苏珊-朗格的艺术形式观

发布时间：2018-04-13 18:44

本文选题：符号 + 形式　；参考：《河北师范大学》2002年硕士论文

【摘要】： 符号学是当代西方文化学术研究的一个热点。苏珊-朗格的艺术形式观孕育于怀特海等人的逻辑符号论和卡西尔的人类文化符号论，批判地融合了克罗齐、科林伍德、贝尔等人的成果，依托了丰富的自然科学和人文学科知识，指明艺术是人类情感符号形式的创造。区别于一般的理论符号学，朗格的艺术符号论是一种全新的美学思想体系，朗格由此成为迄今为止西方美学史上绝无仅有的伟大的女性美学家。朗格极为关注对艺术形式的研究，认为作为一种特殊的表情性符号，艺术就是能够将内在情感系统地呈现出来以供我们识认的形式。这种形式是一种逻辑形式，表现性形式，在某种意义上更是一种生命形式。本文探究了朗格思想的哲学基础；阐述了朗格艺术符号形式如何形成的理论，从一个角度解剖了其美学思想的构架；朗格的符号论思想将艺术符号看作是一种有机的整体形式，本文由此揭示了其艺术作为独立自足的文本世界的观点；篇尾对朗格思想作了评述，，点明其艺术形式观的重要价值和意义。
[Abstract]:Semiotics is a hot spot in contemporary western cultural academic research.Suzanne Langer's view of art form was born out of Whitehead's logical symbolism and Cassier's theory of human cultural symbolism, which critically integrated the works of Croce, Collingwood, Bell, etc.Relying on abundant knowledge of natural science and humanities, art is the creation of human emotional symbol form.Different from the general theoretical semiotics, Langer's artistic symbolism is a new aesthetic thought system, which has become the only great female aesthetician in the history of western aesthetics.Langer pays great attention to the study of art form, and holds that as a special emoji, art is a form that can systematically present the inner emotion for us to recognize.This form is a logical form, an expressive form, and in a sense, a form of life.This paper probes into the philosophical basis of Lang's thought, expounds the theory of how to form the artistic symbol form, and dissects the frame of his aesthetic thought from a point of view, and regards artistic symbol as an organic whole form in his semiotics.This paper reveals his point of view that art is an independent and self-sufficient text world, and at the end of the article comments on Langer's thought and points out the important value and significance of his artistic form view.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2002
【分类号】：J0

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