山西民歌合唱集《桃花红杏花白》和声结构与手法研究

发布时间：2018-06-06 14:42

本文选题：调式和声 + 嵌入　；参考：《山西师范大学》2017年硕士论文

【摘要】：芝达林先生创编的山西民歌女声合唱曲集《桃花红杏花白》是一部将中国五声性调式和声技术理论运用于山西民歌多声部配置艺术实践的经典之作。本文对此合唱曲集里有关中国五声性调式和声技法的应用以及传统西洋和声与五声调式旋律结合等方面做较为详尽的分析与研究。全文由绪论、七个章节以及结语组成。绪论包括研究背景与现状、相关内容的学位论文研讨、研究目的及其意义、研究内容、研究方法。七个章节主要是从以下几个方面完成对本选题的研究:一、“嵌入音”的手法,主要分为嵌入音形态、嵌入音方式。其中,嵌入音形态分为内嵌音、外嵌音两种形态,嵌入方式分为音程嵌入、和弦嵌入两种方式;二、三度结构的和声方法,主要分为:省略音和声与替代音和弦两种和声方法;三、四度结构的和声方法,主要分为:双四度结构与三个四度结构。其中,双四度结构又分为重复、叠置、相接、交置四种和声结构;四、五声调式音列纵合化和弦,包括:五声调式音列纵和化的和声方法、含“二变”音的五声纵合化和弦、调式音列纵合化和弦的形态三种纵和和弦。其中,五声调式音列纵和化的和声方法分为:三音和弦、四音和弦、五音和弦。调式音列纵合化和弦的形态有两种形态:以主音为根音的和弦形态、以属音为根音的和弦形态;五、传统功能和声的应用包括:正格进行的应用、小属和弦的应用、变格色彩的强调、功能弱化的处理这四种技术手法;六、传统和声功能与五声性和声功能的交替与对比;七、近现代和声语言包括:线性思维与色彩对置手法的分析。通过以上的调式和声结构与手法研究,可以更好的理解芝达林先生对于山西民歌多声部配置的创作思维,亦可深入地了解五声调式和声的形态结构,借此解读作曲家的音乐语言风格,以达到对于这部作品的音乐本体分析的目的。本课题的研究,将对于作曲专业的教学与艺术实践具有重要的指导意义。
[Abstract]:The anthology of Shanxi Folk Song Women's Chorus, Peach Blossom, Red Apricot Blossom and White, created by Mr. Zhi Darling, is a classic work in which the theory of Chinese pentatonic harmony technique is applied to the practice of multi-part arrangement of Shanxi folk songs. This paper makes a detailed analysis and research on the application of Chinese pentatonic harmony techniques and the combination of traditional western harmonies and pentatonic melodies in the chorus collection. The full text consists of introduction, seven chapters and conclusion. The introduction includes the research background and present situation, the research purpose and its significance, the research content, the research method. Seven chapters are mainly from the following aspects to complete the research of this topic: first, the "embedded tone" technique, mainly divided into the embedded tone form, embedded tone mode. Among them, the embedded tone is divided into two forms: the embedded tone is embedded, the external tone is embedded, the embedding is divided into two ways: interval embedding and chord embedding, the second, third degree harmony method is mainly divided into two kinds of harmony methods: ellipsis harmony method and substitute tone harmony method; The harmonic method of three-and four-degree structure is divided into two four-degree structure and three four-degree structure. Among them, the double four-degree structure is further divided into four types of harmonic structures: repeated, superimposed, joined, and intersected; the four-and-five-tone series is vertically combined with the chords, including: the harmony method of the pentatonic series of vertical harmony, and the five-tone longitudinal syncretizing chord of the "two-variable" sound. The shape of three longitudinal and chords. Among them, the pentatonic tone series of vertical harmony method can be divided into three chords, four chords, five-tone chords. There are two forms of the consonant chord of the tone sequence: the chord form with the principal tone as the root sound, the chord form with the genus sound as the root sound, and the application of the traditional function harmony with the application of the positive lattice and the application of the small chord. The emphasis of changing color and the treatment of weakening function are four techniques; sixth, the alternation and contrast between traditional harmony function and pentatonic harmony function; seventh, modern harmony language includes: analysis of linear thinking and color contrast. Through the above research on the mode harmony structure and techniques, we can better understand Mr. Zhi Darling's creative thinking on the multi-part configuration of Shanxi folk songs, and can also deeply understand the morphological structure of the five-tone harmony. In order to achieve the purpose of the music Noumenon analysis of this work, the writer interprets the composer's musical language style. The research of this subject will be of great significance to the teaching and art practice of composition specialty.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614.1

【参考文献】