海明威小说的聚焦模式及其文体效果
发布时间：2022-02-23 04:37
小说是一门叙述的艺术,叙述方式的巧妙与否直接关系到作品的艺术魅力。而叙述视角是小说叙述技巧的一种惯用形式,法国作家福楼拜（Gustave Flaubert）与美国作家亨利·詹姆斯（Henry James）注重其在小说中的运用并以此作为调节叙述距离的重要工具。二十世纪六十年代,随着叙述学和小说文体学的兴起,小说的叙述视角成为叙述学和文体学的研究重合点。但是这两个学科对视角的研究重点颇为不同:叙述学者着重分析不同视角本质性的特征及其对视角的分类;而文体学家则对语言选择感兴趣,注重语言表达形式的特征,其中主要包括词汇、句型、标点、人称、时态等。从叙述学角度来看,视角起着调节叙述信息和距离的作用;从文体学角度来看,视角体现叙述者在叙述时通过文字表达流露出的立场观点、语气口吻等。前者直接作用于叙述结构,后者通过语言特色间接作用于叙述事件。本文旨在兼采两家之长,以文体学理论为指导,借鉴国外叙述学家和国内叙述学家对叙述技巧的研究成果,汲取国内外专家对海明威的精当评述,对海明威长短篇小说的聚焦模式进行分析、综合、比较、归纳,力图发现海明威作品中未被发现的长短篇小说聚焦模式的不同,以丰富海明威研究,让读...
【文章来源】：福州大学福建省211工程院校
【文章页数】：87 页
【学位级别】：硕士
【文章目录】：
Acknowledgements
中文摘要
Abstract
中文提要
Synopsis
Introduction
Chapter 1 How to Interpret Fiction?
1.1 A Brief Introduction to Fiction Interpretation
1.2 Stylistic Approach to Fiction Interpretation
1.3 Narratological Approach to Fiction Interpretation
1.4 Why Are Both Stylisticians and Narratologists Interested in Narrative Point of View?
1.5 Definitions of Narrative Point of View
1.6 The General Role of Narrative Point of View in Fiction Interpretation
Chapter 2 Classification of Point of View
2.1 Classification of Point of View
2.1.1 Traditional Classification of Point of View
2.1.2 Modern Classification of Point of View
2.1.2.1 Narrative Point of View and Narrative Voice
2.1.2.2 Friedman’s Classification of Point of View
2.1.2.3 Genette’s Classification of Point of View
2.1.3 Why Do We Use ‘Focalization’Instead of ‘Point of View’in This Thesis?
2.2 Modes of Speech Presentation and Focalization
2.2.1 Direct Speech (DS)
2.2.2 Indirect Speech (IS)
2.2.3 Free Direct Speech (FDS)
2.2.4 Free Indirect Speech (FIS)
2.2.5 Narrative Report of Speech Act (NRSA)
2.3 Nature and Literary Function of Modes of Focalization
2.3.1 Nature and Literary Function of Zero Focalization
2.3.2 Nature and Literary Function of Internal Focalization
2.3.3 Nature and Literary Function of External Focalization
2.4 Shift and Transgression of Mode of Focalization
2.5 Modes of Focalization and Stylistic Effects
Chapter 3 Analysis of Modes of Focalization in Hemingway’s Fiction
3.1 A Brief Introduction to Hemingway’s Style
3.2 Analysis of the Modes of Focalization and Their Stylistic Effects in Hemingway’s Two Novels
3.2.1 A Narratological Stylistic Analysis of A Farewell to Arms
3.2.1.1 The Theme of A Farewell to Arms
3.2.1.2 Mode of Focalization in A Farewell to Arms
3.2.1.3 Shift of Mode of Focalization in A Farewell to Arms
3.2.1.4 Speech Presentation in A Farewell to Arms
3.2.2 A Narratological Stylistic Analysis of The Old Man and the Sea
3.2.2.1 The Theme of The Old Man and the Sea
3.2.2.2 Mode of Focalization in The Old Man and the Sea
3.2.2.3 Shift of Mode of Focalization in The Old Man and the Sea
3.2.2.4 Speech Presentation in The Old Man and the Sea
3.2.3 Summary
3.3 Analysis of the Modes of Focalization and Their Stylistic effects in Hemingway’s Three Short Stories
3.3.1 A Narratological Stylistic Analysis of The Short Happy Life of Francis Macomber
3.3.1.1 The Theme of The Short Happy Life of Francis Macomber
3.3.1.2 Mode of Focalization in The Short Happy Life of Francis Macomber
3.3.1.3 Shift of Mode of Focalization in The Short Happy Life of Francis Macomber
3.3.2 A Narratological Stylistic Analysis of Indian Camp
3.3.2.1 The Theme of Indian Camp
3.3.2.2 Mode of Focalization in Indian Camp
3.3.2.3 Transgression of Mode of Focalization in Indian Camp
3.3.3 A Narratological Stylistic Analysis of Hills like White Elephants
3.3.3.1 The Theme of Hills like White Elephants
3.3.3.2 Mode of Focalization in Hills like White Elephants
3.3.3.3 Transgression of Mode of Focalization in Hills like White Elephants
3.3.4 Summary
3.4 Conclusion
Chapter 4 Modes of Focalization Compared between Hemingway’s Novels and Short Stories
4.1 Internal Focalization vs. External Focalization
4.1.1 Internal Focalization in Hemingway’s Novels
4.1.2 External Focalization in Hemingway’s Short Stories
4.2 Focalization on Protagonists vs. Focalization on Minor Characters
4.2.1 Focalization on Protagonists in Hemingway’s Novels
4.2.2 Focalization on Minor Characters in Hemingway’s Short Stories
4.3 Steady Focalization vs. Variable Focalization
4.3.1 Steady Focalization in Hemingway’s Novels
4.3.2 Variable Focalization in Hemingway’s Short Stories
4.4 Summary
Conclusion
Bibliography
个人简历与研究成果
【参考文献】：
期刊论文
[1]文体学研究在中国的发展及应用——第四届全国文体学研讨会述评[J]. 徐有志,张璐,吴显友. 外国语(上海外国语大学学报). 2005(04)
[2]关于西方文体学新发展的思考——兼评辛普森的《文体学》[J]. 申丹. 外国语(上海外国语大学学报). 2005(03)
[3]海明威小说的叙述声音[J]. 张薇. 外国文学研究. 2004(05)
[4]小说艺术形式的两个不同层面——谈“文体学课”与“叙述学课”的互补性[J]. 申丹. 外语教学与研究. 2004(02)
[5]范式与层面:国外叙事学研究综述——兼评国内叙事学研究现状[J]. 唐伟胜. 外国语(上海外国语大学学报). 2003(05)
[6]论海明威小说的现象学叙述[J]. 邵建. 外国文学评论. 1991(01)
[7]海明威小说的艺术特点[J]. 万培德. 文史哲. 1980(02)
本文编号：3640888
【文章来源】：福州大学福建省211工程院校
【文章页数】：87 页
【学位级别】：硕士
【文章目录】：
Acknowledgements
中文摘要
Abstract
中文提要
Synopsis
Introduction
Chapter 1 How to Interpret Fiction?
1.1 A Brief Introduction to Fiction Interpretation
1.2 Stylistic Approach to Fiction Interpretation
1.3 Narratological Approach to Fiction Interpretation
1.4 Why Are Both Stylisticians and Narratologists Interested in Narrative Point of View?
1.5 Definitions of Narrative Point of View
1.6 The General Role of Narrative Point of View in Fiction Interpretation
Chapter 2 Classification of Point of View
2.1 Classification of Point of View
2.1.1 Traditional Classification of Point of View
2.1.2 Modern Classification of Point of View
2.1.2.1 Narrative Point of View and Narrative Voice
2.1.2.2 Friedman’s Classification of Point of View
2.1.2.3 Genette’s Classification of Point of View
2.1.3 Why Do We Use ‘Focalization’Instead of ‘Point of View’in This Thesis?
2.2 Modes of Speech Presentation and Focalization
2.2.1 Direct Speech (DS)
2.2.2 Indirect Speech (IS)
2.2.3 Free Direct Speech (FDS)
2.2.4 Free Indirect Speech (FIS)
2.2.5 Narrative Report of Speech Act (NRSA)
2.3 Nature and Literary Function of Modes of Focalization
2.3.1 Nature and Literary Function of Zero Focalization
2.3.2 Nature and Literary Function of Internal Focalization
2.3.3 Nature and Literary Function of External Focalization
2.4 Shift and Transgression of Mode of Focalization
2.5 Modes of Focalization and Stylistic Effects
Chapter 3 Analysis of Modes of Focalization in Hemingway’s Fiction
3.1 A Brief Introduction to Hemingway’s Style
3.2 Analysis of the Modes of Focalization and Their Stylistic Effects in Hemingway’s Two Novels
3.2.1 A Narratological Stylistic Analysis of A Farewell to Arms
3.2.1.1 The Theme of A Farewell to Arms
3.2.1.2 Mode of Focalization in A Farewell to Arms
3.2.1.3 Shift of Mode of Focalization in A Farewell to Arms
3.2.1.4 Speech Presentation in A Farewell to Arms
3.2.2 A Narratological Stylistic Analysis of The Old Man and the Sea
3.2.2.1 The Theme of The Old Man and the Sea
3.2.2.2 Mode of Focalization in The Old Man and the Sea
3.2.2.3 Shift of Mode of Focalization in The Old Man and the Sea
3.2.2.4 Speech Presentation in The Old Man and the Sea
3.2.3 Summary
3.3 Analysis of the Modes of Focalization and Their Stylistic effects in Hemingway’s Three Short Stories
3.3.1 A Narratological Stylistic Analysis of The Short Happy Life of Francis Macomber
3.3.1.1 The Theme of The Short Happy Life of Francis Macomber
3.3.1.2 Mode of Focalization in The Short Happy Life of Francis Macomber
3.3.1.3 Shift of Mode of Focalization in The Short Happy Life of Francis Macomber
3.3.2 A Narratological Stylistic Analysis of Indian Camp
3.3.2.1 The Theme of Indian Camp
3.3.2.2 Mode of Focalization in Indian Camp
3.3.2.3 Transgression of Mode of Focalization in Indian Camp
3.3.3 A Narratological Stylistic Analysis of Hills like White Elephants
3.3.3.1 The Theme of Hills like White Elephants
3.3.3.2 Mode of Focalization in Hills like White Elephants
3.3.3.3 Transgression of Mode of Focalization in Hills like White Elephants
3.3.4 Summary
3.4 Conclusion
Chapter 4 Modes of Focalization Compared between Hemingway’s Novels and Short Stories
4.1 Internal Focalization vs. External Focalization
4.1.1 Internal Focalization in Hemingway’s Novels
4.1.2 External Focalization in Hemingway’s Short Stories
4.2 Focalization on Protagonists vs. Focalization on Minor Characters
4.2.1 Focalization on Protagonists in Hemingway’s Novels
4.2.2 Focalization on Minor Characters in Hemingway’s Short Stories
4.3 Steady Focalization vs. Variable Focalization
4.3.1 Steady Focalization in Hemingway’s Novels
4.3.2 Variable Focalization in Hemingway’s Short Stories
4.4 Summary
Conclusion
Bibliography
个人简历与研究成果
【参考文献】：
期刊论文
[1]文体学研究在中国的发展及应用——第四届全国文体学研讨会述评[J]. 徐有志,张璐,吴显友. 外国语(上海外国语大学学报). 2005(04)
[2]关于西方文体学新发展的思考——兼评辛普森的《文体学》[J]. 申丹. 外国语(上海外国语大学学报). 2005(03)
[3]海明威小说的叙述声音[J]. 张薇. 外国文学研究. 2004(05)
[4]小说艺术形式的两个不同层面——谈“文体学课”与“叙述学课”的互补性[J]. 申丹. 外语教学与研究. 2004(02)
[5]范式与层面:国外叙事学研究综述——兼评国内叙事学研究现状[J]. 唐伟胜. 外国语(上海外国语大学学报). 2003(05)
[6]论海明威小说的现象学叙述[J]. 邵建. 外国文学评论. 1991(01)
[7]海明威小说的艺术特点[J]. 万培德. 文史哲. 1980(02)
本文编号：3640888
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