论本雅明的赎救美学

发布时间：2018-03-04 20:17

本文选题：本雅明　切入点：犹太教神秘主义　出处：《苏州大学》2002年硕士论文　论文类型：学位论文

【摘要】： 本文对二十世纪最伟大的文学批评家之一：本雅明赎救论的美学思想作了论述。文章结合本雅明的人生经历及其性格特征，，着重探讨了他美学思想中的两种倾向：犹太教神秘主义和马克思唯物辩证法。本雅明面对现代社会及现代艺术的大转变，力图以一种积极的方式，将现实的不幸转变成获救的契机。他认为现代艺术一方面在被接受过程中存在着唤醒大众、从而将观众从消极的接受者成为能动的革命同谋者的功能；另一方面，现代艺术将现实的荒谬、人的异化推向极端化、显现化，成为将世俗历史推向终极的动力，以废墟召唤着神学意义上的被拯救的瞬间。本雅明所探讨的艺术与现实的关系、艺术内涵与神学在某种意义上的契合，在今天仍有值得探索的价值。
[Abstract]:This paper discusses one of the greatest literary critics in 20th century: the aesthetic thought of Benjamin's redemption theory. Focusing on two tendencies in his aesthetic thought: mysticism of Judaism and materialist dialectics of Marx, Benjamin tries hard in a positive way to face the great changes in modern society and modern art. He believes that modern art, on the one hand, has the function of arousing the masses in the process of being accepted, thereby turning the audience from a passive recipient to a dynamic revolutionary accomplice; on the other hand, Modern art pushes the absurdity of reality, the alienation of human beings to the extreme and the manifestation, and becomes the motive force to push the secular history to the ultimate, and calls upon the moment of salvation in the sense of theology with ruins. The relationship between art and reality discussed by Benjamin, The agreement between artistic connotation and theology in a certain sense is still worth exploring today.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2002
【分类号】：I01

【引证文献】