艺术媒介与审美感兴——论艺术创作发生的内在物性特征

发布时间：2018-03-18 19:15

本文选题：艺术媒介　切入点：审美感兴　出处：《江海学刊》2014年03期 　论文类型：期刊论文

【摘要】：感兴是中国古代文艺理论中一个普遍性的范畴,有不可替代的创作论内涵,对于文学和艺术的创作有着发生学的重要作用。一般性的理解是创作主体在与外物的偶然遇合中兴起情感,从而产生创作冲动。感兴具有独特的美学理论价值,对于理解中国美学的民族特色、建构当代文艺美学都提供了丰厚的资源。艺术媒介是带有西方艺术理论色彩的美学命题,指艺术家在艺术创作过程中凭借特定的物质性材料,将内在的艺术构思外化为具有独创性的艺术品的符号体系。在文学艺术创作过程中,艺术媒介内化到艺术思维的发端即感兴阶段,诗人或艺术家以其独特的媒介感来感悟和把握世界,并在头脑中形成审美构形。感兴是艺术发生的基本动因,也是艺术杰作诞生的重要条件。在感兴过程中就包含着艺术媒介的内在物性特征。
[Abstract]:Ganxing is a universal category in ancient Chinese literature and art theory, which has an irreplaceable connotation of creation theory. The general understanding is that the creative subject rises emotion in the accidental encounter with the external object, thus produces the creative impulse. The sense of interest has the unique esthetics theory value, the general understanding is that the creation of literature and art plays an important role in the creation of literature and art. To understand the national characteristics of Chinese aesthetics and to construct contemporary aesthetics of literature and art provide rich resources. Art media is an aesthetic proposition with the color of western art theory, which refers to the artist relying on specific material in the process of artistic creation. In the process of literary and artistic creation, the art medium is internalized to the stage of feeling interest at the beginning of artistic thinking. Poets or artists use their unique sense of media to understand and grasp the world and form an aesthetic configuration in their minds. It is also an important condition for the birth of masterpieces.
【作者单位】：中国传媒大学图书馆;北京市美育与文明研究基地;美国加利福尼亚大学圣芭芭拉分校东亚系;
【分类号】：I04

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