《黑暗的心脏》中的解构叙事
发布时间：2020-12-21 01:00
《黑暗的心脏》由于具有丰富的意蕴和极高的艺术价值引起了国内外众多评论家的兴趣,种种争议由此而生,尤其是有关故事与话语的叙事学划分。本文作者试图找到因对故事与话语的不同解释而产生冲突的原因,进而从解构叙事视角对故事与话语的关系进行梳理研究。第一章总结了国外对《黑暗的心脏》的研究的三个阶段,重点回顾了对文本的解构与叙事的研究。从中可以看出解构主义者的研究停留在宏观的层面上,叙事研究过于重视文本的统─而忽视了与之不─致的细节。国内对此文本的研究不仅在数量上而且在深度上远落后于国外的研究。第二章中作者指出了叙事学研究的新趋势,要跟上时代必须有新鲜的外来给养,解构主义者认为,传统叙事学中故事与话语的划分中存在着等级的二元对立,并且对细节存在着一种偏见。米勒的解构叙事线条理论动摇了传统叙事研究中的二元对立背后的逻各斯中心主义。第三章对《黑暗的心脏》中的解构叙事进行了详细研究。作者对故事的特权地位提出质疑,认为话语通常篡夺了这种特权。故事对话语等级式统治的原因在于叙事学家对统一与中心文本的追求,而文本中那些"看似不协调"的细节的存在对此提出了挑战。这些易被忽视的细节形成了文本的多种开头,造成了结尾的...
【文章来源】：安徽师范大学安徽省
【文章页数】：82 页
【学位级别】：硕士
【文章目录】：
Acknowledgements
Abstract（English）
Abstract（Chinese）
Introduction
Chapter One Literature Review
1.1 Conrad and Heart of Darkness
1.2 Studies Abroad
1.3 Studies at Home
1.4 Method of This Study
Chapter Two Deconstructive Narratology
2.1 Derrida's Deconstruction
2.1.1 Anti-Logocentrism and Anti-Hierarchical Opposition
2.1.2 Differance
2.2 Hierarchical Binary Opposition in Traditional Narratology
2.2.1 About Story and Discourse
2.2.2 About Unity and Detail
2.3 Miller's Deconstructive Narrative Theory
2.3.1 The Working of Logos
2.3.2 Narrative Line
2.3.3 Beginning, Middle and End of Narrative Line
2.3.4 Duality and Multiplicity of Narrative Line
Chapter Three Deconstructive Narrative in Heart of Darkness
3.1 Problem about Story and Discourse in Heart of Darkness
3.1.1 Division of Story and Discourse Concerning Heart of Darkness
3.1.2 Coincidence or Invasion?
3.1.3 Beginning Discourse Against Logocentric Law
3.2 Narrative Line in Heart of Darkness
3.2.1 Beginning, Middle and End of Narrative Line
3.2.1.1 Multiple Beginnings
3.2.1.2 The Dilemma of End
3.2.1.3 Middle and Transgression
3.2.2 Duality and Multiplicity of Narrative Line in Heart of Darkness
3.2.2.1 Double Lines
3.2.2.2 Multiple Narrative Lines
3.2.2.3 Deformed and Tangled Line
3.3 Discourse and Narration
3.3.1 Discourse-A Double-Edged Weapon
3.3.2 Lie and Lies
3.3.2.1 Intentional Lie and Unintentional Lie
3.3.2.2 Narrational Lie of the Tale Itself
3.3.2.3 Introspective Lie and Epistemological Lie
Chapter Four Difficulties and Significances Concerning Deconstructive Narrative in Heart of Darkness
4.1 Difficulties of Deconstructive Narrative in Heart of Darkness
4.1.1 Agnostic Tendency
4.1.2 Ignorance of Subjectivity
4.2 Significance of Deconstructive Narrative in Heart of Darkness
4.2.1 Construction of Heterogeneity
4.2.2 Construction of Repetition
4.2.3 Construction of the Value of Misreading
Conclusion
Bibliography
Appendix One Articles on Heart of Darkness with Deconstruction and Narrative as Key Words from Academic Research Library
Appendix Two Articles on Heart of Darkness with Narrative as Key Words from 1995 to 2006 in China
Appendix Three Dissertations on Heart of Darkness from 2000 to 2006 in China
附:本人在读期间发表科研论文及获奖情况一览表
【参考文献】：
期刊论文
[1]被解构的朝圣之旅——《黑暗之心》后现代性解读[J]. 王美萍. 四川外语学院学报. 2004(04)
[2]J.希利斯·米勒的解构主义小说批评理论[J]. 程锡麟. 当代外国文学. 2000(04)
[3]论《黑暗的心脏》的叙事结构及其审美价值[J]. 高伟利,殷企平. 杭州师范学院学报. 1997(02)
[4]叙述人在《黑暗的心脏》中的尴尬[J]. 陈法春. 天津外国语学院学报. 1996(01)
硕士论文
[1]后结构主义—解构主义语境中的新叙事学[D]. 刘小莉.陕西师范大学 2005
本文编号：2928889
【文章来源】：安徽师范大学安徽省
【文章页数】：82 页
【学位级别】：硕士
【文章目录】：
Acknowledgements
Abstract（English）
Abstract（Chinese）
Introduction
Chapter One Literature Review
1.1 Conrad and Heart of Darkness
1.2 Studies Abroad
1.3 Studies at Home
1.4 Method of This Study
Chapter Two Deconstructive Narratology
2.1 Derrida's Deconstruction
2.1.1 Anti-Logocentrism and Anti-Hierarchical Opposition
2.1.2 Differance
2.2 Hierarchical Binary Opposition in Traditional Narratology
2.2.1 About Story and Discourse
2.2.2 About Unity and Detail
2.3 Miller's Deconstructive Narrative Theory
2.3.1 The Working of Logos
2.3.2 Narrative Line
2.3.3 Beginning, Middle and End of Narrative Line
2.3.4 Duality and Multiplicity of Narrative Line
Chapter Three Deconstructive Narrative in Heart of Darkness
3.1 Problem about Story and Discourse in Heart of Darkness
3.1.1 Division of Story and Discourse Concerning Heart of Darkness
3.1.2 Coincidence or Invasion?
3.1.3 Beginning Discourse Against Logocentric Law
3.2 Narrative Line in Heart of Darkness
3.2.1 Beginning, Middle and End of Narrative Line
3.2.1.1 Multiple Beginnings
3.2.1.2 The Dilemma of End
3.2.1.3 Middle and Transgression
3.2.2 Duality and Multiplicity of Narrative Line in Heart of Darkness
3.2.2.1 Double Lines
3.2.2.2 Multiple Narrative Lines
3.2.2.3 Deformed and Tangled Line
3.3 Discourse and Narration
3.3.1 Discourse-A Double-Edged Weapon
3.3.2 Lie and Lies
3.3.2.1 Intentional Lie and Unintentional Lie
3.3.2.2 Narrational Lie of the Tale Itself
3.3.2.3 Introspective Lie and Epistemological Lie
Chapter Four Difficulties and Significances Concerning Deconstructive Narrative in Heart of Darkness
4.1 Difficulties of Deconstructive Narrative in Heart of Darkness
4.1.1 Agnostic Tendency
4.1.2 Ignorance of Subjectivity
4.2 Significance of Deconstructive Narrative in Heart of Darkness
4.2.1 Construction of Heterogeneity
4.2.2 Construction of Repetition
4.2.3 Construction of the Value of Misreading
Conclusion
Bibliography
Appendix One Articles on Heart of Darkness with Deconstruction and Narrative as Key Words from Academic Research Library
Appendix Two Articles on Heart of Darkness with Narrative as Key Words from 1995 to 2006 in China
Appendix Three Dissertations on Heart of Darkness from 2000 to 2006 in China
附:本人在读期间发表科研论文及获奖情况一览表
【参考文献】：
期刊论文
[1]被解构的朝圣之旅——《黑暗之心》后现代性解读[J]. 王美萍. 四川外语学院学报. 2004(04)
[2]J.希利斯·米勒的解构主义小说批评理论[J]. 程锡麟. 当代外国文学. 2000(04)
[3]论《黑暗的心脏》的叙事结构及其审美价值[J]. 高伟利,殷企平. 杭州师范学院学报. 1997(02)
[4]叙述人在《黑暗的心脏》中的尴尬[J]. 陈法春. 天津外国语学院学报. 1996(01)
硕士论文
[1]后结构主义—解构主义语境中的新叙事学[D]. 刘小莉.陕西师范大学 2005
本文编号：2928889
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