解读“垮掉的一代”
发布时间:2022-02-21 06:18
作为一个较有争议的文学团体,“垮掉的一代”在美国文学史中的地位与贡献一直难有定论。克鲁亚克,金斯伯格等“垮掉派”作家在不为主流文化所接受的同时却被奉为青年反文化运动的先驱。在中国,“垮掉的一代”在80年代以前少有听闻,每一接触,也总是被与颓废,堕落,放荡不羁相联系。那么“垮掉的一代”文学运动究竟有无其价值呢?本文认为,对“垮掉的一代”的评价不是一个是与非的问题,而是一个选择什么角度,如何看的问题。 本论文将选取上述两位“垮掉派”作家的经典之作:小说《在路上》及长诗《嚎叫》,力图通过几个不同的角度,多侧面地对“垮掉的一代”进行考查,从而就其本身的文学主张与社会影响做一较全面的分析研究,最终还原出一个能为人所理解的“垮掉的一代”。本论文的考查,分析将从以下几方面入手: 第一部分将对“垮掉的一代”文学运动,克鲁亚克,金斯伯格及他们的作品进行简要介绍并回顾对这两位作家的文学批评。 第二部分将从历史角度出发,对二战后美国的经济,政治及文化态势做一描述,从而勾勒出“垮掉的一代”产生的历史背景。 第三部分是对“垮掉的一代”的哲学,美学思想渊源的追溯,力图说明美国超验主义哲学传...
【文章来源】:西北师范大学甘肃省
【文章页数】:73 页
【学位级别】:硕士
【文章目录】:
独创性声明
摘要
Abstract
1 Introduction
1.1 A brief introduction to the literary movement of the Beat Generation
1.2 Jack Kerouac, Allen Ginsberg and their literary achievements
1.3 A general introduction to On the Road and Howl
1.4 The literature review---critical responses to Kerouac's On the Road and Ginsberg's Howl
2 The background of the literary movement of the Beat Generation
2.1 the economic, political, and cultural situation of postwar America in the 1950s
2.2 the deviant 'American Dream' in the 1950s
2.3 An atmosphere of counterculture in the 1950s
2.4 Disposition and the individual experiences of Kerouac and Ginsberg
2.4.1 Disposition and the individual experiences of Kerouac
2.4.2 Disposition and the individual experiences of Ginsberg
3 A survey of the source of the Beat Generation
3.1 A profound influence of American Transcendentalism
3.2 An influence from modem Existentialism
4 A survey of the themes of Beat writing
4.1 A spiritual wasteland
4.2 Seeking for experiences and freedom
4.3 Cult of high experiences and ecstasy
5 A survey of literary characteristics of Beat writing
5.1 The spontaneous writing
5.2 Visionalization and actionalization
5.3 The characterization of anti-hero
6 Conclusion
Notes
Bibliography
Acknowledgements
【参考文献】:
期刊论文
[1]一场象征性的文化革命——反思西方60年代学生造反运动[J]. 程巍. 外国文学. 2002(06)
[2]美国作家关于当代“文明”的危机意识[J]. 翟士钊. 外国文学研究. 1999(02)
[3]论存在文学的人道主义内涵[J]. 钟良明. 外国文学评论. 1995(04)
[4]反英雄——后现代主义小说的重要角色[J]. 赖干坚. 当代外国文学. 1995(01)
本文编号:3636673
【文章来源】:西北师范大学甘肃省
【文章页数】:73 页
【学位级别】:硕士
【文章目录】:
独创性声明
摘要
Abstract
1 Introduction
1.1 A brief introduction to the literary movement of the Beat Generation
1.2 Jack Kerouac, Allen Ginsberg and their literary achievements
1.3 A general introduction to On the Road and Howl
1.4 The literature review---critical responses to Kerouac's On the Road and Ginsberg's Howl
2 The background of the literary movement of the Beat Generation
2.1 the economic, political, and cultural situation of postwar America in the 1950s
2.2 the deviant 'American Dream' in the 1950s
2.3 An atmosphere of counterculture in the 1950s
2.4 Disposition and the individual experiences of Kerouac and Ginsberg
2.4.1 Disposition and the individual experiences of Kerouac
2.4.2 Disposition and the individual experiences of Ginsberg
3 A survey of the source of the Beat Generation
3.1 A profound influence of American Transcendentalism
3.2 An influence from modem Existentialism
4 A survey of the themes of Beat writing
4.1 A spiritual wasteland
4.2 Seeking for experiences and freedom
4.3 Cult of high experiences and ecstasy
5 A survey of literary characteristics of Beat writing
5.1 The spontaneous writing
5.2 Visionalization and actionalization
5.3 The characterization of anti-hero
6 Conclusion
Notes
Bibliography
Acknowledgements
【参考文献】:
期刊论文
[1]一场象征性的文化革命——反思西方60年代学生造反运动[J]. 程巍. 外国文学. 2002(06)
[2]美国作家关于当代“文明”的危机意识[J]. 翟士钊. 外国文学研究. 1999(02)
[3]论存在文学的人道主义内涵[J]. 钟良明. 外国文学评论. 1995(04)
[4]反英雄——后现代主义小说的重要角色[J]. 赖干坚. 当代外国文学. 1995(01)
本文编号:3636673
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