精英艺术：神的诞生与隐退

发布时间：2018-03-16 18:39

本文选题：精英艺术　切入点：高雅艺术　出处：《华中师范大学》2001年硕士论文　论文类型：学位论文

【摘要】： 传统精英艺术的神圣性不是与生俱来的，更不是永恒不变的。艺术的神圣性在前现代时期来源于自身以外的宗教；当宗教衰微之后，“天才”和世俗政治权力成了精英艺术的新神。然而，随着20世纪文化的变迁，传统的人文艺术文化急剧衰落，旧的精英文化阶层解体，艺术的膜拜价值最终淡出了历史舞台。本文探讨了传统精英艺术在现代社会陷入窘境的原因，同时，描述了在现代文艺市场条件下，新的文艺观念和趣味的形成，最后期待着新的人文艺术精神的诞生。全文除前言和结语外，共分为四个大部分。一，神的诞生。进入现代社会以来，，虽然宗教之神让位了，艺术的膜拜价值和礼仪根基却顽强地保留下来：一场新的造神运动开始了，这便是艺术之神的诞生和艺术对世俗之神——公共政治生活的迷恋。精英艺术似乎总是倾向获得神性，不管获得神性的途径如何，都是在共同走向崇高。二，神的窘境。这部分有三节：1，科技文化的兴起对传统精英文化的挑战。2，现代主义运动的困境：艺术与生活的距离越来越远。 3，现代文化市场和消费文化的兴起对传统精英艺术的冲击。三，神的隐退。这部分从五个方面分析了现代社会文化的变迁对艺术及其主体的影响导致了艺术之神的远游：1，随着理性的张扬和科技的发展，世界和人自身逐渐“脱魅”。2，现代大工业生产和精细的社会分工割裂了传统文化意义上的有机的人。 3，现代市场经济的功利哲学与传统意义上的那个着眼于人的精神世界之丰富与提升的文化概念天然冲突。4，随着艺术与技术的结合，新的美学原则在崛起。5，艺术一体化功能被新兴文化消费方式和大众传媒所分解和取代。四，荒原抑或新的世界。在娱乐性、技术性、平民化浪潮的推动下，艺术最终重新回到生活中来，成为生活的一部分。这是和传统的精英艺术截然不同的艺术形态。
[Abstract]:The sanctity of traditional elite art is not born, nor is it immutable. The holiness of art. Sex, in the pre-modern period, came from a religion other than itself; when religion declined, "genius" and secular government. Ruling power has become the new god of elite art. However, with the change of culture in 20th century, traditional human literature and art. With the rapid decline of art culture and the disintegration of the old elite cultural stratum, the worship value of art finally faded out of historical dance. This paper discusses the reasons why traditional elite art is in a difficult situation in modern society, and at the same time, describes the present situation. Under the market conditions of literature and art in the 1900s, the formation of new ideas and tastes of literature and art is expected at last. The birth of God. In addition to the preface and conclusion, the full text is divided into four parts. First, the birth of God. Enter the modern society. Since then, although religious gods have given way, the value of worship and the foundations of etiquette in art have been tenaciously preserved:. A new movement to create gods has begun, and this is the birth of the god of art and the public of art to the worldly. The infatuation of political life. Elite art always seems to have a tendency to acquire divinity, regardless of the way in which it is acquired. This part has three verses: 1, the rise of science and technology culture. The challenge of traditional elite culture. 2. The dilemma of modernism: the distance between art and life. 3, the rise of modern cultural market and consumer culture impact on the traditional elite art. Third, the retreat of God. This part analyzes the influence of modern social culture on art and its subject from five aspects. With the promotion of reason and the development of science and technology, the world and man gradually "get rid of". Meizu. 2, modern industrial production and fine social division of labor seperate the organic people in the sense of traditional culture. The utilitarian philosophy of the modern market economy and the richness of the spiritual world focused on human beings in the traditional sense. With the combination of art and technology, the new aesthetic principles are on the rise. Since. 5, the function of art integration has been decomposed and replaced by the new culture consumption mode and mass media. The wilderness or the new world. Driven by the wave of entertainment, technology, and popularisation, art is finally re-established. Come back to life and be a part of it. It's a very different art form from traditional elite art. State.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2001
【分类号】：J0

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