新塑形:艺术“劳作”中的自我观看与社会观照

发布时间：2018-03-13 19:26

本文选题：新塑形　切入点：具象塑造　出处：《美术学报》2014年05期 　论文类型：期刊论文

【摘要】："塑造"是造型艺术的最重要且最基本的命题,艺术发展到今天,对"形"的塑造,尤其是倾向于再现的所谓"具象"塑造,已不是当代艺术的前沿,但我们不应将由再现技术支持的系统与使用该技术所产生的某些作品绑定起来,从而时其产生偏见。在新视觉环境中;广州美术学院有这样一批执着于"新塑形"的青年艺术家,他们在塑形中进行着自我观看,抓住生活中具有精神性或神秘性的有形与无形。在创作中构造一种"真实",也以此方式完成对外部现实世界的凝视和观照,在观念泛滥。媒介林立的当下艺术潮流中,这种"外化而内不化"的坚持,使他们的创作呈现出别样的艺术特质他们对"新塑形"独立姿态的坚守与探索的意义,在不久的将来自会显现。
[Abstract]:"shaping" is the most important and basic proposition of plastic arts. Today, the shaping of "shape", especially the so-called "figurative" molding, which tends to reproduce, is no longer the frontier of contemporary art. However, we should not bind the system supported by the reproduction technology to some works produced by the use of the technology, thus creating bias in the new visual environment; The Guangzhou Academy of Fine Arts has such a group of young artists who cling to the "new shape", and they are watching themselves in the shaping. Grasp the visible and invisible life with spiritual or mysterious nature. Construct a kind of "reality" in creation, and in this way complete the gazing and contemplation of the external real world, and in the current artistic tide of overflowing ideas and numerous media, The persistence of "externalization but not internalization" makes their creation take on different artistic characteristics. The significance of their adherence to and exploration of the independent posture of "new shape" will be revealed in the near future.
【作者单位】：广州美术学院雕塑系;
【分类号】：J05

【共引文献】