清末相声的产生研究

发布时间：2018-03-21 13:29

本文选题：清末　切入点：相声　出处：《河北大学》2011年硕士论文　论文类型：学位论文

【摘要】：相声是中华民族古老而新潮的至宝,是本土幽默文化的集中体现。然而在其产生后很长的一段时间里并未得到重视,致使专门记载这门技艺的材料少之又少,因而相声“可溯之史长,可证之史短”。多数相声史论著中并未对相声的产生做出较为明确的解释,本文以历史为主线梳理出幽默文化的脉络从而引出相声这一形式,并进一步分析相声产生的外部和内部因素,探寻相声文本对传统文学各个形式的继承。本论文分为三章,第一章以历史为线索,梳理出幽默文化的历史脉络。从横向看来,因每个朝代的思想和文化的不同,幽默文化的表现形式也各有千秋。从纵向看来,这些幽默形式在逐渐深入地反映人们喜好娱乐的天性,也一步步从虚幻逐渐走向现实生活。第二章汇编了相声鼻祖的生平和部分作品,并对演出场地的变迁进行描述。之后探讨相声这一曲艺产生的原因。将原因分为外部和内部两种类型。外部因素为满族善于说唱的习俗,北京的地域文化,市民文化以及当时社会局面等。内部因素包括口技与相声的联系,八角鼓,京剧等艺术形式的转化,还有对传统笑话的改编等。第三章探讨相声文本对古代文学各种形式的继承,包括诗文,俗赋,白话小说,语言文字游戏等对相声文本的影响。最后得出结论：相声集中体现了千百年来的幽默文化,相声的产生是在漫长的幽默史的背景下,在清末这一曲艺盛行之时,通过若干种曲艺的裂变和整合而产生的。它的产生跟北京的地理,民族,市井文化有着直接的关系,它的发展和壮大则依靠于传统文学的滋养。
[Abstract]:Crosstalk is an ancient and trendy treasure of the Chinese nation and a concentrated embodiment of the local culture of humor. However, it has not been taken seriously for a long time after its emergence, resulting in the scarcity of materials dedicated to recording this skill. As a result, crosstalk "can be traced back to a long history, but a short history can be proved." most of the cross-talk historical works do not give a relatively clear explanation for the production of crosstalk. This paper, taking history as the main line, combs out the context of humor culture and leads to the form of crosstalk. Furthermore, it analyzes the external and internal factors of crosstalk, and explores the inheritance of crosstalk texts to various forms of traditional literature. This thesis is divided into three chapters. The first chapter combs out the historical context of humor culture with the clue of history. From a horizontal point of view, because of the different thoughts and cultures of each dynasty, the forms of expression of humor culture are different from the vertical point of view. These forms of humor gradually reflect the nature of people's interest in entertainment, and gradually move from illusion to real life. Chapter two compiles the lives and some works of the crosstalk ancestors. Then it discusses the causes of crosstalk, which is divided into two types: external and internal. The external factors are the custom of Manchu people who are good at rap, and the regional culture of Beijing. Civic culture and the social situation at that time. Internal factors include the connection between oral skills and crosstalk, the transformation of artistic forms such as octagonal drums, Peking Opera, etc. Chapter three discusses the inheritance of crosstalk texts to various forms of ancient literature, including poetry and prose, folk Fu, vernacular novels, etc. Finally, it is concluded that crosstalk embodies the culture of humor for thousands of years. Under the background of the long history of humor, crosstalk came into being in the late Qing Dynasty when the quyi art prevailed. Through the fission and integration of several kinds of quyi art, it is directly related to Beijing's geography, nationality and market culture, and its development and growth depend on the nourishment of traditional literature.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J826

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