消费时代的经典碎片:一种文化秩序的终结与重组

发布时间：2018-01-06 16:15

本文关键词：消费时代的经典碎片:一种文化秩序的终结与重组　出处：《河北师范大学学报(哲学社会科学版)》2009年02期 　论文类型：期刊论文

【摘要】：文学经典具有"文学"和"文化"两重属性,因此,对经典的任何当代或具体化解读其实只是一种立足于"当前"和"自我"的"误读"。由于现时的观念总处于嬗变与更新之中,因此经典应该是一个过程而不是一个固定的界定。也就是说,经典永远处于人的"确立"之中。后现代的最终本质,恰恰是理性的,它用一种漠然的、否定的方式指证了精神深处的无奈与绝望。因此,后现代主义远非"结果",而只是一种"现象",作为一种历史语境,它不是"终结",而恰恰是"开始"。消费时代为我们建构了一种更为宽泛的文化秩序,这种秩序让我们跳出了高雅与通俗、精英与大众、经典与流行的狭小圈子,从而使我们进入一个宽广的、开放的、永远变化着的经典时代成为可能,也使经典跳出一种狭小的界定,融入众多精神因素与价值因素成为可能。
[Abstract]:Classical literature has "Literature" and "culture" dual attribute, therefore, for any contemporary or specific interpretation of the classic is only one kind based on the "current" and "self" and "Misreading". Since the concept was in the evolution and update, so the classic should be a process rather than a fixed definition. That is to say, people always in the establishment of "classic". Eventually the essence of modern, it is rational, it uses a passive, negative way to testify the spirit of deep frustration and despair. Therefore, postmodernism is far from the "results", but only a "phenomenon" as a historical context, it is not "the end", but rather "start". The era of consumption to construct a broader cultural order for us, let us out of this order of elegance and popularity, the elite and the masses, a small circle of classic and popular, so we enter A wide open and everlasting classic era is possible. It also makes it possible for the classic to jump out of a narrow definition and integrate into many mental factors and value factors.

【作者单位】：重庆工商职业学院人文社科系;
【分类号】：I0
【正文快照】： 消费时代(或谓“后现代社会”,其概念源出可参见让·鲍德里亚:《消费社会》,刘成富、全志钢译,南京大学出版社2001年版或M·费瑟斯通:《消费文化与后现代主义》,刘精明译,译林出版社2000年版等著述)传统文学经典的失落已成为一个不争的事实。其实,早在本雅明时代,这位法兰克

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