艺术语言的“言外之意”

发布时间：2018-01-20 10:50

本文关键词： 艺术语言言外之意　出处：《云南师范大学》2002年硕士论文　论文类型：学位论文

【摘要】： 现代语言随着社会科技的发展，向着理智、逻辑和准确的方向发展，使得语言与心灵之间出现了难以弥补的鸿沟，于是文学家们开始感叹语言带给他们的痛苦。因而，艺术语言，作为汉语中与科学语言并存的语言，是一种精神的语言，一种情感的语言，一种变化着的语言，于是得到了越来越多人们的关注与青睐。艺术语言是对常规语言的超脱和违背，它的辞面意义与辞内意义常有一定的距离，它表面上用词不当、成分残缺、不合逻辑，但它所蕴涵的情感却是真实的，在它的下面有一个深厚丰盈的心理世界存在。艺术语言注重用主体的精神去拥抱客体，以直觉感情去导引和化解创作时的复杂情绪，并将它升华到作品中去，使作品呈现出意蕴无穷的“言外之意”。“言外之意”出现于话语和文本中，它涉及到许多非语言因素，因而成为语义学、语用学、文艺学、哲学等学科共同关注的现象。本文将从艺术语言的角度去分析“言外之意”。笔者认为“言外之意”有着源远流长的理论基础，古代、现代学者都有颇为精辟的论述，但还有许多有待填补的学术空白存在。笔者首先分析了文学作品和话语中的“言外之意”现象，并对艺术语言的“言外之意”作了一个界定。笔者剖析了艺术语言“言外之意”产生的原因是情感的外化和语境的显示，并用大量篇幅论述了如何去理解艺术语言的“言外之意”。鉴于“言外之意”是一个复杂的修辞现象，众多学科都对它发生过浓厚的兴趣，，因此我们要利用相邻学科的理论，在文章的最后，笔者尝试着把语用学的“会话含义”规则纳入艺术语言“言外之意”的研究中。众多人文学科都探讨过“言外之意”现象，但研究成果还不尽如人意，本文算是对这一传统命题所作的一点点不成熟的思考和初步的探索。
[Abstract]:With the development of social science and technology, modern language develops in the direction of reason, logic and accuracy, which makes the gap between language and soul appear irreparable. As a result, artistic language, as a language coexisting with scientific language, is a spiritual language, an emotional language, a changing language. As a result, more and more people pay attention and favor. The artistic language is the transcendence and the violation to the conventional language, its rhetorical meaning often has certain distance from the inside meaning, on the surface, its words are improper, the composition is incomplete, illogical. But the emotion it contains is real, and beneath it there is a deep and abundant psychological world. The artistic language pays attention to embracing the object with the spirit of the subject, guiding and resolving the complex emotion in the creation with the intuitive emotion, and sublimating it into the work. The works show the implication of "implicature". "implicature" appears in discourse and text, it involves many non-linguistic factors, so it becomes semantics, pragmatics, literature and art. A phenomenon of common concern in such disciplines as philosophy. In this paper, we will analyze the "implication of words" from the angle of artistic language. The author believes that "the implication of words" has a long history of theoretical foundation, ancient, modern scholars have a rather incisive discussion. However, there are still many academic gaps to be filled. Firstly, the author analyzes the phenomenon of "implicature" in literary works and discourse. The author analyzes the causes of artistic language's "implicature" is the externalization of emotion and the display of context. In view of the fact that "implicature" is a complicated rhetorical phenomenon, many disciplines have taken great interest in it. At the end of the thesis, the author tries to bring the conversational implicature of pragmatics into the study of artistic language "implicature". Many humanities disciplines have discussed the phenomenon of "implicature", but the research results are not satisfactory. This paper is a little immature thinking and preliminary exploration of this traditional proposition.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2002
【分类号】：I045

【引证文献】