“都市化”进程中的中国当代艺术

发布时间：2018-03-17 13:43

本文选题：都市化　切入点：进程　出处：《华东师范大学》2004年硕士论文　论文类型：学位论文

【摘要】：80年代以来，中国的当代艺术发展经历了奇异而曲折的历程，对“文革”进行严肃反思的“伤痕热”、表现边远地区少数民族风情的“乡土热”、对西方现代艺术全面模仿借鉴的“85新潮”、带有冷战意识形态色彩的“政治波普”、“泼皮”和商业艺术等令人应接不暇的现象都在这十几年里轮番登场。而到了20世纪90年代，随着中国改革开放的深入和全球经济一体化浪潮的催助，中国社会最重要的变化体现为“都市化”进程的加剧，它正在世界范围内创造着惊人的速度。对于中国当代艺术，它也起到了异常重要的影响。首先，都市化中，艺术的主题发生了转变。尤其表现在传统的架上绘画上。如：陈文波的“都市系列”、曾梵志的“面具”、王向明的“热带候鸟”、曾浩的“微型家庭”，这些作品的题材都来源于都市，和以往那些以乡土、怀旧和民族主义为特征的被样式化的中国当代艺术形成明显的区别。其次，都市化中，艺术的形式发生了转变。“综合材料”的概念就是以工业社会的外部条件而实现的，如：“状态”、“零点”等探讨材料艺术的展览；此外，录像、摄影、DV等新媒体艺术大量地涌现，也成为了当代艺术的重要组成部分。再次，都市化中，艺术更多介入公共空间。赵半狄和熊猫的种种行为，使得艺术与中国都市社会更密切地结合在了一起；公共雕塑等形式使艺术家们在城市中最大限度地与人群发生着直接的关系。而“都市化”的进程，对于中国当代艺术具有相当大的价值意义。第一，都市有发达的政治、经济、文化条件，中国当代艺术的“都市化”实现了都市与艺术家的互动关系。上海、北京、成都成为了重要的艺术中心。这源于大都市宽松的政治环境、较优厚的市场经济条件、较完善的文化设施。第二，都市的急剧发展引发了复杂的社会问题，中国当代艺术的“都市化”是对当今城市问题的深刻反映。因为，急速的现代化转型将中国社会变得越来越复杂。在这繁忙兴旺的景象背后，也明显的存在引人忧虑的问题。诸多展览都显明了，中国艺术家正通过不同的角度和视点，对于种种新旧社会意识形态和社会问题进行着人文的关怀。第三，，中国当代艺术的“都市化”是在国际舞台上经历了“跨文化”主义后的新发展。90年代初，国际策展人的后殖民主义眼光曾使“异国情调”在国际舞台上遮蔽了“中国”。而随着“都市化”的发展，“东方”与“西方”、“传统”与“现代”在多变的状态下不断进行着面对面的相互碰撞，秉着对传统文化的传承，中国艺术家们开始创造一个带有中国社会性与现代性混合的艺术模式。关于中国当代艺术“都市化”的前路，归纳了以下几点：第一，西方艺术市场经过长期的发展，目前已形成了一整套完备的机制。中国当代艺术“都市化”的发展，可以借鉴国外成熟的艺术体制。如，2002上海双年展就实行了新的展览操作模式——策展人制度。第二，在全球“都市化”的潮流中，中国当代艺术的“都市化”之路建立在交流的基础上。如，25届圣保罗双年展，威尼斯双年展第一次建立中国馆，都表明了只有基于本土文化发展逻辑的创造性智慧，才能发挥出国际间文化对话的主体性。第三，拒绝“伪都市”，走出有中国特色的“都市化”之路。中国一些年轻艺术家在形式上越来越国际化，但在艺术思想和表达的经验深度上却越来越苍白和空洞。面对着这个特别的“都市化”阶段，只有从本身的生活地点的现实出发才能对之作出不同的回答。
[Abstract]:Since 80s, the development of contemporary art China experienced a strange and tortuous process of the "Cultural Revolution" serious reflection "scar hot" performance in remote areas of ethnic minorities "local hot" of western modern art fully imitated the "85 new wave", with the cold war ideology of "political pop", "hooligan" and commercial art is too busy to attend to all phenomenon turns the stage in this decade. And in 1990s, with the urge to help China the deepening of reform and opening-up and the wave of global economic integration, Chinese society the most important change is the embodiment of "urbanization" intensifies, it is within the scope of the world to create a amazing speed. Chinese for contemporary art, it also has huge impact.
First of all, urbanization, changed the theme of art. Especially in the traditional easel painting. Such as: Chen Wenbo "City Series", Zeng Fanzhi "Mask", "tropical birds" of Wang Xiangming, Zeng Hao's "mini family", these themes are derived from the city, and those with local, obvious differences Chinese contemporary art features nostalgic and nationalistic style was formed.
Secondly, urbanization, changes in the form of art. The concept of "material" is in the condition of the industry society to achieve, such as: "state", "zero" to explore the materials of art exhibition; in addition, video, photography, DV and other new media art emerges massively, has also become an important part of contemporary art.
Thirdly, in the process of urbanization, art is more involved in public space. The actions of Zhao Bandi and the panda make art more closely integrated with Chinese urban society. Public sculptures and other forms enable artists to have a direct relationship with people in the city.
The process of "urbanization" is of great value to Chinese contemporary art.
First, the city has developed political, economic and cultural conditions, China contemporary art of "urbanization" to achieve the interaction between city and artists. Shanghai, Beijing, Chengdu became an important center for the arts. This originates from the metropolis relaxed political environment, more favorable conditions of market economy, perfect the cultural facilities.
Second, the rapid development of the city led to the complex social problems, China contemporary art of "urbanization" is the profound reflection of city problems. Because of rapid modernization Chinese social transformation will become more and more complex. At the back of the busy and prosperous, there are also obvious anxieties about the problem. Many exhibitions that is, China artists from different angles and viewpoints, for all sorts of social ideology and social problems with humanity.
Third, China contemporary art of "urbanization" is in the international arena has experienced "cross-cultural" after the new development of.90 in the early 1980s, the curator of the post colonial perspective has made the "exotic" in the international arena covered "Chinese." with the development of "urbanization", "Oriental" and "the west", "tradition" and "modern" in the constant of face-to-face collision, based on the traditional culture, China artists began to create a pattern with art and modern society Chinese mixed.
On the front road of "urbanization" of Chinese contemporary art, the following points are summed up.
First, the western art market after a long-term development, has formed a complete set of mechanism. China contemporary art of "urbanization" development, we can learn from foreign mature art system. For example, the 2002 Shanghai Biennale on the implementation of the new mode of operation - exhibition curator.
In second, the global urbanization trend, Chinese contemporary art "urbanization" way based on the foundation of communication. For example, the 25 St Paul Biennale, Venice Biennale first established China Museum, shows that only based on local culture development logic of creative intelligence, in order to play the subjectivity of cultural dialogue international.
Third, refused to "pseudo city" of China characteristics of "urbanization" of the road. Some of the young artists China more and more international in form, but in the depth of experience and expression of the artistic thought is more and more pale and empty. In the face of this special "urbanization" stage, only from their own place to live the reality can make different answers to it.

【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J120

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