艺术创作中“胖子”形象的隐喻性研究

发布时间：2018-05-21 00:02

本文选题：胖 + 隐喻　；参考：《华东师范大学》2011年硕士论文

【摘要】：“胖”是人们日常交往过程中,仅次于男女性别的第二识别步骤,同时也是具有多重隐喻及内涵的外观形象。艺术发展至今,有越来越多的艺术家将“胖子”这一夸张的形象运用到艺术创作中,作为描述和表达的对象。从佛洛伊德笔下屡见不鲜的肥硕人体,到费尔南多·波特罗从人到动物到物品无处不在的“胖世界”；从牟柏岩塑造的敏感胆怯的胖婴,到杨茂源笔下那些雄浑而炙热的肉体……究竟为何艺术家们都对“胖子”形象如此情有独钟(相对于“瘦子”而言)?伴随着这样的疑问,我对艺术家们动用“胖子”来塑造世界阐述观点的心理产生浓厚的兴趣,对艺术创作中“胖子”形象之运用的研究也由此展开。本文将从“胖”自身所拥有的隐含意义由古至今的直观视觉感受之转变、“胖”的美学价值及含义入手,由此引出对“胖子”形象在艺术作品中的暗示及隐喻作用及其所传达的精神层面内涵的思考,意在揭示艺术家们屡屡使用胖子形象作为描绘主体的心理。由于这一论题目前鲜有论文、著述做专门讨论,因此给收集资料做深入研究带来一定困难。本文谨以我个人的学术知识、理论及视角,并结合国内外艺术评论家、策展人的一些理论及个别艺术家的著述对艺术创作中的“胖子”形象做尽可能深入的分析研究。
[Abstract]:"Fat" is the second step of identifying men and women in the process of daily communication, and it is also the appearance image with multiple metaphors and connotations. Up to now, more and more artists have applied the exaggerated image of "fat man" to art creation as the object of description and expression. From Freud's familiar fat human body to Fernando Potro's ubiquitous "fat world" of human beings to animals to objects, from the sensitive, timid, fat baby molded by Mou Baiyan, to Yang Mao-yuan 's powerful and hot flesh. Why on earth are artists so fond of the image of "fat man" (as opposed to "thin man"? With this doubt, I have a strong interest in the psychology of artists to use "fat man" to shape the world to express their views, and the research on the use of "fat man" image in artistic creation has also been carried out. This article will begin with the change of the implicit meaning of "fat" itself from the visual perception of ancient times to the present, and the aesthetic value and meaning of "fat". This leads to the reflection on the implication and metaphorical function of the image of "fat man" in the works of art and its spiritual connotation, which is intended to reveal the psychology of the artists who often use the image of "fat man" as the main body of depiction. Due to the fact that there are few papers on this topic, it is difficult to do further research on this topic. Based on my own academic knowledge, theory and perspective, combined with some theories of art critics and curators at home and abroad and the works of individual artists, this paper makes as deep an analysis as possible on the image of "fat man" in art creation.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J04

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