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碎镜与孤灯:浪漫主义诗学的视觉构成

发布时间:2018-05-09 03:13

  本文选题:浪漫主义 + 视觉 ; 参考:《求索》2014年12期


【摘要】:"镜"与"灯"是浪漫主义诗学中带有视觉隐喻的关键词。浪漫主义诗人基于"想象力"、"崇高"等诗学要素,区分了"整体"和"碎片"这两种视觉体验;从视觉构成上来看,"镜"代表古典主义者对客观世界的整体摹仿,而"灯"则是浪漫主义者通过"碎片"化的视觉感知,想象性地构建内心图景的方式;这种区分根植于近代"理性主体"与"审美主体"的分裂当中。通过梳理浪漫主义诗学中的视觉构成,有助于拓宽我们对浪漫主义诗学与现代性的认识。
[Abstract]:Mirror and lamp are the key words with visual metaphor in Romantic poetics. Based on the poetic elements of "imagination" and "sublimity", Romantic poets distinguish between "whole" and "fragment", and from the perspective of visual composition, "mirror" represents the overall imitation of the objective world by classicists. The "lamp" is a way for romantics to visualize the inner picture through the "fragmentation" of visual perception, which is rooted in the division between "rational subject" and "aesthetic subject" in modern times. It is helpful to broaden our understanding of Romantic poetics and modernity by combing the visual composition in Romantic poetics.
【作者单位】: 浙江大学比较文学与世界文学所;
【分类号】:I052


本文编号:1864317

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