论戏剧翻译中译者的主体性

发布时间：2018-02-23 02:41

本文关键词： 戏剧翻译译者主体性创造性叛逆　出处：《华东师范大学》2004年硕士论文　论文类型：学位论文

【摘要】：众所周知，戏剧翻译研究的历史很短。然而近年来，这一情况正在逐步得到改善。随着有关戏剧翻译的专著以及论文集的相继出版，以及早期的理论的发展，戏剧翻译不再是人们未知的领域。本文讨论了戏剧翻译中译者的主体性地位。在戏剧翻译中，译者拥有更大选择翻译策略余地，因此在戏剧翻译的评论中很有必要将译者因素考虑在内：译者的翻译目的，预期读者群以及译者自身的文化素养等，都将影响译者的翻译立场以及所采用的翻译策略。本文的观点是译文必定体现译者的主体性，但译者主体性的体现又因各种因素的不同而不同。首先，本文对戏剧的发展历史作了大致介绍，并由此总结出了戏剧翻译区别于其他文学翻译体裁的特点。其次，本文又定义了“译者的主体性”以及“创造性反叛”的概念，阐明了两者在戏剧翻译中所起到的积极作用。文章的第三部分通过一些不同的译者对著名剧本片段翻译的比较，得出以下的结论。译者在翻译过程中占主体地位，，译文是译者创造力在社会，文化及自身条件制约下最好的体现。任何将译者因素排除在外的戏剧翻译评论都是不全面、不客观的。近年来，戏剧翻译中译者主体性问题开始受到越来越多的关注，希望这一新的视角能对未来戏剧翻译研究的发展起到一定的作用。
[Abstract]:As we all know, the history of drama translation studies is very short. However, in recent years, this situation is gradually improving. Drama translation is no longer an unknown field. This paper discusses the subjectivity of the translator in drama translation. In drama translation, the translator has more choice of translation strategies, so it is necessary to take into account the translator's factor in the commentary of drama translation: the translator's purpose in translation. It is expected that the readers as well as the translator's own culture will affect the translator's translation position and translation strategies. The author holds that the translation must embody the translator's subjectivity, but the translator's subjectivity varies according to various factors. First of all, this paper gives a general introduction to the history of drama development. The characteristics of drama translation are different from other literary translation genres. Secondly, the author defines the concepts of "translator's subjectivity" and "creative rebellion". In the third part of the thesis, through the comparison of some different translators to the translation of famous screenplay fragments, the following conclusions are drawn. The translator plays a dominant role in the process of translation. Translation is the best embodiment of the translator's creativity under the constraints of society, culture and his own conditions. Any drama translation commentary that excludes the translator's factors is incomplete and not objective. In recent years, more and more attention has been paid to the subjectivity of translators in drama translation. It is hoped that this new perspective will play a role in the development of drama translation studies in the future.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：I046

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