生成机制与美学策略:艺术社会学视角下的中国20世纪90年代政治波谱

发布时间：2018-02-20 04:14

本文关键词： 艺术社会学政治波谱艺术场艺术界政治波普社会学视角生成机制中国前卫艺术波普艺术中国当代艺术　出处：《艺术百家》2009年02期 　论文类型：期刊论文

【摘要】：政治波普是20世纪90年代中国前卫艺术创作中的重要现象之一。自"八五新潮"艺术运动以来,寻找描述现实政治经验的全新途径,重建艺术家与现实政治之间的新型关联,成为当代艺术家的重大难题。生成于80年代末,盛行于90年代的"政治波普"为解决这一艺术难题提供了启示和可能性。本文试图从艺术社会学和文化研究的视角,运用相关理论,梳理并分析政治波普绘画的发生?发展和被命名的历程,论述包括社会文化语境,政治历史语境,艺术机构?评论家?教育机构?艺术展览?国际买家等在内的复杂艺术公共场域是怎样使中国的政治波普成为潮流,并被写入艺术史的。同时探讨具有中国特色的政治波普是运用怎样的符号拼接和表意实践建构起自己的美学趣味和意识形态的。
[Abstract]:Political Popper is one of the important phenomena in Chinese avant-garde art creation in 1990s. Since the "eighth Five-Year" art movement, it has been looking for a new way to describe realistic political experience and to re-establish a new relationship between artists and realistic politics. "political Popper", which emerged in late 80s and prevailed in 90s, provides inspiration and possibility for solving this problem. This paper attempts to solve this problem from the perspective of art sociology and cultural research. Using relevant theories to sort out and analyze the occurrence of political pop painting? Development and naming process, including social and cultural context, political and historical context, artistic institutions? Critics? Educational institutions? Art exhibition? How does the complex public domain of art, including international buyers, make political pop in China a trend? And it is written into the history of art. At the same time, it discusses how the political pop with Chinese characteristics uses the symbol splicing and expressing practice to construct his own aesthetic taste and ideology.
【作者单位】：南京大学文学院;
【分类号】：J0-02

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