意向性与杜夫海纳美学

发布时间：2018-05-23 23:08

本文选题：意向性 + 审美对象　；参考：《苏州大学》2003年硕士论文

【摘要】： 意向性问题是整个现象学哲学运动中的一个核心命题，也是与现象学美学关联最为紧密一个命题。每个现象学家对意向性理论有着各自不同的理解。本文在对布伦塔诺、胡塞尔、梅洛·庞蒂的意向性理论作一梳理与比较的基础上，，揭示出上述三者之间意向性理论的继承和差异。在此基础上，本文对杜夫海纳审美经验现象学中的审美对象、审美知觉、情感先验三个组成部分进行了比较详细的分析，认为杜夫海纳对审美经验的现象学分析无论是基本结构还是具体结论都是以现象学的意向性理论尤其是以梅洛·庞蒂的意向性理论为哲学框架的。同时，杜夫海纳也通过对审美经验的现象学分析把现象学的意向性理论与康德的先验观念结合起来，以自己的美学研究参与到整个现象学哲学运动中，发展和深化了现象学的意向性理论。
[Abstract]:Intentionality is not only a core proposition in the whole phenomenological philosophy movement, but also one closely related to phenomenological aesthetics. Each phenomenologist has a different understanding of the intentionality theory. On the basis of combing and comparing the intentionality theory of Brentano, Husserl and Melo Ponty, this paper reveals the inheritance and difference between the above three theories of intentionality. On this basis, this paper makes a detailed analysis of the aesthetic object, aesthetic perception and emotional transcendence in the phenomenology of Dufheiner's aesthetic experience. It is believed that Dufheiner's phenomenological analysis of aesthetic experience is based on phenomenological intentionality theory, especially Melo Ponty's intentionality theory. At the same time, Dufheiner combines the intentionality theory of phenomenology with Kant's transcendental concept through the phenomenological analysis of aesthetic experience, and participates in the whole phenomenological philosophical movement with his own aesthetic research. It develops and deepens the intentionality theory of phenomenology.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：I01

【引证文献】