中国当代公共艺术研究

发布时间：2018-03-13 04:13

本文选题：公众　切入点：公共性　出处：《中国艺术研究院》2005年博士论文　论文类型：学位论文

【摘要】：在中国改革开放,特别是90年代以来中国社会转型的大背景下,公共艺术作为一种新的艺术方式进入了中国艺术研究的视野当中。因此,本论文将中国当代公共艺术作为研究的课题,同时也将中国当代公共艺术中的一些现象作出批评和反思。公共艺术的概念是一个十分复杂的问题。论文首先对与“公共艺术”相关的概念——“公众”、“公共”、“公共空间”,并对公共艺术的形态、公共艺术产生的缘由和历史等作了较为系统地梳理,探讨了公共艺术与环境艺术之间的密切关系。论文对中国当代公共艺术发展的历史进行了回顾。80年代,中国社会发生深刻的变化。中国首都国际机场候机厅壁画可以被看作是当代中国公共艺术的开始。此后,随着艺术走向自觉,中国公共艺术大体上经历了壁画热、城雕热、环境艺术等几个阶段。本文对80年代公共艺术作品的特点、公共艺术的作用、公共艺术实施过程作了有重点地分析和研究。 90年代,随着中国社会的进入转型期,城市建设步伐逐渐加快,中国公共艺术进入了全面发展的阶段。90年的社会发展主要出现以下几个特点:一、现代形态的城市形成导致了中国现代市民社会的形成,也导致了市民对公共艺术的诉求;二、随着经济化、全球化、地缘政治和文化的发展,环境问题日渐凸现。第三,从公共艺术内部来看,艺术语言得到空前丰富。第四,随着公共空间的商业化趋势的加强,产生了与之相对的福利化公共空间,一大批公园、广场、园林出现。针对这些特点,论文从中国市民社会的形成、公共艺术的语言特点、环境设计艺术、公共空间福利化和商业化特点、社区公共艺术、公共艺术的民主性和开放性、唯美性(公共景观艺术)等不同层面对90年代公共艺术的发展作了梳理、分析和研究。中国当代公共艺术的发展中诸多问题值得反思,这些问题是:对公共艺术受众主体的认识、公共艺术家对艺术语言及公共性的理解、公共艺术主体问题以及公共艺术制度等。对这些问题的认识有助于更深刻理解对公众产生影响的诸多因素,有助于理解中国当代公共艺术发展现状和问题。因此,论文对公共艺术和公众、公共艺术和公共艺术家、公共艺术的材料、公共艺术和谐观念以及公共艺术制度等与当代公共相关的问题作了分析探讨。目前,中国对公共艺术的理解和认识水平还远远不够,相信通过对公共艺术的学理、历史和现状的研究,将为我们重新认识公共艺术,为中国公共艺术的发展提供可行性的理论依据。
[Abstract]:Under the background of China's reform and opening up, especially the social transformation since 90s, public art has entered the field of Chinese art research as a new art way. This thesis regards Chinese contemporary public art as a research topic, and also criticizes and reflects on some phenomena in Chinese contemporary public art. The concept of public art is a very complicated problem. Firstly, the paper discusses the concepts related to "public art"-"public", "public", "public space", and the form of public art. The origin and history of public art are systematically combed, and the close relationship between public art and environmental art is discussed. The paper reviews the history of the development of Chinese contemporary public art. In the 1980s, profound changes took place in Chinese society. The murals of the airport terminal of the Chinese Capital International Airport can be regarded as the beginning of contemporary Chinese public art. As art moves toward self-consciousness, Chinese public art has generally gone through several stages, such as mural craze, urban carving craze, environmental art, etc. This paper deals with the characteristics of public works of art in 80s, the role of public art, and so on. The implementation process of public art is analyzed and studied emphatically. In 90s, with the transition of Chinese society, the pace of urban construction was quickened gradually, and Chinese public art entered the stage of all-round development. The social development in 1990 mainly showed the following characteristics: first, The formation of modern cities has led to the formation of modern civil society in China, and has also led to the demands of citizens on public art. Second, with the development of economy, globalization, geopolitics and culture, environmental problems have become increasingly prominent. Third, From the internal point of view of public art, artistic language has been unprecedented rich. 4th, with the strengthening of the commercial trend of public space, it has produced a relative welfare public space, a large number of parks, squares, gardens. In view of these characteristics, The thesis includes the formation of Chinese civil society, the language characteristics of public art, the art of environmental design, the welfare and commercialization of public space, the democracy and openness of community public art and public art. In 90s, the development of public art was combed, analyzed and studied at different levels, such as aestheticism (public landscape art). Many problems in the development of Chinese contemporary public art are worth reflecting on. These problems are: the understanding of the public art audience, the public artists' understanding of the art language and the publicness, Public art subject issues and public art system, etc. The understanding of these problems is helpful to a deeper understanding of the many factors that have an impact on the public, and to the understanding of the current situation and problems of the development of contemporary public art in China. This paper analyzes and discusses the public art and public, the public art and public artists, the materials of public art, the concept of public art harmony and the system of public art. At present, the level of understanding and understanding of public art in China is far from enough. It is believed that through the study of the theory, history and current situation of public art, we will have a new understanding of public art. To provide a theoretical basis for the development of public art in China.
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2005
【分类号】：J120

【引证文献】