超俗拔韵的“逸”

发布时间：2018-01-16 08:28

本文关键词：超俗拔韵的“逸”　出处：《山东师范大学》2004年硕士论文　论文类型：学位论文

【摘要】：“逸”是一个具有鲜明民族特色的美学范畴，它集中体现了中国古代文人士大夫的审美趣味和审美理想，成为文人士大夫在得意和失意的重要精神寄托。虽然自从20世纪20年代以来，日本学者就开始了对它的研究，其后国内也有不少研究成果，但是把“逸”这个范畴放在具体的历史语境中系统的进行研究至今还是一项空白。本文试图从儒、道、释三家互动的文化事实出发，把“逸”的问题放置在具体的历史语境中进行系统的阐发。文章分为五个组成部分：在引言部分，首先阐述了“逸”研究的目的和意义，接着分析了目前的研究情况，最后提出了研究的方法。在第一章中，主要从“逸”产生的社会历史基础和文化渊源两个方面具体分析了“逸”产生的历史语境。在第二章中，主要结合各个时代的历史文化文化语境来具体分析“逸”的历史内涵和演变轨迹。这是全文分析论证的一个重点。因为，只有弄清楚“逸”在各个时代的具体情况和内涵的变化，才能对“逸”的问题有一个清晰的认识，进而从历史的角度作总体的把握。而这正是研究的关键，也是历来研究者较为薄弱的环节。这一章又分成四个组成部分。在第一部分中，主要分析了“逸”由人到艺术的演变问题。第二部分分析了“逸”在唐宋时代的发展状况。在第三部分中，主要分析了“逸”在元代的深化和理想模式的建立。第四部分重点分析“逸”在明清的发展。第三章主要分析了“逸”在近代的衰落和原因分析。“逸”的衰落苗头出现在它的泛化之际。泛化是指“逸”作为一个美学范畴已经渐渐渗透到绘品评的方方面面。“逸”作为绘画品评的最高等级和文人画追求的理想境界，泛化无疑降低了它的品格，进而造成了泛滥。此时，西方列强开始用坚船利炮打开中国的国门。随之，西方文化开始强行介入到中国文化体系中来。“逸”作为古代文人士大夫的审美趣味和审美理想的体现，在近现代救亡图存的历史大潮中渐渐走出人们的审美视野。至于“逸”衰落的原因则是本部分的重点所在，也是以往研究的一个空白点。在论文的结语部分，对“逸”的现代意义作了分析。
[Abstract]:"Yi" is a distinctive ethnic characteristics of the aesthetic category, it embodies China ancient literati aesthetic taste and aesthetic ideals, become literati in important spiritual sustenance. Although the ups and downs since 1920s, Japanese scholars began to study it, then there are also many research results, but the "Yi" in this category to put the system in a specific historical context of the research so far is still a blank. This paper attempts from Confucianism, Tao, Buddhism and the three interactive cultural facts, the "Yi" problem placed in the specific historical context of the system analysis. For the five part:
In the introduction part, it first expounds the purpose and significance of the "Yi" research, then analyzes the present research situation, and finally puts forward the research method.
In the first chapter, it analyzes the historical context of "Yi" from two aspects, the social and historical basis and the cultural origin of "Yi".
In the second chapter, mainly with the ages of historical and cultural context of culture to analyze the "Yi" historical connotation and evolution. This is a key text analysis. Because, only to clarify "change Yi" in the specific circumstances and the connotation of the times, in order to "escape" problems a clear understanding of, and then from the angle of history for the overall grasp. It is the key of the study, researchers are relatively weak. This chapter is divided into four parts. In the first part, mainly analyzes the "Yi" by the people to the development of art in second parts. Analysis of the "Yi" in the development of the Tang and Song dynasties. In the third part, mainly analyzes the "established in Yuan Dynasty and deepen the ideal mode of the escape." the fourth part focuses on the analysis of "Yi" in the Ming and Qing Dynasties.
The third chapter mainly analyzes the "Yi" in modern analysis and the decline of reason. "The decline of signs" in its generalization on the occasion. The generalization refers to "Yi" as an aesthetic category has gradually penetrated into all aspects of painting tasting. "The ideal pursuit of the highest level and the literati painting Yi" as a generalization of painting appreciation, undoubtedly reduced its character, and caused a flood. At this time, Western powers began with gunboats opened the door China. Then, western culture began to intervene to China culture system. Manifestation of "Yi" is the ancient scholar, aesthetic taste and aesthetic ideal in modern times, salvation history tide gradually out of people's field of vision. As for the reason of "Yi" fading is the focus of this section is a blank spot and previous studies.
In the concluding part of the paper, the modern meaning of "Yi" is analyzed.

【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：I01

【引证文献】