关于古诗英译的等值

发布时间：2018-07-13 18:12

【摘要】：本文旨在探讨汉语古诗词英译中的等值问题，强调了语言训估对实现汉语古诗词译文等值的重要意义。就汉语古诗英译而言，，信守原旨或曰追求等值无疑是对译文最根本的要求。回顾五十年来译界对“等值”概念之阐述，足以证明这一概念的争议性和多维性，即任何译文都不可能全方位地实现等值。同时，通过对这一概念的回顾，我们不难发现，准确理解原文并以读者理解的方式准确转达原文无疑是“等值”的精髓。此说之于汉语古诗词翻译更显而易见。由于时代与异质文化之间的差异，译者与原文作者会产生时空疏离，因之相应的古诗词英译其当务之急便是语言训诂问题。古汉语与英语不同，在训读比勘古汉语文本时，必须先明字义，而后方可分章断句。诗歌用语无疑都是相应文化传统的产物，黄庭坚赞杜甫诗“无一字无来处”，便是此理最好的注脚。汉语古诗词英译倘不深究原文字（词）义，则难以领会并传达出字词背后“传统抑或有意味的东西”。字意不求甚解。切词妄断，便会曲解原文，使原文与译文“貌合神离”。故而准确地训读诗意，对于译文的等值追求极为重要，而译学语言训诂正是由此而生。诗歌是音、形、意的统一体，翻译的目的即是要把原文的这些要素尽可能准确地移植到栖息在异质文化土壤的译入语。古汉语诗词中的音美与形美要素由于汉语语言形式自身的特殊性，很难传达到另一种语言里，因而本文主要从第三个要素（包括修辞，风格，诗情等待译要素）入手，研究训估阐释模式及其对实现汉诗英译中等值追求的有效作用。
[Abstract]:The purpose of this paper is to discuss the problem of equivalence in the translation of ancient Chinese poetry and to emphasize the importance of language training in realizing the translation equivalence of ancient Chinese poetry. As far as English translation of ancient Chinese poetry is concerned, adherence to the original aim or the pursuit of equivalence is undoubtedly the most fundamental requirement for the translation. Recalling that the elaboration of the concept of "equivalence" by the translation community over the past fifty years is sufficient proof of the controversial and multidimensional nature of the concept, That is, no translation can achieve equivalence in all directions. At the same time, by looking back at the concept, it's not hard to see that, Understanding the original text accurately and accurately conveying the original text in a way that the reader understands is undoubtedly the essence of "equivalence". Pulp. This theory is more obvious in the translation of ancient Chinese poetry. Due to the difference between the times and the heterogeneous cultures, the translator and the author of the original will be separated from each other in time and space. Therefore, the urgent task of translating ancient poetry into English is language exegesis. Ancient Chinese is different from English. And then can be divided into chapters and broken sentences. There is no doubt that the poetic expressions are all the products of the corresponding cultural traditions, and Huang Tingjian's praise of du Fu's poems is the best footnote to this theory. If the translation of ancient Chinese poetry into English does not delve deeply into the meaning of the original text (word), It is difficult to understand and convey the word behind the "transmission or meaningful things." The meaning of a word is not understood. A false judgment will misinterpret the original text and make the original text separate from the target text. Therefore, it is very important for the translation to pursue the equal value of reading poetry accurately, which is the origin of translation language exegesis. Poetry is the unity of sound, form and meaning, The purpose of translation is to transplant these elements of the original into the target language as accurately as possible. Due to the particularity of the form of Chinese language, the elements of phonetic beauty and beauty of form in ancient Chinese poetry are different from each other. It's hard to communicate in another language, Therefore, this paper mainly starts with the third element (including rhetoric, style, poetic emotion waiting for translation). This paper studies the mode of interpretation and its effective role in the pursuit of equivalence in the translation of Chinese poetry into English.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2001
【分类号】：I046;H315.9

【共引文献】