戏剧翻译的语用分析

发布时间：2018-03-16 21:27

本文选题：翻译　切入点：戏剧翻译　出处：《上海海事大学》2004年硕士论文　论文类型：学位论文

【摘要】：戏剧翻译是文学翻译的一个重要组成部分,它不同于诗歌,小说的翻译,有着自身的特点,戏剧语言的无注性,视听性,通俗性都决定了戏剧的翻译标准不能套用其他文学题材的翻译标准。由于戏剧翻译是要将某戏剧作品从一国舞台搬到另一国舞台上,因而其目的是让译入语的观众得到与原文观众同等的反应。即“译文读者对译文的反应等值于原文读者对原文的反应。” 语用学是专门研究语言在交际中的理解和使用的学问。跨文化的言语交际必须懂得语用学,因为它关系到如何正确使用和理解说话双方正用以交际的语言。翻译过程中的语用分析,就是借助语用学的理论和方法,对翻译中所涉及的语言使用问题进行交际意义上的综合分析。戏剧中的人物对话是交际性对话,语用分析与戏剧翻译有着天然的切合点。本文总共分为三大部分。第一部分是全文的开篇,包括两章内容。第一章简单介绍一般翻译研究与语用学的发展现状,旨在说明语用学对翻译指导作用。第二章介绍戏剧翻译的发展状况,且指出了其不同于一般文学题材的翻译特点。这些特点决定了戏剧翻译必须考虑语用因素。第二部分是全文的重点,即戏剧翻译的语用分析。作者试从影响戏剧翻译的语用因素入手,对之做全面详尽的分析,这些因素包括指示,会话含义,关联,语境,礼貌五个主要方面,因此这一部分分作五章,每一章针对一个语用因素进行分析,同时结合剧本《茶馆》,《狗儿爷涅监》,《雷雨》,《芭巴拉上校》,《哗变》等的英汉对照本,反映出语用理论对戏剧翻译的可借鉴价值。戏剧译本要融入译语读者中,不仅要做到语义等效,明确传达原作意义,也应重视语用因素,考虑读者和观众的反应效果。最后第三部分是结论部分,在此作者明确观点:在戏剧翻译的实践中,要充分考虑语用因素顾及译入语读者的反应和剧本的可演出性。语用学理论的虽不能指导整个戏剧翻译的活动,但其应用会对戏剧翻译研究发展起重大的推动作用。
[Abstract]:Drama translation is an important part of literary translation. It is different from poetry and novel translation. Generality determines that the translation criteria of drama cannot be applied to the translation criteria of other literary subjects. Because drama translation is to move a dramatic work from one stage to another, Therefore, the purpose is to make the target audience get the same response as the original audience, that is, "the response of the target reader to the target text is equivalent to that of the original reader." Pragmatics is the study of the understanding and use of language in communication. Because it concerns how to correctly use and understand the language in which the speaker is communicating. The pragmatic analysis in the process of translation is based on the theory and method of pragmatics. This paper makes a comprehensive analysis of the linguistic use involved in translation. The character dialogue in drama is a communicative dialogue, and pragmatic analysis has a natural relevance to drama translation. This paper is divided into three parts. The first part is the beginning of the full text, including two chapters. The first chapter briefly introduces the development of general translation studies and pragmatics, with a view to explaining the guiding role of pragmatics in translation. Chapter two introduces the development of drama translation. It also points out the translation characteristics which are different from those of general literary subjects, which determine that pragmatic factors must be taken into account in drama translation. The second part is the focus of the thesis, that is, the pragmatic analysis of drama translation. The author tries to make a comprehensive and detailed analysis of the pragmatic factors affecting drama translation, including deixis, conversational implicature, relevance and context. There are five main aspects of politeness, so this part is divided into five chapters, each chapter is based on a pragmatic factor, and combined with the script "Tea House", "the Chief of the Kogeryeh", "thunderstorm", "Colonel Barbala", "mutiny" and so on. It reflects the referential value of pragmatic theory in drama translation. In order to be integrated into the target language readers, the drama translation should not only achieve semantic equivalence, convey the original meaning clearly, but also attach importance to pragmatic factors and consider the response effect of the readers and the audience. The last part is the conclusion, in which the author makes a clear point: in the practice of drama translation, The pragmatic factors should be taken into account in the response of the target readers and the performance of the script. Although the pragmatic theory can not guide the whole drama translation activities, its application will play an important role in promoting the development of drama translation research.
【学位授予单位】：上海海事大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：I046

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