从目的论角度探讨庞德《神州集》的翻译

发布时间：2018-04-20 05:37

本文选题：艾兹拉·庞德 + 《神州集》　；参考：《上海外国语大学》2012年硕士论文

【摘要】：作为20世纪美国最有影响力的诗人之一，艾兹拉·庞德对美国诗歌的贡献不仅在于他是一位杰出的诗人，而且还在于他是优秀的翻译家。1912年，庞德在美国东方研究家欧内斯特·费诺罗萨遗稿的基础上选译了19首中国古诗，于1915年出版了译诗集《神州集》。该诗集在西方广为传播，受到高度的评价及赞誉，为中国诗歌甚至中国文化在西方的传播起到了极大的作用。然而，在赞誉的同时也有不少质疑甚至贬损。在一些评论家赞扬庞德在《神州集》中的创造性翻译及其浓郁的异域风情的同时，也有一些评论家指责其文字语法上的错误(其中部分是源于费氏的笔记)。本文从目的论的角度出发，重新审视了庞德的译作《神州集》，，剖析了庞德翻译中国古典诗歌时明确的翻译目的，及由其明确的翻译目的而决定的翻译策略和方法。通过追溯庞德翻译时的思维过程，进而探索《神州集》饱受中国学者非议的原因，给予其译作一个客观的评价。但是，我们必须承认庞德的《神州集》是中国古典诗歌在全新的英语世界获得第一次成功，经实际检验十分成功的目的论为翻译实践提供了重要的理论依据。此外，本文在微观方面细读该诗集并与原作进行比较，通过具体例证分析了庞德的翻译技巧及对文化元素的处理，为该诗集的广泛接受和赞誉分析了原因。本文还针对庞德翻译中的文化误读做了详细的分析，对如何看待和评价庞德在中美文化交流中的作用做出了论述。最后介绍了庞德的翻译实践《神州集》的影响，评论家们普遍认为，《神州集》是庞德史诗性巨著《诗章》的底稿，其诗歌技巧、诗学特点和文化因素对庞德个人的文学生涯乃至美国现代文学都产生了巨大的影响。此外，其后的翻译理论研究与翻译实践也大大受益于庞氏的翻译实践。
[Abstract]:As one of the most influential American poets in the 20th century, Ezra pound contributed to American poetry not only because he was an outstanding poet, but also because he was a good translator. Pound selected and translated 19 ancient Chinese poems on the basis of the manuscripts of Ernest Finolosa, an American oriental researcher. In 1915, he published an anthology of translated poems, the Collection of God's Land. The anthology of poems is widely disseminated in the West and highly appraised and praised. It has played a great role in the spread of Chinese poetry and even Chinese culture in the West. However, there are many doubts and even derogations at the same time of praise. While some critics praise pound for his creative translation and his rich exotic style in "the Divine Land", some critics accuse him of grammatical errors (some of them originated from Fay's notes). From the perspective of Skopos theory, this paper reexamines pound's translation of "Shenzhou Collection", and analyzes his definite translation purpose in translating Chinese classical poetry, and the translation strategies and methods determined by his definite translation purpose. By tracing back to the thinking process of pound's translation, this paper explores the reasons why the "Shenzhou Collection" has been criticized by Chinese scholars, and gives an objective evaluation of his translation. However, we must admit that pound's "Shenzhou Collection" is the first time that Chinese classical poetry has achieved its first success in the new English-speaking world. The Skopos theory, which has been proved to be very successful in practice, provides an important theoretical basis for translation practice. In addition, this paper makes a detailed study of the collection of poems in the microscopic aspect and compares it with the original one. Through concrete examples, this paper analyzes pound's translation skills and the treatment of cultural elements, and analyzes the reasons for the wide acceptance and praise of the anthology of poetry. This paper also makes a detailed analysis of cultural misreading in pound's translation, and discusses how to treat and evaluate pound's role in the cultural exchange between China and the United States. In the end, the author introduces the influence of pound's translation practice on the collection of Shenzhou. Critics generally think that the collection of Shenzhou is the manuscript of Poems, his poetic skills, and his poetic skills. Poetic characteristics and cultural factors have exerted great influence on pound's personal literary career as well as modern American literature. In addition, the subsequent translation theory and translation practice also greatly benefited from Ponzi's translation practice.
【学位授予单位】：上海外国语大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：H315.9;I046

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