理想破灭了——从《玩偶之家》到《野鸭》

发布时间：2018-06-01 16:31

本文选题：正剧 + 悲剧性　；参考：《云南艺术学院学报》2010年01期

【摘要】：长期以来,我国戏剧界依据"易卜生主义"的基本思路和戏剧观把《玩偶之家》作为易卜生的代表作和最高成就。本文指出,《玩偶之家》把理性和基于理性的生活理想作为绝对的价值来认同,而《野鸭》则观照了理性和生活理想的片面性,后者与《俄狄浦斯王》、《哈姆雷特》是同质的。从现代世界观的角度评判,《野鸭》的艺术价值要高于《玩偶之家》。
[Abstract]:For a long time, Chinese theatrical circles have regarded "the family of dolls" as the representative work and the highest achievement of Ibsen on the basis of the basic ideas and theatrical views of "Ibsen doctrine". This article points out that "the doll's house" identifies the rational and rational life ideals as absolute values, while the wild duck looks at the one-sided nature of rational and life ideals, and the latter. Judging from the perspective of modern world outlook, the artistic value of wild duck is higher than that of the doll's home.
【作者单位】：浙江工商大学人文学院;
【分类号】：I106.3;I0-03

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