presented by the author. At the same time, under the influence of the concept of post-modernism decentralization, Calvino strengthens the breadth and depth of the connotation of the story with the help of nonlinear narration and spatial narration, and strengthens the breadth and depth of the connotation of the story through the interpretation and perfection of the readers. through the interpretation and perfection of the readers, the text presents the pluralism and richness that the unified theme cannot have. Finally, "Quick" serves the core "lightness" of Calvino's literary idea, dispels the heavy weight, and finally converts the heavy into "light".
【学位授予单位】：复旦大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I546.074
【参考文献】
相关硕士学位论文 前3条
1 连小红;叙事时间与文本意义的生成[D];福建师范大学;2008年
2 杨帆;卡尔维诺研究在中国[D];东北师范大学;2009年
3 单娟;论卡尔维诺的未来文学价值观[D];山东师范大学;2010年
，本文编号：2501061
本文链接：https://www.wllwen.com/wenyilunwen/wxchuangz/2501061.html
