中英诗歌听觉、视觉象似性及其文体功能

发布时间：2021-06-01 23:39

　　人们对象似性的讨论由来已久。从中国古代仓颉造字的记录到古希腊著名的文学模仿论,符号象似性及文学象似性便已分别现其雏形。象似性理论是针对语言任意性理论提出来的。现代语言学奠基人索绪尔提出语言任意性原则,认为能指和所指之间并无自然联系,并将其视为统治整个语言系统的首要原则。与此相对,美国著名哲学家和符号学家皮尔斯区分了三种符号:象似符、标记符及象征符,三者因任意性程度不同而存在着差异。他将语言符号能指和所指之间存在的自然关系叫做象似性,并进一步把象似符分为映象符和拟象符。自二十世纪六十年代,越来越多的语言学家意识到能指和所指之间的关系不能仅仅被概括为任意性,因而就语言象似性展开了深入讨论。目前,随着认知语言学的发展,有关语言象似性的研究已经取得丰硕成果,而对象似性的研究亦已深入到语言学研究各个领域。为象似性与其它学科的结合打下了坚实的理论基础。从符号象似性理论出发,学者们认为,文学是象似的,文学莫不以各种方式映照现实。文学作品中许多艺术手法都是有意而为之。这些手法的使用,目的就是要使文学作品的形式尽量贴近其所要描述的客观现实和所要表达的心理体验。换言之,就是要使其形式尽可能“像”其内容。二... 

【文章来源】：西南交通大学四川省 211工程院校 教育部直属院校

【文章页数】：87 页

【学位级别】：硕士

【文章目录】：
摘要
Abstract
Contents
Chapter 1 Introduction
    1.1 Research Background
    1.2 Purpose, Methodology and Significance
    1.3 Layout of the Thesis
Chapter 2 A Survey of Iconicity Theory
    2.1 Introduction
    2.2 Quest for the Nature of Signs: Arbitrariness and Iconicity
        2.2.1 Pre-Saussurean Stage: Philosophical Perspective
        2.2.2 Saussurean Stage: Semiotic Perspective
            2.2.2.1 Saussurean Arbitrariness
            2.2.2.2 Peircean Iconicity
            2.2.2.3 Other Views
        2.2.3 Post-Saussurean Stage: Cognitive Perspective
    2.3 Definition and Categories of Iconicity
    2.4 Iconic Studies in Literature
        2.4.1 Traditional Iconic Studies in Literature
            2.4.1.1 Xiang in China
            2.4.1.2 Icon in the West
        2.4.2 Current Iconic Studies in Literature
    2.5 Summary
Chapter 3 Sound Iconicity and Its Stylistic Function
    3.1 Introduction
    3.2 Imagic Aspects of Sound Iconicity
        3.2.1 Onomatopoeia
            3.2.1.1 Onomatopoeia of Natural Sounds
            3.2.1.2 Onomatopoeia of Animal Sounds
            3.2.1.3 Onomatopoeia of Human Sounds
        3.2.2 Sound Symbolism
            3.2.2.1 Sound Symbolism of Vowels
                3.2.2.1.1 Length: long and short
                3.2.2.1.2 Mouth Shape: Open and Closed
                3.2.2.1.3 Tongue Place: Front and Back
            3.2.2.2 Sound Symbolism of Consonants
    3.3 Diagrammatic Aspects of Sound Iconicity
        3.3.1 Meter and Rhythm
        3.3.2 Rhyme Pattern
            3.3.2.1 Single Rhyme
            3.3.2.2 Rhyme Shift and Multiple Rhymes
    3.4 Summary
Chapter 4 Visual Iconicity and Its Stylistic Function
    4.1 Introduction
    4.2 Imagic Aspects of Visual Iconicity
        4.2.1 Single Signs Proper
            4.2.1.1 Chinese Characters
            4.2.1.2 Alphabetical Letters
        4.2.2 Typographic Layout I: Transparent Imitation
    4.3 Diagrammatic Aspects of Visual Iconicity
        4.3.1 Typographic Layout II: Translucent Representation
        4.3.2 Lineation Schemes: Long and Short Lines
        4.3.3 Line Break
        4.3.4 Stanza Break
        4.3.5 Textual Size
    4.4 Summary
Chapter 5 Conclusion
    5.1 Summary of the Thesis
    5.2 Major Findings
    5.3 Limitations
    5.4 Suggestions for Future Study
Acknowledgements
Bibliography
Publication While Registered with the MA Program



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