明清以来道情在江苏的传播

发布时间：2018-03-26 17:51

  本文选题：道情　切入点：渔鼓　出处：《江苏社会科学》2017年06期

【摘要】：明清以来,说唱道情在江苏流传久远广泛。江苏地区的文人道情由吟咏离尘绝俗之情,转而寄托更加丰富的思想情感,具有现实干预精神。民间说唱道情由讲述道教故事扩大为历史故事和民间传说。说唱道情以渔鼓、简板为伴奏乐器,表演形式有沿街走唱、堂会演出、书场演出,传播者有道徒、艺人、瞽者、乞儿,以及非职业演唱者的即兴演唱。道情的内容循着醒世觉人、劝善说教、感时伤世的轨迹缓慢地发生着变化。
[Abstract]:Since the Ming and Qing dynasties, rap sentiment has been widely spread in Jiangsu Province, where literati sentiment in Jiangsu has changed from chanting feelings from the world to relying on more abundant thoughts and feelings. It has the spirit of practical intervention. Folk rap and love has been expanded from telling Taoist stories to historical stories and folklore. The rapper sentiment is accompanied by fish drums and simple boards. The performing forms include walking along the street, performing in church meetings, and performing in bookstores. The improvisation of Taoists, entertainers, blind people, beggars, and non-professional singers.
【作者单位】： 扬州大学文学院;
【基金】：国家社科基金重大项目“古本散曲集成”(15ZDB074);国家社科基金项目“道情及其源流研究”(10CZW042) 江苏省高校优势学科(PAPD)“文化传承与区域社会发展”成果之一
【分类号】：J826;K248
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本文编号：1668917