从作品到文本——对“文本”概念的梳理

发布时间：2018-02-26 04:01

本文关键词： 作品文本结构主义后结构主义　出处：《甘肃社会科学》2010年01期 　论文类型：期刊论文

【摘要】：六七十年代的西方文学理论和批评话语中有一个非常重要的现象就是"作品"概念消失,而"文本"概念则无所不在。这个术语转换的背后隐藏着文学范式的转换,同时也是对文学制度的质疑。在传统观念中,文本是与作品相互关联和对立的观念,文本要走向作品,后者是前者的归宿。然而,在结构主义文论兴起之后,由于研究兴趣和科学客观性的追求,代表价值体系的作品被置于边缘,而原来处于边缘的文本成为文学科学的研究对象。后结构主义则重新强调文学实践和价值,但是他们把传统的价值观恰好颠覆过来,从作品走向文本,此时的文本不是具体的书写产物,而是一种新的文学观念和意指实践方式,在新的空间分配语义,拒绝任何固定的话语秩序。中国的文论界对西方六七十年代的理论话语进一步研究和反思,梳理文本概念是必须的工作。
[Abstract]:A very important phenomenon in the western literary theory and critical discourse in the 1960s and 1970s is the disappearance of the concept of "work" and the omnipresence of the concept of "text". At the same time, it is also a question to the literary system. In the traditional concept, the text is the concept of interrelation and opposition with the work, the text should go to the work, the latter is the home of the former. However, after the rise of the structuralist literary theory, Because of the pursuit of research interest and scientific objectivity, works representing the value system are placed on the edge, while the original marginal texts become the research objects of literary science. Post-structuralism re-emphasizes literary practice and value. But they just turned the traditional values upside down, moving from the work to the text, where the text is not a concrete writing product, but a new literary concept and a practical way to distribute semantics in a new space. To reject any fixed discourse order. It is necessary for Chinese literary circles to further study and reflect on the western theoretical discourse of the 1960s and 1970s and to sort out the concept of text.
【作者单位】：北京师范大学文艺学研究中心;
【基金】：国家社会科学基金项目“二十世纪法国先锋文学理论和批评的‘文本’概念研究”(07CWW002)成果
【分类号】：I06

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