论湖南民歌中高腔的演唱技法
发布时间：2019-02-14 09:45
【摘要】：本论文的内容是研究湖南民歌中高腔产生的地理环境、社会、文化、和语言背景,以及高腔山歌的风格特点,重点研究高腔演唱在湖南民歌中的技巧运用和特定作品中高腔的演唱技法。高腔演唱的技法包括了运用润腔技巧、混合运用真假声和共鸣区等,同时本文对高腔演唱技法在湖南民歌中的存在意义以及美学价值进行了简单的论述。湖南民歌中的高腔演唱技法,是从中国民族声乐的发展过程中分出的一支,虽然在整个民族声乐中不值一提,但这样一个声乐渐渐演变出来的新鲜物对于声乐发展也有一些值得借鉴、学习、运用的经验。通过研究高腔演唱技法,一方面能够让人们更好地认识湖南民歌,一方面能够让声乐学习者通过学习高腔演唱技法的各种技巧、经验和表现手法,从湖南民歌中吸取足够的营养,提高自身的演唱水平。还有一方面是使得高腔演唱技法的美学价值得到增添和维护。从各个民族所具备的独树一帜的风格特点,有助于推动我国民族声乐的个性化、多样化发展,推动其在民族歌坛中表现出百花齐放的良好局势。
[Abstract]:The content of this thesis is to study the geographical environment, social, cultural and linguistic background of Hunan folk songs, as well as the style characteristics of Gaoxiang folk songs. This paper focuses on the application of high-cavity singing techniques in Hunan folk songs and the singing techniques of high-cavity songs in specific works. The techniques of high cavity singing include the use of moistening technique, mixed use of true and false voice and resonance area, etc. At the same time, this paper briefly discusses the existence significance and aesthetic value of high cavity singing technique in Hunan folk songs. The singing technique of high singing in Hunan folk songs is a part of the development of Chinese national vocal music, although it is not worth mentioning in the whole national vocal music. But such a vocal music gradually evolved out of the new things for the development of vocal music also has some reference, learning, application of experience. On the one hand, it can make people understand Hunan folk songs better, on the other hand, it can enable vocal music learners to learn various skills, experiences and expression methods of singing techniques with high singing. Hunan folk songs from the absorption of adequate nutrition, improve their singing level. On the one hand, the aesthetic value of high-cavity singing techniques is added and maintained. From the unique style characteristics of each nationality, it is helpful to promote the individual and diversified development of Chinese national vocal music, and to promote its good situation of blooming a hundred flowers in the national singing world.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J616.2
本文编号：2422093
[Abstract]:The content of this thesis is to study the geographical environment, social, cultural and linguistic background of Hunan folk songs, as well as the style characteristics of Gaoxiang folk songs. This paper focuses on the application of high-cavity singing techniques in Hunan folk songs and the singing techniques of high-cavity songs in specific works. The techniques of high cavity singing include the use of moistening technique, mixed use of true and false voice and resonance area, etc. At the same time, this paper briefly discusses the existence significance and aesthetic value of high cavity singing technique in Hunan folk songs. The singing technique of high singing in Hunan folk songs is a part of the development of Chinese national vocal music, although it is not worth mentioning in the whole national vocal music. But such a vocal music gradually evolved out of the new things for the development of vocal music also has some reference, learning, application of experience. On the one hand, it can make people understand Hunan folk songs better, on the other hand, it can enable vocal music learners to learn various skills, experiences and expression methods of singing techniques with high singing. Hunan folk songs from the absorption of adequate nutrition, improve their singing level. On the one hand, the aesthetic value of high-cavity singing techniques is added and maintained. From the unique style characteristics of each nationality, it is helpful to promote the individual and diversified development of Chinese national vocal music, and to promote its good situation of blooming a hundred flowers in the national singing world.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J616.2
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