“文姬归汉”的个人历史与华夏民族的“离散精神原型”——兼论比较文学研究的视域、立场与可比性

发布时间：2018-03-10 07:20

本文选题：“文姬归汉”　切入点：“离散精神原型”　出处：《学术月刊》2011年08期 　论文类型：期刊论文

【摘要】："文姬归汉"是中国古代历史上一个作为个人历史的叙事主题。一千七百多年以来,这个叙事主题被中国本土与海外文学家、艺术家先后借助于文学、音乐、绘画及戏剧等审美形式所呈现,以表达他们对自身所处境遇的慨叹及对自身人格的期许。从比较文学研究的角度对这一现象进行研究,以此追问沉淀在华夏民族文化传统中的"离散精神原型",有着重要的国际学术意义,因为在当下的全球化时代,"文姬归汉"之"汉"被栖居于海外的华裔文学家及艺术家在他们的异域创作中敷衍尊崇为中华母语文化的原乡情结。以"文姬归汉"为中心关于"离散精神原型"的跨界研究,把西方的原型理论与中国传统文化中的原型追问整合起来,这一研究思路在西方理论与中国文化传统的交集之间为比较文学研究拓展出了一方崭新的空间。
[Abstract]:"Wen Ji Gui Han" is a narrative theme in ancient Chinese history as a personal history. For more than 1,700 years, this narrative theme has been used by Chinese and overseas writers and artists successively with the help of literature and music. The aesthetic forms such as painting and drama are presented in order to express their lament to their own circumstances and their expectations of their own personality. This phenomenon is studied from the perspective of comparative literature. In this way, it is of great international academic significance to probe into the "discrete spiritual archetype" of the precipitation in the Chinese national cultural tradition. In the current era of globalization, the "Han" of "Wen Ji returning to Han" has been worshipped by overseas Chinese writers and artists in their exotic creations as the native complex of Chinese native culture. For the Centre's cross-border study on the "discrete spiritual prototype", Combining the archetypal theory of the West with the archetypes in Chinese traditional culture, this research idea opens up a new space for the study of comparative literature between the western theory and the Chinese cultural tradition.
【作者单位】：复旦大学中文系;
【分类号】：I0-03

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