本雅明艺术审美思想研究

发布时间：2018-03-30 13:22

本文选题：本雅明　切入点：艺术审美思想　出处：《河南大学》2004年硕士论文

【摘要】： 本雅明的美学思想及艺术审美理论构成本文研究的中心论题。在研究中，本文充分注意到本雅明所处的从传统社会向现代社会剧变的转型时代，从中探究现代化进程给他造成的思想影响，，并以商品化、技术等现代化过程中的特有现象为切入点，展开对本雅明艺术审美思想的考察。论文除结语外共分五个部分。在第一部分，论文集中透视了本雅明的人生轨迹、心理矛盾及其思想来源。本雅明生活在传统社会向现代社会迅速转型的时期，现代化的影响渗透本雅明思想的方方面面。作为落魄文人，经济地位的无产化使本雅明对马克思主义产生了认同。作为犹太人，本雅明又在很大程度上受到犹太教神秘主义的影响。马克思主义与犹太神秘主义的奇妙混合成为本雅明思想的一个显著特征。第二部分阐释本雅明的批评理论。本雅明的批评实践不同于传统的文学批评，开启了文化批评的转向，寓言批评是其独特的批评理论形态。这种批评理论从形式上看像是马赛克式的语言拼图游戏，从内容上看具有多重释义的可能性，适于批判人文精神缺席的现代社会，具有后现代主义的一些特征。第三部分探究本雅明的艺术主体论。本雅明敏锐而准确地把握了商品化进程对艺术主体的深刻影响。现代文人一方面日益沦为以出售文字为生的普通劳动者，被现代社会制度所异化，另一方面还保留着可贵的自觉意识，用自己的笔墨反抗非人化的社会秩序。第四和第五部分则深入分析和研究本雅明的艺术本质论。本雅明原创性地提出了技术因素对艺术本质的影响，揭示出现代艺术不同于传统艺术的本质性变化：文学上的现代主义是在革新文学创作技巧的基础上产生的，以反思性特征替代了传统文学的抒情性特征；而以图像为媒介的电影艺术则诞生在新的艺术创作技术基础上，代表了新的艺术类型，对以文字为媒介的传统文学构成了严峻的挑战。结语部分总结论文的主要观点，分析本雅明在思想上的矛盾性，指出他的现实意义。
[Abstract]:Benjamin's aesthetic thought and artistic aesthetic theory constitute the central topic of this paper. In the study, this paper pays full attention to the transition period from traditional society to modern society. This paper explores the influence of modernization on his thoughts and explores Benjamin's aesthetic thoughts of art from the point of view of the unique phenomena in the process of modernization such as commercialization and technology. The thesis is divided into five parts except the conclusion. In the first part, the thesis focuses on Benjamin's life track, psychological contradictions and ideological sources. Benjamin lives in a period of rapid transformation from traditional society to modern society. The influence of modernization permeated all aspects of Benjamin's thought. As a soul-fallen literati, the absence of economic status made Benjamin identify with Marxism. As a Jew, To a great extent, Benjamin was influenced by the mysticism of Judaism, and the wonderful mixture of Marxism and Jewish mysticism became a remarkable feature of Benjamin's thought. The second part explains Benjamin's criticism theory. The practice of Benjamin's criticism is different from the traditional literary criticism, which opens the turn of cultural criticism. Fable criticism is its unique form of criticism theory, which looks like a mosaic jigsaw puzzle game in form, and is suitable for criticizing the modern society in which the humanistic spirit is absent. It has some characteristics of postmodernism. The third part explores Benjamin's theory of art subject. Benjamin has grasped the profound influence of commercialization process on art subject. On the one hand, modern literati is becoming an ordinary laborer who sells words for a living. Alienated by the modern social system, on the other hand, it retains valuable consciousness and defies the dehumanized social order with its own pen. The fourth and fifth parts deeply analyze and study Benjamin's theory of the essence of art. Benjamin puts forward the influence of technical factors on the essence of art. It reveals that modern art is different from traditional art in essential changes: modernism in literature is produced on the basis of innovating literary creative skills, and the lyricism of traditional literature is replaced by reflective characteristics; The film art with image as the medium is born on the basis of the new art creation technology and represents the new art type, which poses a severe challenge to the traditional literature with the text as the medium. The conclusion summarizes the main points of the thesis, analyzes Benjamin's contradiction in thought and points out his practical significance.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：I01

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