中国民间艺术在史学中的价值与意义

发布时间：2018-07-09 12:26

本文选题：艺术史学 + 民间艺术　；参考：《艺术百家》2014年05期

【摘要】：中国传统艺术大致有民间艺术、宫廷艺术、文人艺术和宗教艺术四个层次,这个层次的艺术形态是构成基于艺术学理论的中国艺术史学的基本史料,共同体现了中国文化的整体感。这四个艺术层次,民间艺术是最基础层次,具有"母型"文化特征并与其它艺术形态发生关联,乃至对其它艺术形态产生重要影响。但在现有的"艺术史"("美术史"、"音乐史"、"舞蹈史")中,主要是以文人艺术、宫廷艺术和宗教艺术为主体,中国民间艺术基本处于缺位的"悬置性语境"状态,尽管中国的文人艺术是中国传统艺术的主要特色,也是世界唯一的艺术形态,但是如果没有基础层的民间艺术作为建构中国艺术史学的部分,就无法体现出中国文化整体感,也不是完整的、整体的、综合的和宏观的中国艺术史学。中国民间艺术的史学价值和意义也正在于此。
[Abstract]:There are four levels of Chinese traditional art: folk art, court art, literati art and religious art. The art form of this level is the basic historical data of Chinese art historiography based on the theory of art. It reflects the sense of Chinese culture as a whole. Among these four artistic levels, folk art is the most basic level, which has the cultural characteristics of "mother type" and is related to other artistic forms, and even exerts an important influence on other artistic forms. However, in the present history of art (art history, music history, dance history), the main body is literati art, court art and religious art, and Chinese folk art is basically in the state of "suspended context". Although the Chinese literati art is the main feature of Chinese traditional art and the only artistic form in the world, if the folk art without the foundation layer is taken as part of the construction of Chinese art historiography, it will not reflect the sense of the whole Chinese culture. Nor is it complete, holistic, comprehensive, and macro-view of Chinese art historiography. This is the historical value and significance of Chinese folk art.
【作者单位】：东南大学艺术学院;
【基金】：2013年度教育部人文社科基金规划项目“基于艺术学理论的中国艺术史学方法研究”(项目编号:13YJA760022)阶段性成果 “江苏省高校优势学科建设工程资助项目”阶段性成果之一
【分类号】：J0

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