观看与体验

发布时间：2018-03-11 13:15

本文选题：物体情境　切入点：二分化　出处：《中国美术学院》2005年硕士论文　论文类型：学位论文

【摘要】：上个世纪六十年代,针对极少主义艺术的出现,Michael Fried(注1)提出了“物体情境”[Objecthood]这一概念,他指出新的艺术形式“只是选择在世界中占据一处位置”,深刻剖析了艺术形式变化的终究所在。他强调的是艺术作品作为一种物体客观存在的状态,它将艺术与“物体”分化为两个相对的领域。但由此拓展的,已不仅仅只是作品空间的客观实体性了,它改变了我们以往对艺术作品中空间的理解,也改变了我们以往对艺术作品的观看方式。观看从一种自外而内的凝视转而成为身陷其间的体验。而观看方式的改变也使得“物体”慢慢显现出了其无限深远的抽象的心智。比较音乐的心理空间,源于视觉艺术的心理空间同样无法具象。用抽象的物体表述抽象的精神世界使作品与观者的关系更接近艺术与人之间的天性。櫖克?吽箍芠Mark Rothko],阿尼什·卡普尔[Anish Kapoor],詹姆斯·特瑞尔[James Turrell] 三人的作品从某种程度上都与“物体情境”的概念相关,本文将通过剖析他们的作品及创作动机阐述由“物体”这一概念引发的关于艺术作品空间观念的拓展及观看方式的转变。
[Abstract]:In 60s of last century, the art of minimalism, Michael Fried (1) put forward the concept of "objecthood" [Objecthood], he pointed out that the new art form was "chosen to occupy a position in the world", analyzes the changes in the art form it. He emphasized the art work as a an objective state of existence, it will art and the "object" is divided into two relative field. But this development is not only the objective, substantive work space, it changes our previous space in the works of art have changed our understanding of the previous works of art watch watch. From a gaze from outside to inside to whole-body experience. And the change of the way of viewing the "object" slowly reveal its infinite abstract mind. Comparison of the music of the heart Physical space, mental space in visual art also cannot use abstract figurative. Object "to express the spiritual world of the relationship between the works and the viewers closer between art and human nature. Lv. G? Mark Rothko] Wen Ou hoop, by Kapoor [Anish Kapoor], James Tyrrell [James Turrell] three works from a certain extent and concept of" object situation ", this article will change through the analysis of their works and the creation motive this caused by the concept of" objects "of the development of the art space concept and the way of viewing.

【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J05

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