神性与诗性:东巴艺术的生存空间与艺术表现

发布时间：2018-05-20 06:58

本文选题：东巴艺术 + 神性　；参考：《云南师范大学学报(哲学社会科学版)》2014年06期

【摘要】：东巴艺术是纳西民族创造的艺术奇珍和重要的世界文化记忆遗产,它源于纳西民族的宗教信仰——东巴教。作为一种带着原始意味的宗教,东巴教是以自然神为中心的多神教,其神灵鬼怪多达2400多个,这就决定了东巴艺术的宗教色彩和神性生存空间。由于没有现实的蓝本,也就决定了这些洋洋大观的神灵鬼怪形象的塑造带有非理性的性质,东巴们的艺术创造是一种典型的"诗性"创造。首先,他们以"万物有灵观"作为思维基础;其次,其创作以超乎寻常的想象、鲜明的情感倾向和略貌取神的大写意为特征。而东巴文,既是文字,又是东巴艺术的组成部分,它处于文字发展的童年期,其永远的象形意味弥漫着诗情画意,是一种"诗性"文字。本文还从地理优势、民族性格和宗教情怀等三个方面探讨了东巴艺术神性空间和诗性表现的文化原因。
[Abstract]:Dongba art is an artistic treasure created by Naxi nationality and an important world cultural memory heritage. It originates from the religious belief of Naxi nationality-Dongba religion. As a religion with primitive meaning, Dongba religion is a polytheistic religion centered on natural gods, with more than 2400 gods and ghosts, which determines the religious color and divinity living space of Dongba art. Because there is no realistic blueprint, it is decided that the creation of these grandiose gods and ghosts has an irrational nature, and Dongba's artistic creation is a typical "poetic" creation. First of all, they take "animism of all things" as the thinking basis; secondly, their creation is characterized by extraordinary imagination, distinct emotional tendency and spiritual freehand brushwork. Dongba language, which is not only the character but also the component of Dongba art, is in the childhood period of character development, and its everlasting pictograph is permeated with poetic and picturesque characters. This paper also discusses the cultural reasons of Dongba's artistic divinity space and poetic expression from three aspects: geographical advantage, national character and religious feelings.
【作者单位】：华中师范大学文学院;
【基金】：教育部人文社会科学研究基金项目:东巴艺术的多重文化属性与艺术创新(11YJA760006)
【分类号】：J0

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